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21 of 22 people found the following review helpful:
5.0 out of 5 stars
A new setting, a new time period, and Leonard once again proves that he deserves to be the master of crime fiction, March 1, 2006
Leonard's 42nd novel lacks his trademark convoluted double- and triple-cross among the bad guys, the law, and the good guys acting just to the side of the law. Instead we get a down-home good guy with some trademark lines and a bunch of rascals throughout his career in the law. Is it worth it? You bet! Leonard proves his mastery as a storyteller by taking on a totally new setting for this latest crime novel--1930s Oklahoma. The man who perfectly captures Miami gangsters, Hollywood film wanna-bes, high-class urban strippers, and cops everywhere proves that he can do it all again, in new territory, that of the Dust Bowl, bank robbers, speakeasies, US Marshals, Prohibition, and farm girls trying to make their name in Midwest cities. As I said, there is no masterful all-encompassing crime plot to carry the entire novel, but the reading is engaging nonetheless. The Hot Kid is a series of vignettes in the life of oil-well boy Carl, who witnesses a crime as a child and grows up to become the most respected (and feared) marshal in the state. Carl has run-ins with bank robbers, with crime journalists, with gun molls, with speakeasy owners, and with downright ruthless cold-blooded killers. His nemesis is Jack Belmont, a wanna-be criminal rebelling against his millionaire dad, and the two cross paths repeatedly throughout the novel. Leonard develops a rich cast of characters (as usual, some are on the right side, others on the wrong side, and still others just to the edge of the law) whose lives intersect again and again during US Marshal Carl Webster's career. The dialogue, as one would expect in a Leonard novel, is outstanding. The characters leap off the page and the reader is transported to another time and place. This is a true winner of a crime novel, and a shining entry in Elmore Leonard's long-standing career at the top of the genre.
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23 of 26 people found the following review helpful:
5.0 out of 5 stars
Leonard at the top of his form, June 6, 2005
There are writers. There are novelists. There are storytellers. And there is Elmore Leonard who seeming transcends classification. Leonard is at his lyrical, mythmaking best here as he tells the story of a little Oklahoma boy who is robbed of his ice cream cone by a two-bit bank robber, an event that shapes his future. Carl Webster grows to be a man and becomes a Deputy United States Marshall during the heyday of bank robbers. Dillinger, Pretty Boy Floyd, Bonny and Clyde capture the nation's attention, while J. Edgar Hoover, Melvin Purvis and - of course - Carl Webster seek their own headlines. In a millieu of dirt-poor farmers become millionaires through the Oklahoma oil boom, whores with good hearts, a rich man's son turned bad and the muse of Tony Antonelli, crime reporter, all the stories mix and blend thanks to Leonard's gifted pen. Each of the characters is rich and full-blooded. The scent of Oklahonma's backroads and Kansas City's opulent brothels and their denizens is strong as the trails of bandits, lawmen, rich men, demented mothers, prostitutes and demented sons cross and re-cross. Elmore Leonard has crafted many a fine tale: but "The Hot Kid" is undoubtedly one of his best and a thoroughly satisfying read. Jerry
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10 of 11 people found the following review helpful:
5.0 out of 5 stars
Not a western, masterful crime fiction, May 19, 2005
I'm not into westerns so I was a little worried when I heard Mr. Leonard's new novel was set in Oklahoma, especially when I knew that Mr. Leonard starting in the writing biz writting hack westerns. Have no fear, this is a crime novel just set in 1930's Oklahoma -- think "Oh Brother where art thou" mixed with "Mixed with Get Shorty" well, not exactly but lets just say the book still has a certain hipness even though it is set 70 years ago. Mr Leonards trademark is his ability to develop real characters that jump from the page, and this is the case in the HOT KID. Both ends, and the middle, of the good/evil spectrum are explored here against the rough and tumble times of depression era Oklahoma.
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