From the acclaimed author of Night Trap, Peacemaker and Top Hook, an exhilarating new tale of modern espionage and flying adventure featuring US Navy intelligence officer Alan Craik -- sure to appeal to the many fans of Tom Clancy and Dale Brown. For years, a high-level CIA mole has been passing secrets to china. Now he's gone, but he's left a deadly legacy! In the seas off Seattle, an unidentified submarine is shadowing American ballistic-missile subs. US Navy intelligence officer Alan Craik will have to draw on all his experience of aerial anti-submarine warfare to track it down. Yet unexpected complications from his last mission threaten to put him out of action before he can even get started. It is only weeks since Craik's pursuit of CIA mole George Shreed ended in a spectacular shootout. Now it seems there are some dangerous people in Washington and Beijing whose world has been shattered by Shreed's fall from grace. They all have their own reasons for revenge -- and they will risk everything to achieve it.
Gordon Kent was (is, I suppose) two people, my son - Christian Cameron, author of TYRANT and WASHINGTON AND CASEAR and other books - and me. The reason for the pseudonym was the obvious one that two names on a cover were not thought as good as one. And of course the one needed to be anglo and male; my suggestion of Max Cohen got nowhere, as did several dozen others we trotted by the publisher. Eventually, we settled on Gordon Kent: Gordon was my father's name, my son's middle name; Kent, oh, well.
We wrote eight novels - the Alan Craik books - under this pseudonym, starting with NIGHT TRAP (RULES OF ENGAGEMENT in the US, probably one of the most overworked titles there is) and ending with the much darker (and more satisfying) SPOILS OF WAR and THE FALCONER'S TALE. The books were about the air side of the US Navy, mostly about intelligence, but with a lot of derring-do that real intel officers never get to play at. They were usually fun to write because we'd both been in the navy, my son a good deal longer than I; we had our differences, as any two people must, but it was a surprisingly workable relationship. Lots of long-distance telephone calls, occasional meetings to go fishing and use the time in the car to plan books. We worked from outlines made on those trips, then divided the scenes up - we quickly learned who did which sorts of scenes and which characters better - and then we wrote and exchanged files and bickered and praised and wound up with a book.
Is Gordon Kent finished? We wonder. We're both writing our own books now under our own names, but occasionally we feel a nudge to go back to that partnership. Maybe, maybe....
