When first published in 1969, Horizons West was immediately recognised as the definitive critical account of the Western film and some of its key directors. This greatly expanded new edition is, like the original, written in a graceful, penetrating and absorbingly readable style.
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"Indispensable guide to the Western."--Douglas Pye
About the Author
Jim Kitses is Professor of Cinema, San Francisco State University. He is author of Gun Crazy (BFI, 1994) and coeditor of The Western Reader (1998).
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17 of 17 people found the following review helpful:
5.0 out of 5 stars
Magnificent Expansion,
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This review is from: Horizons West: Directing the Western from John Ford to Clint Eastwood (Film Classics S.) (Paperback)
This is a magnificent expansion of Kitses' 1970 book, which looked at the Westerns of Anthony Mann, Budd Boetticher and Sam Peckinpah. It is fine reading for anyone interested in the Western.
Kitses has added a marvelous chapter on John Ford, which examines all Ford's westerns from Stagecoach (1939) to Cheyenne Autumn (1964). Kitses' comments are sensible and to the point. His discussion of The Searchers is very well done, and he raises excellent points about The Man Who Shot Liberty Valance. Also, he has written good analysis of Sergeant Rutledge and Two Rode Together, two late Westerns that few critics pay attention to. Kitses has left the text of his original work alone, except for adding some to the Peckinpah chapter. While his comments on Pat Garrett and Billy the Kid are perceptive, the Peckinpah chapter is probably the weakest in the book. I am not sure if Kitses dislikes Peckinpah or if he disliked critics who like Peckinpah. Kitses then adds two chapters, one of Sergio Leone and one on Clint Eastwood. The Leone chapter is okay but is far colder than the rest of the book. However, the chapter on Eastwood is terrific, one that strikes a fine balance between praise for his achievements and an awareness of the flaws in those achievements. This is perhaps some of the best serious analysis of Eastwood as a director that I have read. Strongly recommended for all readers interested in Westerns.
8 of 8 people found the following review helpful:
5.0 out of 5 stars
A CLASSIC STUDY RE-WORKED AND REISSUED,
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This review is from: Horizons West: Directing the Western from John Ford to Clint Eastwood (Film Classics S.) (Paperback)
Back in the late 1960s Jim Kitses wrote an enjoyable study of three western directors who at the time were not nearly as highly regarded as they are today. His chapters on Anthony Mann and Budd Boetticher were marvelous because both directors had pretty much completed their contibutions to the western genre. The chapter on Sam Peckinpah left something to be desired since, at the time, Peckinpah had only three feature films--all of them westerns--under his belt. This new edition addresses that problem by providing a career-length reassessment of Peckinpah's contributions to the western. The other new material--mainly on John Ford and Clint Eastwood--is certainly readable, but I'm not certain that it was essential. Nevertheless it is good to have this volume back in print once more.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
A Must Read For Serious Fans Of Western Movies,
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This review is from: Horizons West: Directing the Western from John Ford to Clint Eastwood (Film Classics S.) (Paperback)
"Horizons West" is subtitled "Directing The Western From John Ford To Clint Eastwood" and it reads as a powerful primer on creating, directing, and dissecting the Western movie genre. It is an excellent revision of the original 1969 book that includes newer perspectives as well as adds the work of Ford, Leone, and Eastwood. It is a scholarly effort that is well researched, annotated, and footnoted with an excellent bibliography and filmography included.
After opening with generic comments regarding the practice and theory of directing the Western and an overview of the history and development of the genre, Kitses explores in some depth the westerns of six acknowledged masters of the Western movie. He uses the great John Ford as his stepping stone to future Western movie directors including Anthony Mann, Budd Boetticher, Sam Peckinpah, Sergio Leone, and, lastly, Clint Eastwood. "Horizons West" reads like a college text which it likely is in some places. Students of the Western movie genre or just plain fans of Westerns should enjoy the rich detail provided by Kitses as he dissects each of the major efforts of the six directors in search of recurring themes, perspectives, controversies, and, in general, the stories behind the story. It is illuminating to explore how Ford matured and changed his perspectives over his career, how Peckinpah's career was constantly a battle with studio bosses, and how and why Leone and Eastwood drifted apart over the years. I always find it intriguing to discover which actors had originally been offered and rejected roles that later made someone else famous (such as James Coburn and Charles Bronson turning down Leone's Man-With-No-Name trilogy that skyrocketed Eastwood to fame). This is a fact filled text filled with detail and perspective on many of the most famous Western movies made. A number of photos of actors and sets are included as is information on who wrote, starred in, and produced most of them. I heartily recommend this effort to fans and students of the Western movie and its place in American cinema history.
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