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Hong Kong Art: Culture and Decolonization
 
 
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Hong Kong Art: Culture and Decolonization [Paperback]

David Clarke (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

December 21, 2001
Hong Kong Art is the first comprehensive survey of contemporary art from Hong Kong presented within the changing social and political context of the territory’s 1997 handover from British to Chinese sovereignty. Tracing a distinctive and increasingly vibrant art scene from the late 1960s through the present, David Clarke discusses a wide range of media, including painting, sculpture, photography, video, and installations, as well as other kinds of visual production such as architecture, fashion, graphic design, and graffiti.
Clarke shows how a sense of local identity emerged in Hong Kong as the transition approached and found expression in the often politicized art produced. Given the recent international exposure of mainland Chinese contemporary art, this book considers the uniqueness of the art of China’s most cosmopolitan city. With a modern visual culture that was flourishing even when the People’s Republic was still closed to the outside world, Hong Kong has established itself as an exemplary site for both local and transnational elements to formulate into brilliant and groundbreaking art.
The author writes about individual artists and art works with a detail that will appeal to artists, curators, and art historians, as well as to postcolonial scholars, cultural studies scholars, and others.

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About the Author

David Clarke is Associate Professor of Fine Arts at the University of Hong Kong. He is the author of Modern Art: A Graphic Guide, The Influence of Oriental Thought on Postwar American Painting and Sculpture, Art and Place: Essays on Art from a Hong Kong Perspective, and Modern Chinese Art.


Product Details

  • Paperback: 224 pages
  • Publisher: Duke University Press Books (December 21, 2001)
  • Language: English
  • ISBN-10: 0822329204
  • ISBN-13: 978-0822329206
  • Product Dimensions: 9.1 x 6.1 x 0.7 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,146,764 in Books (See Top 100 in Books)

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5.0 out of 5 stars To the asleep in 1997, September 14, 2006
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This review is from: Hong Kong Art: Culture and Decolonization (Paperback)
If you have been asleep or ignorant of what happened to Hong Kong in 1997 and you want to see the expression of the transition of the 'handover', then pick this book.

The book begins with the paintings of Luis Chan very reminiscent of the 'see if you can find the nine faces hidden in the figure' followed by sculpture by Antonio Mak in whose works you can see 'verbal associations'. This binding of words with works is prominent in art from the places known from calligraphy like China and Arabia.

The next chapter deals with display of feelings of the people through the temporary 'The Wishing Star' . Many artists expressed the onset of uncertainity in different formats - video, installation.

Public Art is well described. The rise of installation art in the Art Space exhibition is studied too.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
central government offices, reunification monument, handover period, handover ceremony, hybrid art, public sculpture, national meanings
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Hong Kong, Victoria Park, Exchange Square, Van Lau, Legislative Council Building, Antonio Mak, Government House, Cultural Centre, Pillar of Shame, Shanghai Tang, Forever Blooming Bauhinia, People's Republic, Bank of China, Luis Chan, Tsim Sha Tsui, Lee Ka-sing, Tsang Tsou Choi, Tiananmen Square, Communist Chinese, Kith Tsang, Stories Around Town, Warren Leung, Oil Street, Cultural Revolution, Wucius Wong
Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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