The House On the Borderland (Adaptation) [Hardcover]

Simon Revelstroke (Adapter), William Hope Hodgson (Author), Richard Corben (Illustrator), Alan Moore (Introduction)

Book Description

Publication Date: December 1, 2000

The story of an adventure in time and space that spans all of creation. A building, constructed across an invisible chasm of space-time, fated to witness the very end of the world, is waiting with open doors for anyone who dares to enter it.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

Amazon.com Review

This classic novel of the weird supernatural, first published in 1908, was an important influence on H. P. Lovecraft. In the ruins of an ancient stone house in Ireland is found the diary of an elderly man who lived alone with his sister and their pets, and who longed for his lost love. The diary tells of how the man explores a cyclopean cavern beneath the house and fights off swarms of white pig-like monsters pouring up from below. Then, in a visionary sequence, he breaks through to an alternate space-time dimension and sees a doppelganger of his house on a vast desolate plain. The prose is hokey at times, but the strange mood evoked by the other-dimensional setting is powerful indeed. As acclaimed horror writer T. E. D. Klein says, "Never has a book so hauntingly conveyed a sense of terrible loneliness and isolation." --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

William Hope Hodgson's visionary 1908 novel The House on the Borderland proves fertile ground for legendary underground comix artist Richard Corben. It's the haunting tale of an accursed mansion teetering metaphorically between hallucinatory human visions and the dark bottomless pit of the human subconscious. In Revelstroke's adaptation, two young backpackers discover a decaying manuscript among the ancient ruins of a manor house in the remote Irish countryside. They read aloud from the moldy tome, invoking the horrible story of Hodgson's fictional narrator, Byron Gault, who tells a harrowing tale of inexplicable evil and violent struggle against terrors. In the winding cellar corridors of the decrepit house, Gault, his sister and their dog fight off savage attacks by cloven-hoofed half-humans erupting from the depths of the mansion's foundations. Or do they? Hodgson's hair-raising story brings into question the very sanity and reliability of the narrator himself. The nearly 40 pages of mystical descriptions from the original novel (i.e., an exploding sun and the notion of traveling the breadth of the universe in an instant) are judiciously adapted to the graphic novel format. Corben's moody color and dramatically illustrated panel sequences make this eerie book potent reading and a captivating tribute to the original novel. There is an introduction by noted comics writer Alan Moore.

Copyright 2001 Cahners Business Information, Inc.

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Product Details

• Hardcover: 96 pages
• Publisher: Vertigo / DC Comics (December 1, 2000)
• Language: English
• ISBN-10: 1563895455
• ISBN-13: 978-1563895456
• Product Dimensions: 10.4 x 6.9 x 0.5 inches
• Shipping Weight: 1.1 pounds
• Average Customer Review: 3.8 out of 5 stars  See all reviews (52 customer reviews)
• Amazon Best Sellers Rank: #1,665,241 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

30 of 30 people found the following review helpful:

4.0 out of 5 stars A Classic of the Genre, September 6, 1998

By 

J. A. Geary "JayDownSouthInDixie" (Lakeland, FL USA) - See all my reviews

This review is from: The House on the Borderland (Paperback)

Combine H. P. Lovecraft, Julio Cortazar (his story "House Taken Over" may have been inspired by this book) and the siege mentality of "Straw Dogs," and you have "The House on Borderland." Written before World War I, this book ranks right up there with Poe's only novel, "The Narrative of A. Gordon Pym" as one of the seminal contributions to the genre of science-fiction (before there was such a term) and horror. The narrative of an elderly widower -- told in the form of a manuscript found in the ruins of the house -- is compelling. The "action" tends to sag a bit in the middle of the novel as the narrator's mind/spirit embarks on a nightmarish "out of body" journey where he floats as a passive "witness" to an unexplained dimension of time and space, where the house also exists, and he seemingly observes the death of the solar system. However, the narrator's recounting of his mounting dread and helplessness as the story builds to its frightening climax is remarkable. You're left with many questions, none of them satisfactorily explained. But that's the mystery of the house and the manuscript -- some things just have ragged edges. I'm amazed no one has seen fit to adapt this to film.

7/29/2007: THIN PLACES. [Since I can't write another review of the same book under Amazon rules, I'll add to this one.] A few days ago, I read that there is a concept in Celtic mythology (now incorporated into Celtic Christianity) known as "thin places." These are reputed to be places in Ireland (and other parts of the British Isles) where two worlds conjoin, almost like a portal from this world to another, allowing us to be in the presence of the divine -- in Christian culture, the presence Holy Spirit, even Jesus Himself. When I read about this, I immediately thought: "The House on the Borderland!" I don't know if Hodgson actually was thinking of the concept of "thin places" (the House is in a remote, unpopulated area of Ireland, near a river (a "classic" thin place)) and positing one that would be a dimensional doorway between our world and a super- or supra-natural world of hostile and infernal beings. Certainly the title, and the entire concept of the House existing at a dimensional crossroads, suggest that such a conceit may have been on his mind. If so, I'm even more impressed with the imagination that produced this timeless novel. In any event, I'm giving him the benefit of the doubt on this point.

19 of 20 people found the following review helpful:

5.0 out of 5 stars Why isn't this book more popular? A damn unsettling yarn..., May 17, 2001

By 

H. Powell "hlp2" (Reynoldsburg, Ohio USA) - See all my reviews
(REAL NAME)   

This review is from: The House on the Borderland (Classics of Science Fiction) (Hardcover)

This novel derives most of its genuinely creepy effect from all of the unanswered questions that will flow through your brain for days after you read it...who built that damn house? What exactly is it made out of? How is the "Recluse" able to have visions of the far future just by residing in the mansion? Does somebody (or some thing) WANT the protagonist to have these visions? If so, why? What is the significance of the violent, besieging swine-men and how can they exist in the "real world" of the 1900s and billions of years in the future (when the Earth is a frozen and dead sphere in a darkened solar system) at the same time? Who (or what?) created the swine-men? What do the gigantic statues of the ancient and evil mythological gods of Earth legend (Set, Kali, etc.) glimpsed in the "amphitheatre" have to do with the story? Hodgson (to his credit and to incredible effect) never gives the reader obvious answers to these questions in this skillfully crafted tale of terror that makes full use of mankind's fear of the unknown. To be sure, Hodgson knew all of the answers, but he wanted us to have fun (for the rest of our lives, no doubt) trying to figure out exactly what he was getting at. Hodgson was an author of startling originality, and "House..." is far more frightening than any other work penned by any of his contemporaries (Stoker, Wells, James, and numerous others) and it's easy to see why Lovecraft admired him so much...so why don't more horror and sci-fi fans know who he is? I'm clueless, so somebody please fill me in. Lovecraft fans will no doubt notice that Hodgson's "Universal Sun" (as seen in the terrifying visions of the Recluse, as it sends forth "messengers" into the void after all of creation has been destroyed) is the obvious prototype of HPL's Azathoth. This novel left me eagerly looking forward to reading more Hodgson books ("Nightland", "Boats of the Glen Carrig", others). It's a damn shame that he was killed in the First World War, because he would have certainly cranked out more ground-breaking horror classics.

11 of 13 people found the following review helpful:

4.0 out of 5 stars Seminal Work in the Horror Genre, May 12, 2003

By 

Jeffrey Leach (Omaha, NE USA) - See all my reviews
(HALL OF FAME REVIEWER)    (VINE VOICE)    (REAL NAME)   

This review is from: The House on the Borderland (Paperback)

Is William Hope Hodgson's "The House on the Borderland" the creepiest, eeriest story ever written? It is sometimes described that way, although I cannot confirm it because I have yet to read every creepy or eerie story ever written. I have read a fair amount of H.P. Lovecraft, some Robert E. Howard, and many modern mass-market horror novels. Hodgson probably ranks somewhere in between those two regions. Written in the early part of the 20th century, this author's novel is an attempt to blend together horror, science fiction, and fantasy. Unfortunately, Hodgson later died in WWI, forever silencing a splendid talent. Without a doubt, Hodgson influenced later horror and fantasy authors with this jaunt through the spectral reaches of space and time.

The story begins when two men make a fishing expedition into the hinterlands of Ireland. Near a tiny hamlet called Kraighten, the two encounter some of the strange local people who speak an unknown language. Further strangeness ensues when they realize that much of this area does not appear on any map. The two men explore the surrounding area, stumbling over an old garden near a yawning abyss. Then they discover the ruins of a large house on an outcropping of rock. While exploring these remains, one of the men discovers a damaged manuscript in the wreckage. Taking the book with them, the two travelers head back to camp, but not before experiencing some serious reservations about the area. A bubbling lake nearby scares them, as does unsettling sounds coming from somewhere in the vicinity. After hightailing it back to camp, they begin to read this mysterious journal. What follows constitutes the bulk of Hodgson's book, a deeply disturbing tale about an anonymous man who lived in the house and who experienced a series of events unexplainable by any rational means of discourse.

Some years before, this man lived in the house with his loyal dog and his spinster sister. He was a loner, more interested in spending his time reading books or rambling around his large gardens than throwing parties or hanging out with the local population. One night while lounging in his study, the man undergoes a strange out of body experience. He is transported to another dimension, where he finds an exact replica of his own house on a vast plain surrounded by enormous statues of deities, scary creatures who look like pigs, and a luminous mist of unknown origin. While this might be enough to scare any sane person out of his or her wits, our man continues to stay in the house after his astral experience.

More eeriness ensues: the nasty pig creatures crawl out of the abyss forming near the house and attempt to invade the premises. Closely following this horror is an inexplicable episode, which makes up most of the book, where the owner of the house experiences a breakdown of the very fabric of space and time. Hodgson writes about these events in minute detail, outlining every aspect of this fabulous trip beyond the limits of sensory perception. "The House on the Borderland" ends with no fixed answers about the creepy manuscript. Moreover, the author makes sure to have the manuscript trail off in the middle of a horrible event, leaving the reader guessing as to the conclusions of this strange tale.

It is not difficult to see how this story influenced several big names in the horror business. Lovecraft definitely borrowed some of the themes here to create his Cthulhu mythos. The detached method of having the horrors told to us through a strange manuscript also finds expression in several other supernatural tales written well after Hodgson's book. In this respect, "House on the Borderland" is a groundbreaking work worthy of continued reprinting. Any fan of Lovecraft, Blackwood, or any of the other godfathers of horror needs to read this book if for no other reason than to get a glimpse into where their favorite authors cribbed ideas from. This tale is not as scary as certain better known horror stories, but it does occasionally deliver some effective shocks to even the most jaded horror aficionado.

One of the book's failings was the author's attempt to depict the breakdown of time. This section reminded me of H.G. Wells. Moreover, this part of the story seemed to run on forever. I wanted the story to get back to the scariness of otherworldly beings and supernatural horrors.

Hodgson's book is a necessary read. Do not go in expecting straight horror, but acknowledge that you are about to read a great mix of several genres. Without William Hope Hodgson, who knows where the horror novel would be today.