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9 of 9 people found the following review helpful:
5.0 out of 5 stars
An Intricate Chess Game, February 2, 2002
Lawrence Block and Robert Parker are two of my favorite mystery authors, and share many similarities. Their detectives, Matt Scudder and Spenser are 'fixers', rather than pure detectives or simple toughs. They share a taste for wise-cracks and dry wit, have similar relationships with women, and are men of action. Between the two authors, a whole genre exists that no one else has successfully invaded. I sometimes think of it as the tough guy noir cozy. Although that is a bit of an overstatement. I do like Block's work a little better, though. Primarily because Matt Scudder is the stronger, more finely developed character. I find his progression from alcoholism to sobriety and his attitude about himself refreshing. He does not preach, but he tries his best to live according to his ethics, and succeeds for the most part. The characters that surround him also seem to be a bit more attractive because they reflect the same basic integrity. Block's stories also often have a darker more chilling coloration than Parker's, who sometimes puts more energy into caustic humor than into the plot itself. And sometimes Block's plots take unexpected and satisfying turns into new directions. 'Hope to Die' is such a case in point. When a married couple who happened to attend the same society event as Matt and Elaine Scudder are brutally murdered in a theft, Matt is intrigued. But the case is quickly solved when the thieves are found dead. One killed by the other, and the other a suicide, with the evidence in hand. But the couple's niece and daughter are not completely comfortable with the resolution, and so Scudder finds himself, and his sidekick T.J., drawn into an investigation into an apparently closed case. They carefully pick out the conflicting strands of the web, but everything is circumstantial, requiring an almost Holmesian effort to get glimpses of the truth. If it was not for the unexpected appearance of narrative from the viewpoint of a killer, the reader would be completely justified in thinking that Scudder's imagination had gotten the better of him. But Block makes such deft use of a sociopathic killer's reflections that the reader is kept completely engaged and rooting for Matt and T.J. as they reconstruct the murders from ghosts and shadows. While we know before Matt does that the original murders were the work of a mastermind, Block manages to give so little away that the suspense and mystery continue right through to the end. This injection of a second viewpoint is novel in a Matt Scudder novel, but it is done so perfectly if feels like a regular feature. The device works beautifully to keep the plot moving without the fragmentation and confusion that result when multiple viewpoints are poorly used. I don't think I have ever seen it done better in modern detective fiction. Block minimizes all distractions (at the cost of some of his usually exceptional characterizations), keeping the reader focused on the comparative workings of Scudder's own analytical mind and the machinations of his insane opponent. A subplot about the sudden death of Scudder's ex-wife and his relationships with his sons is introduced and allowed to run its course, but seems purely peripheral to the main plot. This and a few other threads lead me to believe that this tale is not completely done and that we can expect a continuation. If so it will be another unexpected deviation from formula. If Block has set out to prove that he can still be fresh after 25 years of writing the stories of Matthew Scudder, he has done an admirable job. I think even the most jaded fans will enjoy this book. Newcomers need have no fear. Block has a talent for providing just enough background to prevent any significant discomfort from starting a series at its latest volume.
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12 of 14 people found the following review helpful:
3.0 out of 5 stars
Bizarre entry in the Scudder series..., October 27, 2001
First off, let me say that the Matt Scudder series are my favorite detective series here (8 Million Ways To Die and Walk Among the Tombstones tie for my all time favorite). So, when Lawrence Block came out with Hope To Die, I immediately snatched it up. In the beginning of the book, I felt I was in classic Scudder territory. The elements were there. A double murder of an upper class family that appears to be an open and shut case, but of course it isn't. The personal drama of Scudder in that he is moving ahead with his life (with the support of AA, his wife Elaine, best friend Mick and sidekick/surrogate son TJ) but yet dealing with his past (in this case, his first wife has passed away and he has to reconcile with his sons). However, midway through the book, Block abandons Scudder. The series up to Hope To Die has been written from Scudder's point of view, but now Block gives up chapters of just the killer and his point of view. He comes back to Scudder every now and then, but starts spending more time with the killer as the book progresses. The killer is given more vivid description and persona that by the end of the book, it becomes more his story than Scudder's. Block also diverts from the Scudder formula by having a "sequel" ending (something the series never had). I will admit I was entertained with the "killer" chapters, but it also made me feel that Hope To Die was a mystery that didn't need Matt Scudder. Block could have sent Scudder home, the killer could have become the protagnoist and the book wouldn't have really lost anything. So while I was entertained by the book and enjoyed it as a quick, light read, I have to dock it a star down. You don't take a great detective character and put him in a story where he isn't needed.
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8 of 9 people found the following review helpful:
3.0 out of 5 stars
A Faint Hope, October 22, 2001
Lawrence Block has long been my very favorite mystery writer, above James Lee Burke, James Crumley, Dennis Lehane and others on my list of faves. Block isn't the prose stylist that the aforementioned writers are, but he's far and away the most natural storyteller, with an uncanny gift for creating fascinating characters and sounds-like-real-people dialogue. Of all his creations (Burglar/Detective Bernie Rhodenbarr, ersatz spy Tanner, low-key hit man Keller), Block has always done his best work with his series of mysteries featuring the recovering alcoholic ex-cop Matthew Scudder. All of which is to say that when a new Scudder mystery came out, I pounced on it like a lion taking down a gazelle. Sadly, by the time I finished "Hope to Die," I came away from the experience feeling a little disappointed. Scudder's search for a budding serial killer who murders a wealthy couple comes off feeling a little thin in the plot department. Scudder's first-person narrative is interspersed with chapters told from the killer's point of view and for the most part these chapters don't add much to the story. Take them out entirely and you can still easily follow what's happening, making these chapters appear superfluous. Of course, taking them out would have also made the book pretty darn short, too. On the plus side, it's always nice to drop in on Scudder's life and see what's going on with him. There's a great subplot involving the death of Scudder's ex-wife, finally allowing the reader a chance to meet his oft-mentioned but never seen estranged sons. The reader also gets a chance to catch up with Scudder's terrific cast of secondary characters--his wife Elaine, his streetwise helper TJ, Irish gangster Mick Ballou--characters who are always a lot of fun to read about. But overall, "Hope to Die" just doesn't stack up to the best in the Scudder series (Everybody Dies, When the Sacred Ginmill Closes, The Devil Knows You're Dead, Eight Million Ways to Die). Mind you, I didn't dislike the book. It just left me wanting more. I look forward to the next book in the series, and considering how the reader is left hanging at the end, the sequel seems inevitable.
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