About the Story: HONEYMOON IN HELL appeared in the second issue of GALAXY dated November 1950. (Browns THE LAST MARTIAN had appeared in the first issue a month previous.) Browns name on the table of contents of the first two issues, along with the names of other major contributors to ASTOUNDING - Clifford Simak, Isaac Asimov, Theodore Sturgeon, Fritz Leiber, Anthony Boucher - made clear that Gold was going directly after John W. Campbells audience and the stories which he had printed were of a different order from what these writers had sold ASTOUNDING. They were darker, more socially aware, in cases (Richard Mathesons COMING ATTRACTION) sexually frank in a fashion inconceivable in Campbells magazine. This novelette, dealing frankly with copulation and its desired consequences, was managed in a way far less euphemistic than had been the Campbellian norm and Brown, as he was to do often in the stories to follow, used a satirical attack which if it did not question magazine taboos certainly parodied them. The covers of pulp magazines such as PLANET or STARTLING depicted monsters putting near-naked females in peril, but the narratives under the cover by design offered no equivalent. Browns hastily married couple, sent to the Moon to see if they could breed a male child (all births on Earth over recent months have been female), encounter problems emotional as well as practical. Difficult as it may be to understand sixty years later, the employment of the word hell in a magazine cover title was also an act of provocation. The story was a provocation in its entirety, although, of course - and as Paul di Filippo suggests in his introduction - perhaps you had to be there. About the Author: Fredric Brown (1906-1972) was the only writer to achieve equal prominence in the mystery and science fiction. NIGHT OF THE JABBERWOCKY (1947) won the first MWA Edgar for first novel and all of his mysteries remain much in demand overseas where he has always been very popular. Several of those mysteries (THE SCREAMING MIMI, 1958) were adapted for film. Browns science fiction includes novels (WHAT MAD UNIVERSE, MARTIANS GO HOME!) and shorter work regarded as classics of the form (ARENA, THE STAR MOUSE, PLACET IS A CRAZY PLACE). He was also the acknowledged master of the short-short story; a famous collection, NIGHTMARES AND GEEZENSTACKS (1954) demonstrates his consistent mastery of a form self-limited to a top wordage of 500. ARENA (1944) was the basis of a famed Star Trek episode, MARTIANS GO HOME! was adapted for a 1992 film; THE LAST MARTIAN was adapted for Serlings THE TWILIGHT ZONE and starred Steve McQueen at the start of his career. Poor health (weak lungs) forced Brown into Arizona retirement in 1963 and he published only one short story in collaboration in his last eight years. His work, forty years after his death, is increasingly prominent. About The Galaxy Project: Horace Gold led GALAXY magazine from its first issue dated October 1950 to science fictions most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field. The Galaxy Project is a selection of the best of GALAXY with new forewords by some of todays best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Sheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.
--This text refers to the
Kindle Edition
edition.



