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The Horror Reader
 
 
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The Horror Reader [Paperback]

Ken Gelder (Editor)

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Book Description

0415213568 978-0415213561 September 1, 2000
Horror has been one of the most spectacular and controversial genres in both cinema and fiction - its wild excesses relished by some, vilified by many others. Often defiantly marginal, it nevertheless inhabits the very fabric of everyday life, providing us with ways of imagining and classifying our world; what is evil and what is good; what is monstrous and what is 'normal'; what can be seen and what should remain hidden.
The Horror Reader brings together 29 key articles to examine the enduring resonance of horror across culture. Spanning the history of horror in literature and film and discussing texts from Britain, the United States, Europe, the Caribbean and Hong Kong, it explores a diversity of horror forms from classic gothic literature like Frankenstein and Dr Jekyll and Mr Hyde, to contemporary serial killers, horror film fanzines and low-budget movies such as The Leech Woman and The Texas Chainsaw Massacre.
Themes addressed include:
* the fantastic * horror and psychoanalysis * monstrosities * different Frankensteins * vampires * queer horror * American gothic * splatter and slasher films * race and ethnicity * lowbrow and low-budget horror * new regional horror.
The Reader opens with an introduction to 'the field of horror' by Ken Gelder, and each thematic section includes an introductory preface. There is also a comprehensive bibliography of horror literature.

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Customers buy this book with The Monster Show: A Cultural History of Horror; Revised Edition with a New Afterword $12.24

The Horror Reader + The Monster Show: A Cultural History of Horror; Revised Edition with a New Afterword


Editorial Reviews

Review

'Gelder is to be congratulated on this selection. If you teach horror then I recommend this, the academic weight here, carefully used, could help students see beyond the gore.' - In The Picture

'Will do much to introduce the uninitiated to the cultural fascination of horror while giving the aficionados plenty to keep them ticking over.' - Intensities

About the Author

Ken Gelder is Senior Lecturer in English at the University of Melbourne. He is the author of Reading the Vampire (Routledge 1994) and co-editor of The Subcultures Reader (Routledge 1996)

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Inside This Book (learn more)
First Sentence:
THIS SECTION BEGINS WITH the Bulgarian-born critic Tzvetan Todorov's famous recovery of the fantastic as a literary term. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
horror fanzines, empty circularity, horror texts, cannibal ghost, contemporary horror film, ethnographic cinema, horror cinema, expedition film, spurious harmony, maternal imagination, fanzine editors, tree monster, modern horror film, slasher film, ethnographic spectacle, reverse colonization, vampire fiction, monstrous imagination, vampire films, lesbian vampire, feminist film theory, interracial rape, female spectatorship, maternal woman, bone flute
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Hong Kong, Mary Shelley, Final Girl, King Kong, Hill House, Chinese Ghost Story, Count Dracula, Night of the Living Dead, Rosemary's Baby, The Exorcist, United States, The Curse of Frankenstein, Dario Argento, David Cronenberg, Lord Ruthven, Black Sunday, Dawn of the Dead, Frankfurt School, Jonathan Harker, Linda Williams, Robin Wood, James Whale, Mario Bava, New York, The Most Dangerous Game
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