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Horror Film Reader (Softcover)
 
 
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Horror Film Reader (Softcover) [Paperback]

Alain Silver (Author), James Ursini (Author)
3.8 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

August 1, 2004
This book begins with seminal essays, several dating back to the 1950s, that uncover the roots of the genre and explain its wide-radning, indestructible appeal. The second part of the book, "New Perspectives," focuses on such specific films as Freaks, The Devil Doll, The Haunting, The Devil and Daniel Webster, and Hitchcock, the Wolf Man and the Candy Man.

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Horror Film Reader (Softcover) + The Horror Film + The Dread of Difference: Gender and the Horror Film (Texas Film Studies Series)
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Editorial Reviews

About the Author

Alain Silver and James Ursini

Product Details

  • Paperback: 320 pages
  • Publisher: Limelight Editions (August 1, 2004)
  • Language: English
  • ISBN-10: 0879102977
  • ISBN-13: 978-0879102975
  • Product Dimensions: 9 x 6 x 0.8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #692,295 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
3.8 out of 5 stars (4 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
4.0 out of 5 stars Why we like horror, July 27, 2008
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This review is from: Horror Film Reader (Softcover) (Paperback)
Most of the time, if we like something, we don't question it, we just enjoy it. Plenty of people enjoy horror films, so much so that it has remained a successful genre since the beginning of sound films (with the possible exception of the post WWII years when science fiction took over, albeit with horror trappings). Horror Film Reader tries to explain why we enjoy horror.

Horror Film Reader is an anthology of essays about horror movies edited by Alain Silver and James Ursini, two big writers on genre films (who also occasionally provide DVD commentaries). The first section of the book features "classic" essays on the subject, written from the 1950s to the `70s. The second part has more recent works from around 1980 to 2000.

As might be expected in an anthology of this sort, the articles have a variety of lengths, topics and quality. Some focus on major horror films, others on minor ones or more "trashy" horror, some on single movies, some on whole slews of them. Some have affection for the genre, others are more critical, and some have errors in plot descriptions that undermine their effectiveness.

Overall, however, this is a fun read, but only if you're well-versed in horror movies. If your experience is limited to only recent and very well-known works, you won't get as much out of this. There are, for example chapters on Mario Bava and Jess Franco, neither of whom are very well-known to modern movie-goers, though horror fans are more familiar with them. If you are a fan of the genre and its history, however, this book will provide some interesting insights.
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4.0 out of 5 stars Scholarly..., August 15, 2010
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This review is from: Horror Film Reader (Softcover) (Paperback)
Scholarly reviews of the history of the horror film. Contains multiple stills from classic to modern (A whole chapter on "The Fly"). Question the point in some cases: often the stills don't match the subject matter. The articles are scholarly, but also interesting and intelligent, and a good read for the horror fan. Recommended.
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0 of 1 people found the following review helpful:
2.0 out of 5 stars Great buy at a lower price for required reading, but terribly put together book., November 25, 2011
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This review is from: Horror Film Reader (Softcover) (Paperback)
This book was purchased to fill my TA320 reading requirement. The book is poorly put together with formatted essays that are hard to follow and often uninteresting. It almost felt like I was reading a book written by a high school graduate with no respect for the movies. Miraculously, my instructor had much more informing handouts available than the drivel in this book. The cover is from House on Haunted Hill, which was more psychological thriller than horror.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
cinematic horror, possession film, surmounted beliefs, horror film monsters, new horror films, primal father, horror cinema, infantile complexes, sans visage, horror genre
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Horror Film Reader, New York, Freddy Krueger, Elm Street, The Fly, Hill House, The Exorcist, Representation of Monstrosity, The Anxiety of Influence, Bernard Rose's Candyman, The Devil-Doll, Urban Space, Tim Lucas, King Kong, Last House, Black Sunday, Demon Daddies, Val Lewton, James Whale, Mario Bava, Jess Franco, Christopher Lee, American Dream, Video Watchdog, Illusion of Reality
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