And they do!
They just don't stop.
The smile that spread across my face as I listened to this album for the first time was undeniable. As a Beastie fan dating from '92, I'm always nervous when a new release by them falls out of the sky. It seems pre-determined that as modern musical artists age, their work tends to decline. I can't say that the Beastie Boys are completely devoid of this, as it really does appear as though their *best* days are behind them. On the flip side of that, they aren't getting lazy, and they aren't simply relying on their name and past glory to get them through current releases.
To The 5 Burroughs was an album that, while good, fell into a bit of a niche. It had a strong political influence (being released in a pivotal election year), that was surrounded by dry, bottom-ed out, depressing beats (a style that was being used by MANY artists at the time.) While the album had plenty of highlights, it also featured a, what I would call, repetitive identity. It's hard to argue against the album being motivated by America's breach of security in the 9/11 attacks, and the seriousness of all of this that propagated the somewhat down-beat feel of this album. What most bothered me was the fact that Mix Master Mike put his stamp on 1998's Hello Nasty and, truly, became a member of the group. Like Slug and Ant in Atmosphere, MMM and the Beastie Boys just molded perfectly. That element seemed lacking on 5 Burroughs, and I can't help but feel somewhat disappointed by it because of that fact.
But fear not - because MMM is studio prominent once again!
What I can say about Hot Sauce Committee Part 2 is this - you haven't heard a Beastie Boys album that sounds like it.
THAT'S GOOD NEWS PEOPLE!
That means these guys are STILL evolving.
From bratty rap in '85 to the melting pot sample classic rap of '89 to instrument playing rock rap of '92 to collaborative punk rap of '94 to space age techno rap of '98 to retro beat bumpin' hip hop of '04 to funk instrumentation of '07 - they now show us an electro, grit infused, instrumentally distorted form of hip hop that...oh my god, sounds ORIGINAL. And it sounds original while including a little bit of all of the undermentioned.
These are the Beastie's we still love - innovative, original, and GOOD at what they do. They're clever, hilarious, smart, groove-inducing, head-bopping...I could give you all the adjectives in the world to describe them, but you already know them all. You'll still find the pop culture references and the vocal time changes that you've loved about every past album.
This album gives you, basically, every style of Beastie's music you've heard in the past at least once:
The classic Beastie 1,2,3 - 2,3,1 - 3,1,2 rhyme scheme.
The long 1 - 2 - 3 rhyme scheme, i.e. "three minute rule".
The unorganized verses scheme, i.e. "shadrach"
The collaboration routine with external artists.
The goofy, absurd track.
The punk rock track.
The instrumental track.
The filler track.
It's all here, and while none of them are the absolute best that you've heard them do (although STRONG consideration should be made for the placement of "Lee Majors Come Again" at the top of their punk rock pantheon) - they're still about as good as anything out there today.
If you're a Beastie Boys fan - don't be afraid of this album.
I'm crossing my fingers for a soon-to-be announced tour (pending MCA's health), and I encourage you all to get out there and see them if so - dance, sing along, be surprised by the beat changes - HAVE FUN!
The latter, being just what you'll do while listening to this album.
On the '94 track Root Down, MCA wrote a lyric concerning the tears running down his face because of how much he loved what he did.
It's still evident.
The Beastie Boys are still here, folks - and nobody can accuse them of growing tired of what they do.