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The Hotel Alleluia [Hardcover]

Lucinda Roy (Author)
4.5 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

January 2000

From the critically acclaimed author of Lady Moses comes a beautifully written, passionate new novel about sisterhood, love, and identity set against the backdrop of an African country torn by revolution.

In The Hotel Alleluia, Lucinda Roy tells the story of two half sisters, one white and one black, who share the same mother. Separated at a young age, they grow up continents apart. Joan is raised in North Carolina and becomes an independent, successful businesswoman. Ursuline is left behind as an orphan in Africa, where she teaches art and English at a convent school and tries to decide if she has a vocation for the sisterhood.

Driven by their mother's death and the shadow of loneliness that haunts her own life, Joan departs for Africa to reclaim Ursuline. Soon after she finds her, the two sisters witness a tragedy that forces them to flee the country's growing civil unrest. In the process, Ursuline has no choice but to seek help from Joan's former lover, Gordon Delacroix, a Peace Corps director, and his troubled English friend, Jeremy Scott. The days they spend together in a quickly disintegrating nation will change each of them forever.

A path of events--emotional, powerful, an tragic--eventually takes the women back to the United States. Moving from a country plagued by violence and bloodshed to another almost overwhelming in its possibilities, the sisters are forced to question their beliefs and rediscover their faith in family and in each other.

An extraordinary, unforgettable book, The Hotel Alleluia is a story not just about racial identity but about the people and places that color our lives-shaping our shared history and our separate fates. With her second novel, Lucinda Roy proves again that she is one of the most talented and original new voices in African American fiction.


Editorial Reviews

Amazon.com Review

Joan Plum and Ursuline Shebar, the unlikely thirtysomething heroines of Lucinda Roy's The Hotel Alleluia, share little more than one parent. Reasonably happy in her West African convent, aspiring nun Ursuline doesn't even know she has a white half-sister until, stirred by their mother's death, Joan drops in from North Carolina with her bombshell revelation. Against a backdrop of brutal civil unrest, Roy, in her second novel, tells a story of both demoralizing adversity and taxing affections, all rimmed by two sisters' yearning for acceptance.

Helping span the nearly unbridgeable distance between the two is Gordon Delacroix, a black American who's worked as a Peace Corps director in Africa since before he and Joan broke up several years earlier. In uniting Joan and Ursula, he not only inadvertently embroils the former in a vicious game of political blackmail, but also arouses the latter's long-fallow, now fluctuating passions. While her sister languishes in prison, Ursuline considers the forbidden: "It would be a betrayal of her sister to love Gordon Delacroix, and exactly the kind of distraction she'd forsworn."

When, finally, the trio breaks for the United States, the women confront their myriad incompatibilities and the disheartening facts of a world more cruel and demanding than either had imagined. Roy's style is spare and straightforward--occasionally pedestrian--and she too often employs dialogue in place of solid detail; but the broad, dangerous, and sporadically tender world she describes seems ripe with redemption. --Ben Guterson

From Publishers Weekly

Familial, racial and political issues as well as character are Roy's concern in this resonant second novel, after the well-received Lady Moses. A successful software designer in North Carolina, Joan Plum discovers a Web site promoting African art and serendipitously spots a painting signed by Ursuline Shebar--a name she recognizes as that of her half-black half-sister, whom their mother abandoned in Africa years ago. With the help of her ex-lover, Gordon Delacroix, an African-American and one-time Peace Corps member who lives in war-torn West Africa and investigates corporate industrial pollution, Joan tracks down her sister, now residing in a convent compound in an unnamed country. After a particularly bloody assault by government rebels on the village marketplace, the nuns urge a hesitant Ursuline to return with Joan to the States as a scholarship art student. But as the sisters are on their way to the airport, Joan is kidnapped by government thugs who are seeking to keep Gordon's investigation under wraps. After several botched attempts, Joan's release is finally negotiated, but Joan's and Ursuline's relationship hits snags in the U.S. when a traumatized Joan blames Ursuline for not rescuing her sooner, as well as for engaging Delacroix's romantic interest. Meanwhile, Ursuline is alienated by the excess of comforts and luxury Americans take for granted, and bravely decides to return to her village convent after hearing reports that it has been marauded by government troops. As in Lady Moses, Roy's heroines try to make homes for themselves where they feel at peace, whether it seems the logical place for them to be or not. The beautifully sustained intensity of the narrative and a multiculturally varied and delightfully authentic supporting cast keep the reader's attention from the first chapter to the last. Agent, Jean Naggar. 5-city author tour. (Jan.) FYI: Roy's 1995 poetry collection won the Eighth Mountain Poetry Prize.
Copyright 1999 Reed Business Information, Inc.

Product Details

  • Hardcover: 400 pages
  • Publisher: HarperCollins Publishers; 1st edition (January 2000)
  • Language: English
  • ISBN-10: 0060193956
  • ISBN-13: 978-0060193959
  • Product Dimensions: 9.3 x 6 x 1.3 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #4,637,557 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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4 star:    (0)
3 star:
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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
5.0 out of 5 stars Intricately Simple, February 2, 2000
This review is from: The Hotel Alleluia (Hardcover)
Hotel Alleluia is a work of art. The vividness of Roy's descriptive style is atsounding. The novel's setting is painted with clarity. I was able to put myself in Freetown and feel the fear of the masses. Roy has a wonderful flair for the English language. The language used is incredibly telling without being too wordy. Ms. Roy, if you're out there, please tell me what made you choose Sierra Leone. As a citizen of that country, I am honored that you chose us for your setting. Though most of what you used of the atmosphere in Sierra Leone bordered on depressing, the situation is real and therefore, beautiful in print. Thank you for a work extremely well done.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars Stood Up, Broken-Hearted, Again.., August 19, 2000
By 
S. Wheeler (San Jose, CA United States) - See all my reviews
(REAL NAME)   
This review is from: The Hotel Alleluia (Hardcover)
It seems I've been reading a spate of books lately that start out wonderfully and quickly deteriorate. This is another one. The setup was terrific--how would these two sisters relate to each other, what secrets would Ursuline find out about her mother and perhaps her father as well, how would they establish common ground? What brought Joan Plum to want to contact Ursuline in the first place and how would her life change as a result?

The writing at the beginning was also very evocative; I really felt an excellent sense of place.

However, great questions; few answers. Ursuline is a well-developed character, but the others are little more than stereotypes--especially Jeremy, the colonial drunkard exploiting not-so-innocent young ladies of the third world.

Joan is completely unbelieveable to me. Purportedly, she came to Africa to find Ursuline and bring her back to develop her fine artistic talent, but nothing comes of it. When she finally gets her back to North Carolina, her interest in Ursuline as an artist (and a person) appears to disappear completely and she does nothing but abuse her emotionally. Her terrible experience in Africa, which she blames on Gordon instead of taking responsibility herself, seems to become an excuse for mistreating everyone around her (at least until she's finally able to get into "rape counseling". Thank god there's an answer!) Throwing in the token lesbian lover thing was a little gratuitous as well.

Maybe picking one theme and really developing it would have made this the great book it could have been.

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3 of 4 people found the following review helpful:
5.0 out of 5 stars Just Wonderful, February 10, 2001
By 
"July Lady" (MS United States) - See all my reviews
This review is from: The Hotel Alleluia (Hardcover)
The Hotel Alleluia is about Ursuline who's trying to decided rather or not to become a nun, since she was raised by nuns. Joan and Ursuline are half sister's only Joan is white and Ursuline is black. Ursuline is living in Africa, and out of no where her sister comes to take her back to the UnitedStates with her, She goes back with her, even though she hates to leave the sisters, and her favorite student Mohammed, who dreams of going to the United States and meeting the Laker's Shaq. Gordon is black and an old lover of Joan, but he finds hisself falling for Ursuline when he meets her in Africa. While back in United states here about a terribly attack on her old convent and the school she taught back, and rushes back to find old friends especially Mohammed. I felt this book had everything, romance, religion, and different cultures. I don't think anyone will be mad that they read this book, i know i wasen't.
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