From Library Journal
Independent filmmaker Muir (The Films of John Carpenter; Wes Craven: The Art of Horror) offers a top-notch overview of American horror movies of the 1970s, an era rife with social and political turmoil. Many of the films made at the time reflected changes in conventional morals and ideals while introducing a new brand of monsters and new versions of classics. Muir opens with an entertaining and informative "Brief History," which discusses actors Christopher Lee and Peter Cushing, the influence of productions by Hammer Films (the most financially successful British film company), and some of the best, worst, and most controversial flicks of the period. Part 2, which makes up the bulk of the book, consists of some 228 chronological entries on standout movies, including Carrie and The Exorcist. Each entry covers cast and crew, critical reception (based on reviews from the 1970s and later), synopsis, direct quotes from cast when available, and commentary providing further information on the film's merits or bad points. Muir's commentaries are well worth reading, especially for those who have seen the particular film. He closes with five appendixes, including his pick of the ten best movies of the decade and memorable ad lines, such as "You have been warned" from The Omen. An impressive resource for all film collections, this work complements Mike Mayo's excellent VideoHound's Horror Show: 99 Hair-Raising, Hellish, and Humorous Movies, which covers the 1950s through the 1990s but with less analysis. Highly recommended.
Rosalind Dayen, South Regional Lib., Pembroke Pines, FL Copyright 2002 Reed Business Information, Inc.
The 1970s is one of the great decades for horror films. Classics such as
Carrie, The Exorcist, Jaws, Halloween, and
Texas Chainsaw Massacre all debuted during this time. Works by directors Stephen Spielberg, John Carpenter, Brian de Palma, Wes Craven, and others helped shape horror cinema. Focusing mostly on American films, this resource examines 200 movies released from 1970 to 1979.
The book is organized into 10 year-by-year sections, with the films arranged alphabetically by title and given ratings of between one and four stars. Most of the entries begin with excerpts from reviews, information on cast and crew, a synopsis, commentary by the author, and in some cases comments about the film's legacy. The cast and crew information and plot summaries are important reference resources. The commentary, which can go on for several pages, puts each film in context and discusses style and filmmaking techniques. It also explores how topics such as racism, religion, and women's rights are represented in films like Blacula, The Exorcist, and The Stepford Wives, respectively.
Perhaps the best part of the work is the beginning essay, "The History of the Decade (in Brief . . .)," which explains why horror films were so unique during the 1970s and explores some of the common themes, such as post-Vietnam distrust of government, nature run amuck, and the failure of science. The work ends with five appendixes: "Horror Film Conventions of the 1970s," "The 1970s Horror Hall of Fame," "Memorable Movie Ad Lines," "Then and Now--Recommended Viewing," and "The Best Horror Movies of the 1970s."
Horror Films of the 1970s is an important reference tool for film collections in academic and public libraries and a must for fans. RBB
Copyright © American Library Association. All rights reserved