Customer Reviews

Honey From Tombs

5 star:		(3)
4 star:		(3)
3 star:		(0)
2 star:		(0)
1 star:		(1)

 

 

I picked up the cd on a whim while buying the new Delerium cd, which is wierd because shes from Canada too. The album sits on the fence between modern day and old timey country/bluegrass and can easily be played anywhere, whether your sitting at home, drinking at a bar, or on long roadtrip. This is pretty wierd though because her vioce sounds like one more typically heard in new jazz/blues. I'd say she sounds like a combination of Hope Sandoval, Norah Jones, Dido, and Azure Ray all wrapped up into one.

I have to be completely honest in that I think Amy Millan is probably one of my favorite female songwriters right now. Writing love songs without sounding generic or formulaic and a stunningly ethereal voice, she quickly became my favorite out of the "Broken Social Scene" trio which features Emily Haines (Metric) and Leslie Feist. So with a solo outing, does she continue on a Stars-sounding route? Well no since solo projects allow you to be different than your regular band and here we get straight up folk songwriting. Amy's voice is best backed by big epic arrangements and when stripped down, things still do come through although maybe not on the level Stars fans are used to.

The album starts out with many Amy's voice and an acoustic guitar on "Losin' You" and it's appropriate for what you'll hear. It's a nice song although very short and doesn't captivate so much as it entertains. One of the best tracks on the record is next as "Skinny Boy" has Amy almost doing a breathy kind of vocal in parts. My one complaint is that it sounds too "busy" as there's lots of tiny overdubs and such and it becomes almost cluttered. Another single, "Baby I" might sound too Grand Ole Opry-esque and it would've benefited on maybe a stronger beat but it's at least quite charming and a weird little sing along.

The record isn't completely quiet as a song like "Headsfull" is quite bluesy and rocking like something that might've been done from the 70's. It may not be catchy but at least it sounds fun. The album stumbles afterwards as "Hard Hearted" is kind of slow and almost boring to listen to while I can't get images of Hee Haw-watching, slack jawed yokels whenever I hear "Blue in Yr Eye". "Come Home Loaded Roadie" is quite the oddball as its main instrumentation is organs and Amy's voice. It probably won't stay in your head long but you like hearing it when it's on.

"Wayward and Parliament" is kind of compelling to listen to even though it's rather simplistic. With Amy's vocals, sporadic instrumentation, trumpets and a weird shift in tempo, it holds your attention even though you have no clue where it's going. "All the Miles" is probably one of my favorite tracks with its blues solo intro and great beat, it's one of the more enjoyable tracks. Just like the opener, the closer "Pour Me Up Another" is an acoustic track although this one's more gentle and intimate. It has that songwriter feel where it's not poppy but it's just really nice to listen to and I like the horn backing melody as well.

This is kind of a difficult record to listen to. Not that it's alienating and lacking melodies and hooks, but rather it's such a 180 from Stars that it's hard to adjust that voice with banjos. Pianos sure but slide dobros? Hm but in any case, Amy fans can find something to like here even though it's musically different than what you might hear from her but that don't make it a bad thing.

If you like folk music, acoustic guitar and BOB DYLAN you should go and give this a try!!! Amy millan's Honey from the Tombs is a very powerful entry in the world of folk music; i think it will be considered as a classic in a few years. I just wish more people will hear her singing because its so beautiful its crazy!!

Amy Millan's main band is call STARS, They have some good stuff too but i believe the main force of their band is Amy herself. She is also a very talented guitar player and that shows on the album. There is no band there or almost and no electric guitar, its mostly just her and the guitar, its very nice!!

The songs on here are very mellow and folky, its a very soothing album that is perfect for relaxing in your living room. She mostly sings about love, relationships and whiskey...haha...lol

ENJOY!!!!

I bought this CD because of that song 'Baby'. After getting the CD, I ended up liking the whole thing. The sound is original and authentic. This CD is like a hidden gem in a world flushed with a trillion CDs.

Actually, I'm not a very big fan of the Stars. But when I picked up this album I loved it. It's refreshing, different, a little twangy but not overly-so. It's definitely a departure from the Stars...but isn't that the point of going solo? I say bravo...and frankly I think she has done just as well as Emily Haines.

I found this cd used and it looked interesting, so I bought it, it's actually pretty darn good, some songs have a truely southern hillbilly sound to them with a smooth Norah Jones/Heather Nova voice to them, and the other songs seem a little more influenced by a past punk obssession or something.

All in all, it's a good cd to just put in the background and have it play, I liked it alot, but can't imagine it pleasing everyone..I reference Norah Jones/Heather Nova just strictly for simularity in voice tones, Amy Millan and this cd are definitely a beat of there own..

This is the most overrated, monotonous, and down right boring CD I've bought in the past couple years. Miss Millan's zealous attempt to sound like a hillbillie, is overwhelming. The other songs are Mazzy Star b-sides and hardly original. If there was any question as to Miss Millan's contribution to Stars, it's certainly not for the positive. In fact, I would venture to guess the most amazing Stars album is yet to come - the one recorded while Miss Millan is busy in Alabama, seeking more inspiration for her next solo effort. Maybe she should have asked Emily Haines to help out, before releasing such a polished turd.