Customer Reviews

Hood

5 star:		(10)
4 star:		(3)
3 star:		(1)
2 star:		(0)
1 star:		(1)

 

 

Absorbing and intense, this novel goes far beyond typical "coming-out" literature. Set in Dublin in the 80's, Hood follows the main character Pen (thirties, a teacher) through the week following her lover's death. Jealousy, intimacy, passion, shame and even humor: it's all here as we experience the grieving process with an invisible widow. Grief is not a quick phase and so the book may at times feel weighty and a little slow-moving. But stick with it -- and you won't have to make yourself do that for long -- for Emma Donoghue's delicate and deft prose will pull you back in. You may even find yourself as I did: coming back to read Hood again and again. In the end, this is a book about indentity and finding hope -- not in spite of, but through, one's pain.

Whenever I encounter a novel with homosexual themes, I usually roll my eyes. You can predict what's going to happen most of the time: the two fall in love, they disagree about coming out/ one gets beat up/ they have to hide/ etc., they are pulled apart, then they come back together against all odds and love overcomes all.

All except death. This novel is great because, for the most part, this is not the plot. Cara's death has nothing to do with her sexuality, and besides having to explain her relation to Cara, Pen's grieving is the grieving of anyone who has lost someone close. This is not about lesbians (although they are the main characters); it's about love and grief and living through that grief, no matter what sexual orientation you are.

I definitely reccomend it.

Penelope and Cara, the protagonists of this novel, share many attributes. They are both lesbians, feminists, dubliners, schoolmates, friends, and lovers. There are two very enormous differences between them though and it's these differences, sprinkled between the similarities, that make this novel ring so true and devastating and joyous: one (pen)is loyal and cara is not. And pen is alive, while cara has just died in one of those "who would've thought " car accidents that seem to strike with terrifying random and frequency.
While lesbianism and it's resulting feminism in 80's Ireland are certainly vibrant issues in this book, Donoghue imparts each character with such stunning humanity that anyone with a heart and a lover will recognize their struggles and their tragedies, not to mention their triumphs. And though the sex scenes are honest and intense, they don't read like a guidebook-they are filled with passion. And that passion is both heightened and irrevocably intensified, because the reader meets these two after one of them has left the living.
Donoghue also paints the five different stages of grief with a deft, empathetic hand, weaving between past and present and never staying on either too long, she introduces the reader to Cara by inches, while taking her away from Pen by degrees. Pen's struggle to get through her daily life while wrestling with the more esoteric demands of bereavement will be recognized by anyone who has experienced a sudden loss. And though Donoghue never lets the reader or Pen judge Cara too harshly, she let's cara be a three dimentional being, even in death, i.e. she never let's her be a saint or a ghost.
By the end of the book, which takes up one week in real life, the reader is in love with them both and probably feels a strong urge to go find their lover and squeeze them tightly, even though they've neglected to be perfect. Like many masterpieces, and I don't use that word lightly, this book covers all emotions without making the reader feel she is being manipulated or left behind. I've read this book several times and never tire of it, though every time through I do sniffle a bit. Okay, I sob. But even while crying, I feel the immediacy and wonder of life and it's not every book (or writer) that can do all those things at once and still make you laugh outright in the bargain.

I have read this book many times, and at times it makes me sob with bitter sadness, and at other times it makes me laugh out loud. The writing is exquisite; the bathtub scene (Pen's memory of a peaceful time with her and her recently deceased lover) captures perfectly what the essence of love is. It's beautiful. The frustration that Pen feels at having to keep silent about her partner's death (because she works at a Catholic school and because she lives in Ireland) transmits frustration to the readers as well -- but not in that hokey, "oh being a lesbian is so hard" preachy way. It is Pen's evolution as she learns to cope with Cara's death and to face certain truths she didn't want to deal with previously. I also believe that it is a beautiful love story but in a realistic way - the main characters are not perfect, yet their love is so intense. It's not a "romance" -- it's a real-life, complex love story. I haven't been as big a fan of Donoghue's other novels so far, but this one stands out as exceptional for its writing, story line and character development. Read Hood -- with a box of tissues nearby.

This book is truly a gem. I randomally picked it up, and it was the best buy I've had in awhile. Donoghue paints a marvelous portrait of Pen O'Grady, a woman who must come to terms with the loss of her lover of 14 years. While some readers will identify with Pen's struggle with her sexuality, others will recognize the universal theme of dealing with loss. The book can be a bit slow in parts, but your patience will be well rewarded. Definetely buy this book

Set in Ireland, and told in the first person, the story opens with Penelope, called Pen, dealing with the sudden death of her one and only love, Cara Wall.

Cara was away in Greece with some lesbian friends when she was killed in a car accident. Pen is living in the house of Cara's father.

Pen and Cara have been lovers since their Catholic schoolgirl days at Immaculate, and Pen is now a 5th grade teacher at Immac--as it is called by its former students. While their relationship was the grand passion of their lives, we learn that it was riddled with infidelities, and separations.

Cara was becoming very out, while Pen remained very closeted. Also flavoring the story is the fact Cara's older sister, Kate, was actually Pen's first crush, and Kate has now returned from America for Cara's funeral. The book is well-written. Definitely not a fluff piece.

The title refers to all the "hoods" that are a part of Pen's life--girlhood, womanhood, spinsterhood, and now widowhood.

I want all of her books! This is a story you don't want to end. It covers all ranges of human emotion with a twist. I regret that the majority of lesbians in this book enjoy more bed hopping than stable, loving relationships. The main character of the book is so identifiable, so loving that I cried when she cried and laughed when she laughed! I would recommend this book to all of my friends!

I bought this book on a whim when living in London and wound up writing numerous essays on it for my graduate degree. The book is poignant and true--the pain that Pen feels for the loss of Cara, as well as the realization that her identity has been lost both by being with Cara and with being widowed suddenly, is heartbreaking for anyone to read, gay or straight.

I came to this book through a book club, and I'm glad I did. It's not a book I would have ordinarily picked up, but sticking with it was well worth it. The prose is a bit dense at times, but it just attests to the book's richness. Hood's seven chapters are organized by the seven days Pen experiences right after her lover's death, but the flashbacks, dreams, and memories make it a full, lengthy story, and the organization lets us into the heart and mind of a character. I recommend this book, especially for readers who like books that focus on one particular, strong character.

Emma Donoghue serves to her readers, in very dense prose, the first seven days of Pen's life after her on-again, off-again lover of 13 years, Cara, is killed in a car accident. The reader is taken on journey of mourning, as Pen tries to make sense of a complex and tumultuous relationship that ended far too soon. In that, the reader does not disappoint. We see the ways Pen builds up walls and defenses, covers herself with hoods, as it were, to deal with such a painful loss. I wish we could have seen more development of some of the other characters, particularly of Cara's father. His behavior, his detachment, makes no sense to me, and I am frustrated that we are never given a reason for it.