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| 1. Coming To Town - John Lee Hooker, Earl Palmer, Tim Drummond, Miles Davis, Roy Rogers |
| 2. Empty Bank - Taj Mahal, Miles Davis, Earl Palmer, Tim Drummond, Roy Rogers |
| 3. Harry's Philosophy - John Lee Hooker |
| 4. Dolly's Arrival - Earl Palmer, Tim Drummond, Roy Rogers, Taj Mahal |
| 5. Harry And Dolly - John Lee Hooker, Tim Drummond, Miles Davis, Roy Rogers, Taj Mahal |
| 6. Sawmill - John Lee Hooker, Tim Drummond, Miles Davis, Roy Rogers |
| 7. Bank Robbery - Miles Davis, John Lee Hooker, Earl Palmer, Tim Drummond, Roy Rogers, Taj Mahal |
| 8. Moanin' - John Lee Hooker |
| 9. Gloria's Story - Miles Davis, Bradford Ellis |
| 10. Harry Sets Up Sutton - John Lee Hooker, Tim Drummond, Miles Davis, Roy Rogers, Taj Mahal |
| 11. Murder - John Lee Hooker, Miles Davis, Tim Drummond, Roy Rogers, Bradford Ellis |
| 12. Blackmail - Miles Davis, John Lee Hooker, Earl Palmer, Tim Drummond, Roy Rogers, Taj Mahal |
| 13. End Credits - John Lee Hooker, Earl Palmer, Tim Drummond, Miles Davis, Roy Rogers, Taj Mahal |
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Most Helpful Customer Reviews
28 of 28 people found the following review helpful:
4.0 out of 5 stars
A lost opportunity...,
By nicjaytee (London) - See all my reviews
This review is from: The Hot Spot: Original Motion Picture Soundtrack (Audio CD)
Miles Davis, John Lee Hooker and Taj Mahal together on the same album: Wow!... well not quite. The problem is that this eclectic combination was put together specifically to play a Jack Nitzchse composed movie score. As soundtracks go it's good - lot's of drifting, atmospheric playing that's ideally suited to building cinematic moods - but, out of context, a great deal of it sounds like what, of course, it is: the music without the movie.On track after track John Lee Hooker puts in a tour-de-force of deep blues "groans" (so good that they're regularly sampled), Miles Davis inserts trumpet stabs to die for and Taj Mahal (supported by Tim Drummond, Earl Palmer & Roy Rogers) provides superbly earthy backings. But... after 13 often quite similar, low-key offerings it gets (dare I say it) a bit boring. So, why buy it? Well... it's an intriguing one-off mix of brilliant artists, it's great background music and, it contains three real gems: "Gloria's Story" (featuring some beautiful solos from Miles Davis) and the virtually identical "Bank Robbery" & "End Credits" where the group let rip with some wonderfully burning jazz-blues to provide an insight into what treats could have been on offer in a less constrained situation. A lost opportunity but worth the money all the same.
15 of 16 people found the following review helpful:
5.0 out of 5 stars
THIS IS THE HOT SPOT!,
By deepbluereview "deepbluereview" (SACRAMENTO, CALIFORNIA USA) - See all my reviews
This review is from: The Hot Spot: Original Motion Picture Soundtrack (Audio CD)
I BOUGHT THIS CD ON A PURE WHIM, NEVER HEARING OF THE MOVIE AND HAVING NO IDEA OF WHAT TO EXPECT. WHAT A GREAT SURPRISE. THE CD FEATURES JOHN LEE HOOKER ON VOCALS, TAJ MAHAL ON GUITAR, MILES DAVIS ON TRUMPET, ROY ROGERS ON SLIDE, EARL PALMER ON DRUMS AND TIM DRUMMOND ON BASS. THE CD IS A COLLECTION OF SLOW BURNING SULTRY MUSIC THAT COMBINES BLUES AND JAZZ AS ONLY MILES DAVIS COULD PLAY. I DON'T KNOW ABOUT THE MOVIE, BUT DENNIS HOPPER DEFINETLY KNOWS HOW TO THROW A BAND TOGETHER. GO AHEAD, BUY THE CD, INVITE OVER THAT SOMEONE SPECIAL, OPEN A BOTTLE OF WINE, DIM THE LIGHTS AND FIND THAT HOT SPOT. A GREAT FIND!
12 of 13 people found the following review helpful:
5.0 out of 5 stars
Most talented group,
By Tom Wiseman (Santa Ana, Ca USA) - See all my reviews
This review is from: The Hot Spot: Original Motion Picture Soundtrack (Audio CD)
When the movie came out, a modern film noir, the stand out features to me were the script and the music. Here I'll talk about the music. What superb contempary music that fits well in the with long summer days as the human drama the unfolds before the eyes. The vocals, by John Lee Hooker, gives a painful objurgation at human nature. The cool/blue horn of Miles Davis gives a solitary notion of a individual human struggling with his passion and greed. Add Roy Rogers and Taj Mahal guitars' accretions too this poignancy, you have a melancholy that is aggraviting existence. Even Track #11 "Murder" seems a delight blow to the conscience.
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