14 of 15 people found the following review helpful:
5.0 out of 5 stars
Brilliant and thought-provoking, June 24, 2005
Great fiction, like all art, echoes and reflects the time in which it is created. This happens whether the author intended it to or not. Great fiction forces readers to look at themselves, and their world, and think.
Case in point was Philip Roth's THE PLOT AGAINST AMERICA. This novel asked readers to imagine what would have happened if America went fascist in 1940. What if?
Another example is Peter Quinn's excellent new historical novel, HOUR OF THE CAT.
Quinn, author of BANISHED CHILDREN OF EVE, does not have to ask what if? He deals with the horror of what actually happened in America and Germany in the late 1930s. He writes a powerful story about ordinary, well-meaning people suddenly plunged in an epic battle between "the good, the true" and unthinkable evil. And in this novel, like life itself, the ultimate triumph of good and truth is far from assured.
Quinn effortlessly weaves a tale of suspense that alternates between New York City and Berlin from 1936 to 1938. HOUR OF THE CAT starts routinely enough as a hard-boiled private eye story. Ex-New York City cop Fintan Dunne is hired to save the life of a man on death row convicted of a murder he did not commit. Meanwhile in Berlin, real historical figure Admiral Wilhelm Canaris and other German military officers are trying to figure out how to stop Hitler and his henchmen before they plunge the world into the abyss.
Quinn captures perfectly the sense of dread from that period. Dunne, Canaris and another real historical figure, Colonel William Donovan --- former commander of New York's famous Irish brigade, the Fighting 69th --- have all survived the horrors of the Great War. They are haunted by the dead slaughtered in places with names like Ourcq and Somme but confident that it can't happen again. Reasonable men will stop it.
But not only will it happen again --- this time it will be far different and worse. This is the dread that grows with the novel. The Nazis are not only interested in old-fashioned geographic conquest, but in the pseudo science of eugenics: the belief that "life unworthy of life" should be controlled and eliminated.
Quinn reminds us that the eugenics movement was not just limited to the Reichchancellary, but had its advocates in America, where forced sterilization of those considered physically or mentally challenged was the policy in many states. The Nazis took it further, using it as an excuse to murder an entire race.
Twice in this book, we hear the words of Reinhard Heydrich, number two monster in Hitler's SS: "facts are paltry things in the face of destiny." And while the madness of eugenics has been consigned to the trash heap of history, the ability of governments to ignore facts still has deadly consequences. Witness the recent Downing Street memo that said "the intelligence and facts were being fixed around the policy" to justify war in Iraq.
Great fiction echoes.
Quinn manages to skillfully draw you deep into the story and keep you guessing at every turn. Pretty soon, PI Dunne is battling police corruption, falling in love with a hooker and searching for a Nazi SS agent on the streets of New York. Eventually, both sides of the Atlantic meet in a violent clash.
Dunne is a perfect noir creation: alone, alienated, down on his luck, a drinker but not drunk with iron clad integrity and a willingness to stand up for the underdog. At one point, he quotes his father, "There are only three types of men in the world. Bullies, their stooges, and them who refuse to be either." Dunne is clearly the latter and would be right at home sitting at a bar with Raymond Chandler's classic noir PI, Philip Marlowe.
As he did with his previous novel, Quinn again proves that he is a great novelist with the eye of a historian. This is a book jammed packed with historical details. Quinn takes us on a walk through the Hoover flats --- the shanty city of the homeless and victims of the Great Depression --- that existed on 12th Avenue by the Hudson River. We witness an ugly German-American Bund rally in the Yorkville section of Manhattan, much like the ones my father described seeing when he was a boy and lived a few blocks away.
And throughout the book, Quinn writes with economy and compassion about common people struggling to survive and do the right thing in life.
Dunne sees a lady sleeping on a subway train heading to the Bronx and thinks, "Sweet Dreams, lady: a momentary respite from a lifetime of pennies put away to no effect, gobbled up by the machinery of history, by high-sounding theories that couldn't erase the ordinary miseries of lost jobs, savings, aspirations, an unemployed husband who sat around the house for years until one day he put on his hat and coat, went out the door, and never came back. Sleep was the cheapest escape of all, as long as your dreams took you to a better place."
HOUR OF THE CAT is a brilliant book. Read it. It will haunt you. Its characters will stay with you long after the final page. Most importantly, it will make you think and perhaps ponder the words of H.G. Wells: "history becomes a race between education and catastrophe."
--- Reviewed by Tom Callahan
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Dark and unstoppable, August 2, 2005
Partly social history, partly a novel of ideas, and partly a story that moves with incredible speed and power, Peter Quinn's "Hour of the Cat" is the ultimate thriller for people who think. Set in the late 1930s, as eugenics, fascism and the thunderclouds of impending war darken the landscape, "Hour of the Cat" seems at first like a simple tale of an unsolved murder, but it soon evolves into an epic about the world gone mad. "Hour of the Cat" sweeps back and forth from New York to Berlin and from historical fact to brilliantly realized fiction. Quinn's story combines real-world figures like German Gen. Wilhelm Canaris (who tried to overthrow Hitler in an early coup) with unforgettable fictitious characters like Fintan Dunne, an Irish cop with a million chips on his shoulder. Elegant, complex and bloody, "Hour of the Cat" plunks readers right into the midst of the terrifying and exhilarating period just before the outbreak of World War II. But this is no sterile book about abstract ideas; it's a richly interconnected saga about human beings full of love and anger, hate and hope. It brings all the extremes of human nature to life. I loved this book, and you will too.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Superb noirish thriller unearths obscure episode in American history, September 5, 2005
Like Chinatown, Peter Quinn's Hour of the Cat employs the traditional hard-boiled detective story for a memorably dark vision of the past: in this case, how America's eugenics movement influenced the Nazis' euthanasia program.
The haunted background of Quinn's hero, Fintan Dunne, is carefully limned: orphan, soldier on the killing fields of France in WWI, and policeman forced out of the NYPD for refusing to compromise his principles. While inspired by Raymond Chandler, the dialogue of this Gotham gumshoe is the type of brash street patois one would expect from someone forced to rely on his wits. Moreover, Quinn's plot develops logically out of character and circumstance. (The hurricane that climaxes the novel is fact -- and an apropos metaphor for what Winston Churchill called "the gathering storm" of the Nazi menace.)
While Dunne battles the clock to save an innocent man from execution, Admiral Wilhelm Canaris, head of military intelligence in Nazi Germany, struggles to balance his duty as a soldier against his realization that Hitler is about to plunge Germany into a ruinous war. Along the way, Quinn throws a spotlight not just on Nazism's racial theories but on relatively obscure corners of American history: legislation in more than 30 states permitting forced sterilization of those deemed "mentally unfit"; a pro-Nazi, anti-Semitic organization called the German-American Bund; and, in the (fictitious) person of chief of homicide Robert Brannigan, a corrupt metropolitan police force all too willing to use brutality against minorities.
Informing and entertaining, this thriller transcends the detective and historical fiction genres with spot-on description, biting dialogue, and issues with all-too-contemporary relevance: How society treats its most vulnerable citizens, and who gets to determine what constitutes, as the Nazis put it, "life unworthy of life." After reading it twice, I only wish it were longer.
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