15 of 16 people found the following review helpful:
2.0 out of 5 stars
Where's the horse?, May 9, 2001
After all the hype I thought this book would be a profound insight into the relationships between people and animals and other people. How disappointed I was when I got almost all the way through and discovered it was little more than a romance novel! Heaving bosoms and all...
I suppose without any hype I might call it an impressive first novel, but I found most of the relationships stereotypical and the ending totally inconsistent with what little character development there was.
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14 of 15 people found the following review helpful:
4.0 out of 5 stars
The movie only hinted at doing justice to this story., November 16, 2000
Unlike some other reviewers I wasn't expecting this book to be a great work of modern literature but rather a beautiful story that everyman could relate to with a bit of thought. I wasn't disappointed. Maybe the author was a screenwriter and maybe the sentimental story itself is set out to read like a movie plot unfolding, none of that, to my way of thinking, diminished the simple zen beauty of the authors prose which reflected the search for an inner calm in each of the main characters.
Others here have commented on the gore and adrenalin surging accident of Grace and the conveniently named Pilgrim and I from similar experiences found it traumatic - for the horse, but not for Grace herself because her story is really the means by which she and her mother find grace. Her mother Annie is forced to take stock of a life that she fears is not satisfying and which casts an effect on her child and her marriage.
If Tom, in a typical display of the western horseman, seems wooden through a lack of dialogue it is because he relates to the world through the horses he works with, espousing the simple wisdoms of a man who has learned to read what is subtle and unspoken. His loneliness is echoed in the souls of Pilgrim, Grace and Annie.
That Annie and Tom predictably fall in love and betray her marriage vows, in a different rendition of Graces relationship with Pilgrim, is not an issue. It is that only through the catalyst for change in Tom and the nature of his work with Pilgrim we find the key to the characters, that they too must sacrifice the instinct for self preservation to be remade with maturity.
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16 of 18 people found the following review helpful:
2.0 out of 5 stars
Not much to like, June 21, 2002
I started reading this book only knowing that it involved a mystical sort of man who could communicate with horses. This concept sounded intriguing. The novel turns out to be more about the thoroughly unlikable Annie character. She is is a self-centered woman, who makes one grand gesture to help her daughter by visiting the Horse Whisperer. It is obvious from the start that there will be a romance, but I could see no reason why Tom (the title character) should have any interest in Annie. It makes you feel sorry for Annie's husband, who seems like a nice enough guy, but is left behind in New York. The horse is really the most interesting character, but he just falls into the background as the story moves on.
The wild horses in the story could have been an interesting metaphor, but Evans has an annoying habit of using symbolism and then explaining it too. It is as if he thinks his readers are too stupid to figure it out on their own.
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