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Hotel California

June 25, 2013 | Format: MP3

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$9.49 to buy
Song Title
Time
Popularity Prime  
30
1
6:31
30
2
5:04
30
3
4:46
30
4
4:56
30
5
1:23
30
6
4:10
30
7
3:59
30
8
5:11
30
9
7:24
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Product Details

  • Original Release Date: April 3, 2006
  • Release Date: June 25, 2013
  • Label: Rhino/Elektra
  • Copyright: 1976 Elektra Records.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 43:24
  • Genres:
  • ASIN: B00DAKW7Q2
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (430 customer reviews)
  • Amazon Best Sellers Rank: #1,788 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Most Helpful Customer Reviews

63 of 68 people found the following review helpful By Elwood Conway on August 30, 2011
Format: Audio CD Verified Purchase
My copy of the Japanese SACD arrived today. Owning two Oppo BDP-93s, I hooked both up to the same receiver and compared both editions. Confirming another review, the SACD is indeed presented a bit louder than the DVD-Audio. However after over an hour of listening, I can hear no discernable difference between the audio portions of these discs. Yes, both come from the exact same 5.1 master. In fact, even the disc labels on both are practically identical, one indicating SACD emblems and the other DVD-Audio. So no new sonic revelations over the 2001 DVD-Audio release. One advantage for the SACD is that it will play in all CD players as it is a hybrid. One advantage to the DVD-Audio is the on-screen presentation of the lyrics and many photos. The best news is that, even at Amazon's current price, the SACD is a steal compared to the prices being asked for the out of print DVD-Audio. My biggest hope is that these discs from Japan will bring about renewed interest in 5.1 sound music, so that we may be fortunate enough to see other timeless classic recordings released (not just rehashes of previous DVD-Audio releases) in multi-channel SACD....please, please, please!
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71 of 78 people found the following review helpful By Bob Joseph on December 26, 2004
Format: DVD Audio
If you were around in the late 70's and were within earshot of rock and pop radio, you heard the Eagles' 'Hotel California' and if you've listened to classic rock radio since then and till today, you are familiar with this album many times over, possibly even sick of it (as you might be with Fleetwood Mac's 'Rumours', Pink Floyd's 'The Dark Side of the Moon' and most of Led Zeppelin), as you might be sick of Eagles music in general. However, just this Christmas day, I was with family, and the household happened to have a superb DVD/Dolby surround setup and the man of the house received the DVD-A of 'Hotel California' as a gift. He put it on, and I was there to experience this already time-honored album in glorious multi-channel surround sound. If you thought you've heard enough of the Eagles' best album, you ought to give this a chance -- the classic title track alone makes it worth the purchase. You will hear cymbal swells, guitar parts separated and panned, vocals and all that is the musical brilliance of this album as you never have before. "Wasted Time" sounds so good it will make you weep (this was always one of my favorite Eagles album tracks, as is "The Last Resort", also benefitting from the DVD-A treatment) ... highly recommended for Eagles, classic rock, and music fans in general needing to hear how good either the DVD-A or SACD format can be.
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58 of 65 people found the following review helpful By P Magnum HALL OF FAMEVINE VOICE on January 8, 2001
Format: Audio CD
Hotel California was the first Eagles album to feature Joe Walsh. By combining with Don Felder, they created a potent tandem and pushed the band to a harder sound. Like many other residents in the state, the band are not native Californians. Despite that fact, they have become synonymous with Southern California. On this album, they examine all the high and lows of the land of hopes and dreams. The word classic is thrown around a little too often, but the album's title track is one of only a handful of songs that are worthy of the title. From the opening guitar riff, to the cynical and vivid lyrics to the closing guitar coda, the song is a tour de force. Don Henley sings with a snarl in his voice and Mr. Walsh and Mr. Felder trade guitar licks in a can you top this fashion. The song is a masterpiece, became their third number single, won the 1977 Grammy for Record of the Year and one never tires of hearing it. "New Kid In Town" was the album's other number single and Glenn Frey sings with a smooth charm. The song perfectly captures that breezy Southern California sound the Eagles made famous. "Life In The Fast Lane" is the infamous rocker that details the hedonistic lifestyle of the late 70's that the band wholeheartedly embraced. "Wasted Time" is pretty ballad and the orchestral reprise of the song leads into a stinging rocker "Victim Of Love". Joe Walsh's Eagle lead vocal debut is the suprisingly sweet "Pretty Maids All In A Row". Randy Messiness' swan song with the band is the soaring "Try & Love Again". The album's closer, "The Last Resort", almost matches the title cut in power and brilliance. It tells of the pilgrimage from the east coast out to California and that it has to offer. Hotel California was the band's peak and one of the best albums of the 70's.
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30 of 35 people found the following review helpful By Themis-Athena on July 2, 2001
Format: Audio CD
She'd taped a cool new song off the radio, a friend told me a little less than 25 years ago; she'd play it for me when I'd come to her place after school.

The song was "Hotel California," and my perception of music changed then and there, once and for all. I didn't even really understand the lyrics - I had barely begun to learn English, and apart from everything else I sure as hell didn't know what "colitas" meant. But understanding all the song's words wasn't necessary. From the first chords played by Felder and Walsh, this song was different from anything I had ever heard before. The layers of electric guitar riffs alternating with and ornamenting Don Henley's vocals, soaring in the chorus and culminating in a moving and evocative duet, touched a spot deep inside me that required no further explanation. Nor, really, did the other songs on this album which I instantaneously knew I had to have. I got the message conveyed in the raw edges of "Life in the Fast Lane," Joe Walsh's riffs throughout the song, the two guitar solos and Don Henley's sneering vocals, as well as I could hear the sense of loss in "Wasted Time," "The Last Resort" and "New Kid in Town."

This is not to say, of course, that the lyrics didn't matter to me once I was able to fully understand them. Rather, that understanding deepened my appreciation for the album; and yet another level of insight was added when I came to California for the first time in 1991.
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