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Hook, Line, and Homicide (Paul Turner Mysteries)
 
 
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Hook, Line, and Homicide (Paul Turner Mysteries) [Hardcover]

Mark Richard Zubro (Author)
4.5 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

Paul Turner Mysteries June 26, 2007
Since when are vacations ever relaxing? All Chicago police Detective Paul Turner is hoping for on his annual retreat from the city and his job is a little peace and quiet. This time he's headed to the Canadian Great North Woods for a couple of weeks with family and friends -- his two teenaged sons, his lover Ben, neighborhood pals, and his long-term police partner, Detective Buck Fenwick, along with his wife.
But hopes of tranquility are soon crushed when Turner intervenes in a scuffle between a group of First Nations teens and a local bully and his cohorts. In the days following the incident, Turner and company find themselves the object of a series of attacks, break-ins, and sabotage of their equipment. Unable to get the attention of the local police, the events continue to escalate, culminating in the local bully's dead body being found floating in the water near the dock of their houseboat. Making this not only one of the least relaxing vacations ever, but one of the deadliest.


Editorial Reviews

From Publishers Weekly

In Zubro's entertaining if uneven ninth Paul Turner mystery (after 2005's Nerds Who Kill), murder rudely interrupts the Chicago police detective's annual fishing trek to Canada. Turner has rented two houseboats on Lake of the Woods with his two sons; his lover, Ben; and the family of his detective partner, Buck Fenwick. Though longtime summer visitors, the Chicagoans soon become targets of antigay harassment. When they report a fight between bully Scarth Krohn's gang and First Nation (Canadian Indian) kids, the local police chief sides with the bullies. Threats and intimidation escalate until Krohn is found floating dead in the lake. When the corrupt police chief arrests a First Nation's teen who had been Krohn's enemy, the detectives reluctantly hang up their rods and start investigating. While series fans will enjoy seeing old friends in action, others may be irritated by excessive dialogue that slows the narrative, particularly in the middle.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Excerpt. © Reprinted by permission. All rights reserved.

HOOK, LINE, AND HOMICIDE (Chapter 1)

"Dad, are we moving to Canada?"

Paul Turner looked up from his fishing tackle box. "We're going fishing like we do every summer," Paul told his eleven-year-old.

"But we're not moving?"

"Why would we move?" Paul asked Jeff.

"Because of all the antigay stuff." Jeff was restringing his fishing reel. He had his Zebco rod teetering on the arm of his wheelchair, the reel in his lap, and he was using both hands to pull on a new line.

Paul knew his son was referring to the antigay amendments in the United States Congress and the prohate amendments and referendums that had passed in many states. "Did somebody say we were going to move?" Paul asked.

"Well, no, but I read the news on the Net. I know some people have left."

Paul was glad his son read so much, but this activity tended to exacerbate Jeff 's seemingly infinite need to have questions answered. Paul did everything he could to reply to the boy's questions patiently.

"Do you want to move?" Paul asked.

"No," the youngster said, "I've got plans with Bertram to go to the aquarium after we get back, and I'm getting Mr. Faneski for a teacher next year. He's a good teacher. He has the honors kids do the coolest science projects. I want to try working with some gravitational anomalies."

"You know what gravitational anomalies are?" Paul asked.

"Yes, and I can spell it," Jeff said. "We aren't moving?" The boy could be relentless in his questions and his need for assurance. He was awfully bright, but he was still a kid.

Paul said, "Ben and I have no plans to move. This is our country. We'll stay here and fight if we have to."

"Are there going to be fights?"

Paul's older son, Brian, thumped down the stairs and breezed into the room. Paul sometimes wondered if the stairs would last until Brian left for college. "Who's fighting?" Brian asked.

"Nobody, right now," Paul said.

Jeff said, "We were talking about moving to Canada."

"With or without you?" Brian asked his younger brother.

Jeff said, "We were thinking of abandoning you on an island in the middle of the lake."

"No parents. No rules. What's the downside?"

Paul said, "No fast cars, no junk food, no adoring girlfriends."

"They'd flock to any island I was on."

Paul said, "Jeff wanted to know if we were thinking of moving because of all the latest gay-hate legislation."

Brian sat down next to his younger brother's wheelchair. "You need help with that?"

"I'm almost done. I've got a few hooks left to sharpen." Brian reached into the pile, pulled one up, and picked up a file. Brian looked at his father. "You and Ben don't talk about it much."

"Our roots and our home are here," Paul said.

"How come Ian is going with us this year?" Jeff asked. "Is he thinking of moving?"

Jeff was referring to Ian Hume, Paul's first lover, and still a good friend, and the best reporter for the largest gay paper in Chicago.

Paul said, "He's written a few articles for the Gay Tribune about people who have left, but I think he's going this year mostly because he hasn't had a vacation in a long time."

"He's never been fishing," Brian said. "What's he going to do up there?"

"Relax? Read a book?"

Jeff said, "He's gonna look weird if he doesn't have any fishing stuff."

Brian said, "He enjoys being weird."

Jeff said, "And he won't drive with us. He's flying in."

Paul said, "Teenagers and kids make him nervous."

Brian said, "Don't most people make him nervous?"

"Usually I don't," Turner said.

"If people make him nervous, how can he be a reporter?" Jeff asked.

Paul said, "He loves interviewing people, and he enjoys skewering them with their own stupidities. He just doesn't want to socialize with them."

"He's weird," Brian said.

"How often do I make judgments about your friends--"

Brian opened his mouth to answer.

Turner continued, "--and tell you about it?"

"Not often," Brian conceded.

HOOK, LINE, AND HOMICIDE Copyright © 2007 by Mark Richard Zubro.


Product Details

  • Hardcover: 336 pages
  • Publisher: Minotaur Books; 1st edition (June 26, 2007)
  • Language: English
  • ISBN-10: 031233303X
  • ISBN-13: 978-0312333034
  • Product Dimensions: 8.2 x 5.6 x 1.3 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,466,076 in Books (See Top 100 in Books)

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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Kind of like Turner & Fenwick remaking "Deliverance" ..., July 13, 2007
By 
Bob Lind "camelwest" (Phoenix, AZ United States) - See all my reviews
(TOP 1000 REVIEWER)   
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This review is from: Hook, Line, and Homicide (Paul Turner Mysteries) (Hardcover)
It's vacation time, and - as in past years - Chicago police detective Paul Turner is heading up to rural Canada to do some fishing, with his life partner, Ben, his two boys Brian and Jeff, along with his precinct partner Buck Fenwick, his wife and girls. Coming along this year are Ian, Turner's ex who is now a journalist, and Mrs. Talucci, an elderly but feisty neighbor whom the boys consider a surrogate grandmother.

They barely get a chance to get settled in their houseboats, and they find a dead body washing up on shore, whom they recognize as the leader of a group of local punks who harrassed them on their day of arrival. When Ian finds out that this is the sixth young man to die in so many years, he starts nosing around town to see if there is a story to be written, which arouses the suspicion of the local egotistical police chief. Turner and Fenwick start to do some investigating on their own, and discover this seemingly quiet town has its own surprising secrets, including police corruption, prostitution, racism, homophobia, drugs, and even a small-time gay porn producer, as well as a mysterious benefactor on a distant island with whom Mrs. Talucci spends her time.

As has been the case with his 19 previous mystery novels (11 in the "Tom & Scott" series, with this being the 9th of the "Paul Turner" series), Zubro spins a creative and realistic mystery yarn that immediately and skillfully engages the reader's interest and curiousity. His best quality is his knack for pacing, feeding the reader little tidbits at a time, and that is also evident here, although he occasionally gets a bit verbose in having Turner dwell on lectures about homophobia or racism. A minor fault, in my opinion, and I still give it five stars out of five.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Canadian Mayhem, April 14, 2009
By 
Zinc (Midwest USA) - See all my reviews
This review is from: Hook, Line, and Homicide (Paul Turner Mysteries) (Hardcover)
This is an entertaining read. It was a little dull in the middle with too much rambling conversations for me; I tended to lose track of who was who and what they were saying. However, there is enough intrigue to keep you turning the pages, enough humor to give the story occasional light-hearted reprieves and plenty of action to maintain the suspense. Mr. Zubro has a large cast of characters in this book and I feel he did a fairly good job at keeping them distinctive from one another. I also enjoyed the different setting for the story which nicely showed that the gorgeous North Woods of Canada aren't always bucolic and restful.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A cop's conscience and a father's dilemma., March 3, 2008
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This review is from: Hook, Line, and Homicide (Paul Turner Mysteries) (Hardcover)
I often glance at these reviews before ordering a book, but even more often I return to them after reading the book to compare my own response to those of other readers. I've never written a review myself, but I'm going to take a stab at how significant I think this novel is here. If you haven't read Hook, Line and & Homicide, and don't want to know "who done it," skip to the two other reviews posted before this date, for there will be spoilers here. Come back later and tell me what you think.

I've given the work five stars, although I have a "style" complaint. It's a matter of my own taste, others may not agree, and the author may may be deliberately trying for an effect. Zubro gets repetitive with overwhelming use of the word "said" in writing conversations -- the "saids" line up like soldiers at the start of short sentences on some pages, especially when he's questioning a witness or a suspect. It's a risk in writing scenes of interigotation in a mystery, of course, but it gives the story a wooden style, a literary equivalent to the dialogue of Jack Webb in TV's Dragnet. There are descriptive alternatives that will tell the reader who is speaking. My rewrite of an exchange between Paul Turner and his sons on page 3 cuts four and leaves in just the first "said" :

Jeff said, "He's gonna look weird if he doesn't have any fishing stuff."
Brian made a crosseyed face. "He enjoys being wierd"
Jeff gave him a smirk. "And he won't drive with us. He's flying in."
Paul continued to sort lures in his tackle box. "Teenagers and kids make him nervous."
Brian stopped laughing. "Don't most people make him nervous?"

-- This sort of approach helps us see what the characters are doing, as well as keep track of who's speaking. Zubro is wonderful at descriptions of exciting, even violent action (the several dangerous scenes involving boats on the Lake of the Woods are examples) but conversations are mostly said, said, said. But, I firmly believe that an author has the right to shape and define the world of his novel as he chooses and the reader is a visitor to that world. If the "saids" are a conscious stylistic choice of Zubro's to enhance the "investigatory" nature of mystery writing, I'll put up with them, for I thoroughly enjoy my visits to the world of both the Paul Turner series and the neighboring Tom and Scott series.

We're away from the usual setting of Chicago here. The other books in the two Chicago series have a resonance for me, having grown up at the end of the South Shore commuter rail line in the corner of Indiana that is part of "Chicagoland" and having graduated from Northwestern University a half century ago. (I am also a distant relative of the original owner of the Cubs.) Zubro places this story in foreign territory I know well, however, from frequently using International Falls as a crossing point into Canada as Paul's family does. "They drove west until they picked up Highway 71 going north." If they'd stopped at Ontario's most perfect campsite park, Caliper Lake, just a few miles up 71, they might not have run into Scarth Krohn.

All this brings up Zubro's addition of insult to the injuries that the Bush administration has done to US-Canadian relations. It certainly goes in the face of the popular belief that Canada is a country where everybody politely minds his own business and things run in an orderly fashion. I've had crisis situations with a suddenly ill parent in Victoria, an elderly friend who went "missing" in Stratford, and the challenges of shooting a documentary on the streets and in the nightclubs of wonderfully sexually promiscuous Windsor, and Canadian police have been understanding and helpful (and when issuing a speeding ticket in B.C.). The chief of police in Cathura, Ontario, is a stupid, self-serving, biggoted bully. But then, there actually isn't any such town, and if it's an hour west of Kenora, it would be in Manitoba, anyway. Zubro has created a fictional town and rearranged geography just a bit, so, for the sake of a good story, let him populate it with a few losers and undesirables. (I've tried to google his choice of "Cathura," come up with some vampire stuff that might make sense, but.. I can trace "significance" too far, my students used to protest.) He has an authentic "feel" for the pace of life in the Kenora region and the abrupt entrance into the wilderness that you make when you venture out of town, off the road, or to the otherside of the island ahead of you. The Canadian tourist office will just have to put up with the notion that evil people can happen, even in Canada.

And putting Paul Turner into a murder mystery in a foreign country, where his status as a US policeman is irrelevant, allows him the privilege of exercising his conscience when he discovers that it was Kevin who killed Scarth. Knowing that the local police cannot be trusted to recognize an obvious instance of self defense, Paul can trust his own moral judgment and place Kevin in the safe-keeping of Mrs. Talucci's brother and his life partner. The scene of Paul's rescue of the suicidal Kevin is emotionally charged for the reader, from the description of the physical action of pulling the boy out of the lake and giving CPR right down to the detail of the frightened and grief-stricken teenager drenching the shoulder of Paul's flannel shirt with "tears and snot." Having Paul perceive this detail and not give a damn about it is part of the compassion that Zubro instills in Paul's richly drawn character. The depiction of the elderly male partners/lovers who take Kevin into their establishment out beyond the reach of the corrupt police of Cathura has a "deus ex machina" feel to it, and their compound far across the lake reads like a "gay Mafia" setup, but their wealth appears to have come from their own years of strenuous and honest labor -- and I'm close to their age, live in semi-isolation on a lake in the forest, and wouldn't mind having a collection of well educated, efficient, handsome mid-twenties males at hand to keep danger at a distance (I don't think they'd need to be armed, and the pistols the Canadians pack are against the law). Actually, this discovery of the brother and his lifestyle is consistent with the outrageous role Mrs. Talucci has played in Paul Turner's family throughout this series of books. Turner intuitively turns to the elderly pair for help with Kevin, and by the end of the story other details have demonstrated to the reader that Kevin had no option other than to kill Scarth, that no one else will suffer because of Paul's coverup, and that Ontario officialdom may get things straightened out eventually in Cathura.

The two other reviewers I've read have slightly complained about Paul's preachments about matters of gay rights and gay safety. They're brief, and I believe they are justified. He's certainly not wrong in suggesting that a Matthew Shepard incident could have happened in the Cathura environment. What's wrong with a touch of relevance?

Paul Turner is an exemplary man, not without flaw, but consciously striving to live up to intelligently formulated standards in his roles as policeman, citizen, and father. Zubro is especially effective in dealing with Paul's behavior with his boys, one confined to a wheelchair, the other intelligently working to define himself on the brink of manhood. When Paul unexpectedly finds Brian at a campfire on the lakeshore, just at the outset of activities that will lead to sexual contact with the teenage fishing guide Kevin, Paul slips off into the dark in his rowboat, trusting his son and the Canadian boy -- and taking the reader as well as himself away from the boys' privacy. It is not until Brian brings the subject up himself that Paul reminds Brian that he had said he was "going to the movies." There's no recrimination, no arguing, no laying on of guilt. They have a very simple discussion of how and why the lovemaking happened, what it meant to each of the boys, and that it was "more friendly and very safe. I do actually listen to you." It's a wonderful scene, obviously offered by Zubro as proof that Paul Turner's parenting skills are successful.

At one point in the scene, Brian is concerned that "I've never known somebody who committed a murder. He was a friend. Is a friend." The shift in tense at the end is a significant display of Brian's maturity and loyalty, but I wish Turner had corrected the boy about the use of the word "murder." I would have had Turner interject, "There's a distinction betweeen 'murder' and 'self defense', Brian. We know beyond any doubt that what Kevin did was not 'murder'." That is, after all, what the moral center of the novel is all about.

Given Brian's state of mind at the end of the story, I wish that he had been given a final scene with Kevin, although I wouldn't have described it for the reader. Phil, the handsome pilot of the cigarette boat, should again appear unexpectedly at the Turner's dock on the final day, but without Mrs. Talucci. This frightens Turner (the old girl is past 90), but Phil explains that Mrs. Talucci believes that Kevin and Brian should have an opportunity to talk before the Turner family leaves Canada and has sent Phil to fetch him to her brother's compound. Turner says that he'll get the boy and Phil can take them back across the lake. Phil says, "Mrs. Talucci says Brian should come by himself." Although Zubro does not have Paul narrate these stories, they are told in a way that is limited to his point of view. I would have Brian come back later with Mrs. Talucci to begin the trip home, keeping whatever transpired in the conversation with Kevin to himself. Paul would be perplexed, but his (I think wonderful) parenting style would once again respect his son's privacy. The reader's... Read more ›
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Inside This Book (learn more)
First Sentence:
"Dad, are we moving to Canada?" Paul Turner looked up from his fishing tackle box. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
town slut, cigarette boat, town bully
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Scarth Krohn, First Nations, Billy Morningsky, Evon Gasple, Ralph Bowers, North Woods, Howard Coates, Ontario Provincial Police, Paul Turner, Beverly Fleming, Buck Fenwick, Jet Ski, Main Street, Mavis Bednars, Kevin Yost, Naked Moose, Beth Krohn, Blake Krohn, United States, Vincent Schreppel, Dominic Antonetti, Elijah Sterling, Trans-Canada Highway
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