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Hoochie Mama (Mad Dog Rodriguez Trilogy) [Hardcover]

Erika Lopez (Author)
5.0 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

April 18, 2001 Mad Dog Rodriguez Trilogy
In this knuckle-cracking finale to the "Trilogy of Tomatoes," Erika Lopez refuses to wipe her nose, curtsey, and exit gracefully. "Hoochie Mama: The Other White Meat" is another eclectic novel that belongs somewhere between the coffee table and the bathroom, but this time we're a little older, yellowing like freezer-burned chicken, and dabbing on just a touch of rouge before hobbling down to the street corner to scream at the computer programmers who've skipped into San Francisco and peed all over the toilet seats out of excitement.

You see, fresh from prison, Tomato "Mad Dog" Rodriguez returns to find her once-bohemian Mission neighborhood overrun by Latte People trading stocks on cell phones while careening down sidewalks in their Ford Explorers. Rents have multiplied to the square root of horror, forcing the families, elderly artists, and hippies -- those who didn't already get run over on the sidewalks -- to flee in droves, leaving behind only those willing to serve noisy coffees and change the deadly Firestone tires.

"If we spill your non-fat decaf lattes on our skin, do we not burn?" In spite of its resentful minimum-wage tone, this book is not only for the person who feels herself to be part of the cleaning staff for this rip-roaring American party of overachievers with perfect credit ratings. For some in the middle of their own urban hell, this may be like having your head jammed in a toilet and flushed over and over again. But others, with medical coverage and a morbid curiosity about what it's like to be a renter pillaging the sofa for change as if it were a lucky fountain, will find sharing this glimpse of the underachieving class as fascinating as staring atroadkill, then sniffing it.

But whether you view Mrs. Lopez's latest literary caterwaul as high entertainment of the outrageous sort, or as part political polemic, part act of subversion, you are sure to be entertained. For her part, she sees it as a creepy warning for renters to beware. "Run and hide," she warns. Remember when the Martians landed and when it was almost too late, we found out that their supposedly philanthropic book, "On Serving Man," was really a cookbook?

It's a fun romp through the seal-clubbing world of gentrification, with a girl who's run over a cat, kidnapped her lover, forged her roommate's checks, slept with married Canadians, ordered Columbia records under dead neighbors' names, tried on numerous occasions to murder Chihuahuas...and still is easily the nicest person in the whole story.

So y'all gather 'round the heating duct -- assuming your deregulated electricity hasn't been shut off -- turn out the lights, and hold flashlights under your chins...then read this tale to each other well into the wee hours of the night before your rent is due...[insert scream here].



Editorial Reviews

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

We rented a house in West Virginia and when we moved in, we brought along our wooden notepad holder that was shaped like a small, old-fashioned children's sled. It was the kind of thing you hung next to the kitchen phone. You dropped a roll of paper in the top, threaded it through a bar at the bottom and you were set to go. It was all about taking only what you needed when it came to Thanksgiving grocery lists or tiny local phone numbers. Nothing more/nothing less.

My mom, Debby was thirty-two then, the same age I am now, and my sister Elena Glane, was unformed five. I was seven and learned how to crack eggs in that house. Mom taught us how to make sugar cookies. And so that we wouldn't be the subject of an urban myth, we used a wooden spoon instead of an electric mixer. When I was bad I got spanked with that same wooden spoon to keep me in line, so I sat on it to make it snap in half. After that, in a pinch, when I was bad she'd use her hot-pink hairbrush. But if my mom knew then how I'd turn into a demonic Monster Girl, she'd have not only made cookies with the electric mixer, but punished me with it as well.

Hindsight is always 20/20.

Just down the hill from us was a brother and a sister who lived in a house that had a big hill as their whole backyard. It was covered by lush wild onions. Sometimes I'd pull off handfuls and inhale and wonder if we could make this stuff into soup in case of an emergency, like a war.

The sister's name was Kim and I had a crush on her older brother because he had a blond bowl cut and wore wire-rimmed glasses. I can't remember his name right now, but he looked like a sensitive, chunky folksinger at a time in America's history when everyone in the country looked like a sensitive folksinger. Especially in those candid Instamatic photographs, squinting thoughtfully into the sunset or helping a butterfly wrangle itself free from the clutches of modern life. A modern life that cried for the understanding of a folksong.

Kim's brother had a lot of passion brewing under his Sears Toughskins from the Husky department, and I wanted to grow up and be the one to undo the zipper that would make me a Woman with a capital "W". I didn't need a poem, a song, or even nary a glance in my direction. It was enough that he could make a different clubhouse every week our of the same musty, oniony wood and then share it with all of us without being such a dork. He liked company. You see, he had the strong, silent image that the wildly successful cigarette industry was based on. "How insightful of them," I'd later admit.

When Halloween came around, some girl up the street made a haunted house in her basement, and yeah, she had the peeled grapes for eyes. To this day I still won't eat grapes.

We went trick-or-treating and got big Hershey bars and baggies of chocolate chip cookies. We dumped our loot on the hoods of cars and swapped candy like Kennedy Tragedy Trading Cards, and I gave my big Hershey bar to Kim because I wanted her to think I was the best friend a girl could have. It was like giving her an engagement ring, for we were the future fat girls who'd later dress it all up with lots of eyeliner piled on our top lids and shiny rings jammed down to the bottom of our fingers.

We'd never became the kind of apologetic fat girls who knew our places in the bodily caste system -- smiling too much, giving away cigarettes and letting people keep our Tupperware. I wonder if Kim still has her eyebrows, because back then you lost them along with your innocence. It was the price you paid for staying in West Virginia.

I was in second grade and the janitor at the school was an old hunched-over black man and his wife worked with him. Every day she wore an easy blue broadcloth muumuu with rags, sponges, and gloves sticking out of the useful yellow patch pockets she'd stitched on after buying the muumuu.

They had this cramped, dark little office where they had a big old TV on the floor that played soft elevator music and had boring typewriter writing constantly going down a blue or green screen, reporting the weather, community events, and school lunch menus.

Neither one of them talked much, but they smiled whenever they saw me and every once in a while the husband would lean his mop against the wall, wave me over to him, and hand me a small, sealed envelope to give to my mom.

He wrote little notes to her and I don't remember what they said, but he'd fold in a twenty-dollar bill for her to spend on my sister and me, just to help her out.

Mom made arts-and-crafty wall hangings in our house for the YWCA Christmas bazaar. She had a big round friend with no waist who made these crafts with her; this friend had lots of black eyeliner piled on her eyelids, and rings cinched at the bottom of her own short fingers like hose clamps.

We'd all go out to a Greek place called Lopez's Grill to eat pizza. We couldn't have soda in the house, but when we were at the grill, Elena and I got to drink as many RC Colas as we wanted because it kept us quiet while the adults talked. Since Elena wasn't even seven yet, she didn't have a whole lot of ideas as to what to talk about, so I'd quietly drink RC, listen to the jukebox, and wonder why some guy would admit to shooting the sheriff but not the deputy. Why would he actually admit shooting anybody? I looked forward to the day when I would finally understand. That day has yet to come.

My mom's round friend with eyeliner didn't like kids because she'd been an only child herself, and no matter how old she got, she didn't like having the attention off her. But her parents once gave my sister and me a couple of Wrigley's Spearmint gum boxes that were taller than we were, so we didn't care how irritating she was when she harmonized to Streisand records like a Barbra shop quartet.I looked forward to the day when I'd finally understand America's pay-through-the-nose love for Barbara. That day has also yet to come.

Together, she and my mom made felt-snail wall hangings on yellow burlap with dowels at the top and a dab of cotton under the snail shells to make them more three-dimensional so they looked like they were popping right out at you. I was amazed and thought it was the most clever thing I'd ever seen.

Later in that summer some of my friends ran over and banged on the aluminum screen door because my puppy, Mittens, had been hit by a car. I ran to her, but I felt so useless. She was panting, lying on her side with her tongue sticking out more than usual, and I didn't want to touch her and make anything worse inside of her. It was only a few minutes before she died. With such a fair mom who explained every spanking, it was the first time I just didn't get it/didn't understand why.

At bedtime that night I sat on Mom's double bed, crying as she tried like Sesame Street to explain the life and death things we never really understand until that very last minute when we're sprawled and gasping before the tires of our own deaths. She was trying to get ready for bed as she talked to me, but then she stopped fluffing her pillows and she started crying, too. Not like a grown-up mom tear or two, but her face got all wrinkled up and red and she was crying and crying, just like a kid. I was stunned. At first I wanted her to know everything and make it better, but then it turned out she wasn't so sure. It took me a minute to readjust my expectations from an omnipotent mother to a human mom. I loved her so much for not being that much older than me after all.

The next day in school, I sot in the bathroom stall and sobbed. As I unrolled the toilet paper to blow my nose, I promised myself I'd remember the date of Mittens's death forever, but now I'm not sure whether It was June 6 or even if it was a Monday.

Later that fall, when a spider moved into my bedroom window, I gave it a name, talked to it so it woul


Product Details

  • Hardcover: 272 pages
  • Publisher: Simon & Schuster; First Edition edition (April 18, 2001)
  • Language: English
  • ISBN-10: 0684869748
  • ISBN-13: 978-0684869742
  • Product Dimensions: 7.2 x 7.2 x 1 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,189,568 in Books (See Top 100 in Books)

More About the Author

Erika Lopez is back, and ready to take back her place at the head of the rickety kids' table... in September 2010, she's publishing "THE GIRL MUST DIE" with a matching book of "THE GIRL MUST DIE POSTCARDS" through their new publishing company, Monster Girl Media!

To follow updates, go to her Cartoon Log, http://clog.ErikaLopez.com

----

(Biography from www.ErikaLopez.com ...)

After poor--but happy--frolicking years of art school in Philadelphia at The Pennsylvania Academy of the Fine Arts (and stints at Moore College of Art and The University of the Arts), Erika was surprised to find herself out on the streets with a lot of attitude and an inability to hold down a job. So after a couple of crappy jobs, bad room mates, and a couple of days in jail, Erika was losing the dream of being a rich and famous artist strung out on heroin supplied by NYC gallery dealers.

Erika quickly adjusted her ambitions and aimed to become a famous cartoonist for porn magazines. That didn't go so well either. But her cartoons kept getting published in San Francisco and so she moved there and ended up living with a Gothic meth lap dancer and a bleach-blonde Eskimo call girl from Canada.

Soon after getting her own apartment with no job in sight, Lopez got a couple of grants she'd--half-jokingly, but desperately-- applied for during one of her previous "fired" periods back in Philadelphia: She was a Pew discipline winner a couple of times, but the Ludwig Vogelstein Foundation and the Pennsylvania Council on the Arts each gave her $2500 to write. Write? Write what?

So following through on her own dare and having nothing left to lose, she learned to ride a crappy motorcycle in a week, and rode cross country so she could at least write about doing something. When she made it safely home, she penned her way through her first novel, "Flaming Iguanas," sprinkling it with enough illustrations to distract the reader from the writing.

It worked. It sold. Her editor at Simon & Schuster offered her more money to write again and again, and so she wrote and wrote until she realized she was getting weird and creepy after so much time alone. The future seemed so bright for young Erika, she thought she'd have a Victorian house in San Francisco within an hour. But with a shrinking economy and "creative differences" with her publisher, the jig was up. She unwisely shot herself in the foot at the beginning of what was to become a massive economic downturn. In no time at all it seemed she was going down in flames...

Again, Erika simply went with the flow. She embraced this challenge with a pinch on the cheek and a pat on the head, by gaining weight, wearing muumuus, listening to AM talk radio too loud, and calling herself "Grandma Lopez." She was going around calling people "toots", pinching their cheeks too hard, and giving everyone unsolicited advice as she limped on over to the welfare line.

Becoming a burden to the state and calling the welfare checks her "special mini art grants," she turned those salmon-colored notes into "Nothing Left but the Smell: A Republican on Welfare." As far as anyone knows, it's the first known Food Stamp Variety Show with lots of theatrical complaining, some papery cartoon moments, and tender, bitter singing. It's a show about being a sorely-mistaken, middle class pipsqueak ... one of those totally unsympathetic characters who grows up thinking all the civil and voting fights have already been fought so now she's free to sit back and buy lots of crap from mail order catalogues. Instead, she ends up in the welfare line so she can star in her own variety show about it later.

This started a new chapter in Erika's adventure, one that embraces a multi-media approach to life. No one focus, but a broad view on that "what's next" question buried inside each and every one of us. This new and improved Erika has been travelling around the world, Oslo, Edinburg, London and Manchester, performing and inspiring other pipsqueaks all over the planet.

She has now set her sights on making movies with Monster Girl Movies, based on books published by their new publishing company, Monster Girl Media.

Watch out for "The Girl Must Die," to be published in September 2010, available with a matching set of art postcards, in the U.S., Canada, and online.


 

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Average Customer Review
5.0 out of 5 stars (4 customer reviews)
 
 
 
 
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21 of 21 people found the following review helpful:
5.0 out of 5 stars COULDN'T PUT IT DOWN!--FOR TWO YEARS!, November 4, 2000
By 
Erika "Mad Dog" Lopez (San Francisco, CA USA) - See all my reviews
This review is from: Hoochie Mama (Mad Dog Rodriguez Trilogy) (Hardcover)
Okay, I couldn't put it down because I wrote this book and it seemed to take forever to finish. Two years of paying such close attention to the hyper-gentrification all around me in San Francisco was like having my head held down in a toilet. Every day. Imagine that. / I would've liked to have put this book down--again and again--and LIVE my life before I was forced to leave the city. / You know, frolic in the wind, feed tuna to the pigeons, throw frisbees to stray dogs... that sort of thing.

But no./I couldn't put this book down.

So I think this book's the best one I've written. I could be wrong, very wrong. But I'm gonna go out on a limb here and say that I think it's great. Fantastic. Even woo-woo FUN. But we ALL know how rickety limbs can be... Just like some of our economic holds in America.

Yes./And that's is the reason for the resentful, minimum-wage tone of this book. It's for the person who feels herself to be a part of the cleaning staff for this ROARING American party of over-achievers with perfect credit ratings... And those with a morbid curiosity about what it's like to be a renter, pillaging the sofa cushions for change, will find peering at this little tale as fascinating as a two-headed baby floating in a jar of formaldehyde and the county fair.

But mostly, it's a scary, scary story to be read when your electricity's been shut off and you're gathering around the heating duct with your flashlight under your chin... read this in the wee hours of the night before your rent is due. It's a WARNING FOR RENTERS TO BEWARE... RUN AND HIDE...

[Insert scream here.]

...La la la.

---Erika "Mad Dog" Lopez

--------------

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5 of 5 people found the following review helpful:
5.0 out of 5 stars Slap my meat and call me dinner, June 15, 2001
This review is from: Hoochie Mama (Mad Dog Rodriguez Trilogy) (Hardcover)
Erika Lopez brings the Tomato Trilogy to a close with an intelligent guffaw burst. Tomato Rodriguez, fresh from prison (she only kidnapped her ex-girlfriend for a few minutes, honest!), finds her beloved San Francisco changed. It's been taken over by the evil Latte People! Ack! Unable to cope with this gentrification, she flees into the desert, where she encounters Miss Fabulous, a one-breasted owner of a radioactive barbecue, who helps Tomato find her inner Hoochie Mama. Misinterpreting her mission, Tomato storms back to San Fran with a new sidekick called Fishstick and proceeds to kicks ass and take names! Yeah! Oh, wait. That's not what she was supposed to do... Lopez gives us the smackdown on society with her sassy characters, meandering meditations, pork on a fork, and sparkling insights. It's a perfect blend of humor and education, and I'll agree that this is her best yet. I only wish the cover was a scratch-n-lick. Alas, maybe next time.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars A knock down, drag out time, just what I needed!, April 21, 2001
This review is from: Hoochie Mama (Mad Dog Rodriguez Trilogy) (Hardcover)
First of all - I could barely get past the way cool cover. I want to color copy it and frame it because it is so stunning. My 10 year old son saw it and um, couldn't take his eyes off of it either (oh gosh, now he asking questions about chi-chis)...I got this book while at work and didn't talk to my carpool partner the whole way home because I was so excited to read it. I ended up reading it out loud! Hootchie Mama is a far out must have book for all women who can't help it if they are drawn to the wild side. The pages have entertaining line drawings that add to the spirit. Just buy it to see for yourself YOU WON'T REGRET IT!!
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