When Rob Martin left Millhouse, he was barely out of his teens and Millhouse was his beloved hometown. Ten years later, Rob returns for a brief visit and finds that beneath the calm surface of small-town America, a terrible evil is brewing.
For decades, vampires have lived secretly in Millhouse, selecting victims who will not be missed. Now a great thirst is upon them, for blood and the pleasures of the flesh. Now they have grown more brazen, seducing not just vulnerable loners but some of Millhouse’s leading citizens. Rob’s old girlfriend, Elizabeth, is having amazing erotic dreams, dreams that leave her feeling drained and weak the next morning, afraid and yet eager to return to sleep
As mutilated bodies turn up, drained of blood, the sheriff and town council look for a normal explanation for the wave of violence that is engulfing their town—but there is nothing normal about a nest of vampires. Only Rob, his best friend Tony, and a few stalwarts are prepared to drive a stake through the heart of the vampire menace. But will they act fast enough to save Elizabeth’s life . . . and soul?
The House of Caine
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Book Description
Editorial Reviews
About the Author
KEN EULO is the bestselling author of The Brownstone, The Bloodstone, The Deathstone, and The House of Caine. He lives in Orlando, Florida.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
Rob Martin
Fairground, church, water tower, and graveyard, it was all still there, written across the mercilessly hot face of the Connecticut landscape. Add to this the five o’clock express train to New York ripping through the junction and a factory whistle blowing and you have Millhouse, Connecticut. Not the greatest place in the world. Rob Martin knew that. Still, for him it was unfinished business. A place where parts of him were buried. The parts that counted.
He was two days into a grueling drive up from Miami when the fairground caught his eye. He didn’t stop. At least not at first. Th e church and water tower came next, then the graveyard. Just past the last tombstone he made a quick U-turn and pulled the vintage Jaguar, an old X150, to the side of the road and shut off the engine. His friend, Larry, was seated beside him drinking beer.
It was quiet except for the radio. Rob leaned over and switched stations, from Donovan Leitch to the Mamas and the Papas to the news, where he stopped.
“5,500 National Guardsmen were sent into the area. Twelve persons injured, 122 persons were arrested.”
They were still covering the race riot that had erupted in Omaha, Nebraska, over the Fourth of July weekend. Rob clicked off the radio and mumbled, “Damned if we haven’t got another Vietnam right here in the States.”
“Look at them!” Larry Campbell cried out suddenly. “Holy shit! They’re all over the place. What are those damned things, anyway?”
“What things?” Rob asked. Larry’s eyes were bulging as he peered out over the hood of the car; he had smacked one hand against his forehead, and his back could have been used for a ski slope as he leaned forward.
“Fucking bats, that’s what they are!” Larry stared straight ahead in dumb amazement.
“What are you—”
“Look at them— they’re smiling. Smiling bats!”
Suddenly Rob understood. “Oh, hell,” he said. “I warned you about that crap, didn’t I? Bats, for God’s sake.”
“Can’t you see them?” Larry was almost screaming. “Th ey’re swarming all over the friggin’ place.”
“No, Larry, I can’t see them.” Rob dropped his sunglasses on the dash and pushed open the car door.
Because they had been in a hurry to leave Florida, because the editors hadn’t given them much notice, Larry Campbell had rushed about in a frenzy, picking up everything he could lay his hands on in the way of drugs. Not that he would use it all, but he was hooked on the high of collecting the stuff . The glove compartment of the car looked like a miniature narcotics lab. Six bags of grass, twenty pellets of mescaline, an aspirin tin full of cocaine, bottles of uppers, downers, laughers, criers, some LSD, and three sheets of high-powered blotter acid. In the trunk of the car was a cooler full of beer, two quarts of Jim Beam, and a 16-gauge shotgun.
It was the 16-gauge that worried Rob the most. There wasn’t anyone more unpredictable than Larry Campbell once he took that one toke over the line. That had happened in North Carolina at a place called South of the Border, and Rob felt apprehensive now about having Larry along with him. In fact he felt jittery—even scared.
“Hey, why the hell is it so quiet?” Larry stretched his long vulturine neck, and peered out over the car door. “Hey, we’ve stopped. Why’d we stop?”
Rob pointed. “The town’s just on the other side of those trees.”
“No kidding? We in Connecticut?”
“Yeah.”
“What happened to North Carolina?”
Rob laughed nervously. “That was yesterday. Today we’re in Connecticut.”
“Now that’s the way to travel,” Larry said and slouched deeper into tufted black leather. Large oily gobs of sweat covered his forehead, hung from his drooping mustache. He didn’t notice. Beer had spilled on his denim shirt and Levi’s. He didn’t notice that, either.
Rob leaned against the car, trying to collect his thoughts. It was still hard for him to believe that Larry Campbell had just turned twenty-four and was writing a twice-a-week column for the Miami Herald. He was probably the youngest person in the country to be writing a regular column for a major newspaper. He had been doing it for a year, and already it bored the crap out of him. “I want adventure!” he’d scream between pounding his typewriter and pacing his small office on the third floor of the Miami Herald building. “Adventure!”
So naturally, when he’d heard that Rob had landed an interview with Robert Kennedy, he went ape shit.
He pleaded with Rob, cajoled, he’d do anything, even help Rob write the piece. No credit, he just wanted to meet the man. He’d even pay the expenses, all the expenses! On and on he went until finally Rob agreed.
Rob was scheduled to interview Kennedy at his summer home in Cape Cod on the eleventh. He had planned to fly into Boston on Saturday and meet with Kennedy on Monday, but Larry had insisted they drive.
“He’ll love the Jag! He’s crazy about women and cars. Any asshole can fly, Rob. Think of it. You and me talking to Bobby Kennedy! In my Jag!”
Rob turned away now and stared off at the tree line. Heavy oak and chestnuts loomed like sentinels against a thin blue sac, and under the lush spread of green leaves, graves. Only a few headstones were visible from where Rob stood.
“I’ll be right back,” he said, moving away from the car.
“Where you going?” Larry asked without looking at him. The heavy aroma of beer hung in the air.
“To take a pee,” Rob said.
“Over there?” Larry sat up abruptly and peered off in the distance. “Over there!” he cried.
Rob took another step away from the car. “Sure, why not?”
“Why not? It’s a fucking cemetery, that’s why not.”
“Do you think they’ll mind?” Rob asked and kept walking. At the edge of the shoulder, where the gravel quit and the weeds took over, a narrow path had been worn into existence by the years of trampling feet. It wound down the embankment, curved around a dilapidated fence, then disappeared from view through the thickest clump of trees.
“I thought you were in a hurry to get home to Millhouse?” Larry hollered.
Rob did not answer him aloud, although in his mind he replied: I am home, buddy boy. I am home.
“Hey, Rob!” came the voice over his shoulder. “Watch out for those fucking bats!”
Rob pushed on for a while, following the path that widened in some places, and in other places almost disappeared altogether. At the second row of trees the path split in two; he went to the right and made his way deeper into the wooded area. The sun disappeared suddenly and the hush thickened as he made the final turn. Off in the distance he could still hear the low hum of an occasional car whizzing by, and as he walked he heard Larry singing:
“Oh, my, my, ain’t I nobody’s baby?
Oh, my, my, I ain’t nobody’s baby.”
But now Larry had apparently given up making noise, because it was quiet, exceedingly quiet.
Perhaps he’s fallen asleep, Rob thought. Or perhaps he’s passed out. What ever the case, there was no longer any sound coming from the car.
Rob turned aside from the path and climbed the high bank. The light grew thinner and the trees thickened into a fat stretch of timberland. It was a steep climb, and he paused to catch his breath at the top. Here no sun shone at all; an intangible pall reigned over the face of things. Rob knew this to be the heart of the cemetery.
For years it had been this way, graves placed around the outer perimeter, leaving the center thick with trees. A secret playground, where kids went at night to fool around. Rob himself had gone there as a boy. The Miller kid had insisted they do battle, so off to Crestwood Lawn they went, and Rob kicked the living hell out of him right next to Mary Bennett’s grave.
Rob squinted into the gloom. Mary Louise Bennett, that you? Sure that’s you. And—he shifted his gaze left —and that’s you too, isn’t it, my grotesque friend. All these years and you’re still hanging around.
He moved in the direction of his gaze until he stood in front of an old tree stump, its heart rotted out, a hole dead center, twice the length of his arm. At the bottom, he was sure, was a murky pool of rain water—and years of leaves turned to slime.
But don’t put your hand down there, Rob, because . . .
He stared at the hole in the stump, tempted to do just that. Aft er all these years, he was ready to see what was down there, instead of letting Elizabeth and Tony scare the crap out of him like they had when they were kids.
“There’s a monster down there, Rob!” Tony would say. “No kidding.”
Elizabeth added, “I saw him once, Rob. Honest to God, I did.”
From the beginning it had been Elizabeth’s idea to fool around in the cemetery, despite ...
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Most Helpful Customer Reviews
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Vampires in small-town America,
By
This review is from: The House of Caine (Paperback)
House of Caine ended up being a quick read even though it is five hundred pages long. It was the perfect read for a lazy bank holiday. While the sexual tension that goes hand in hand with the vampire genre was present in this book it was thankfully not as overt as some books which gave more room for an interesting and complex plot than the more erotic ones.
3 of 4 people found the following review helpful:
4.0 out of 5 stars
More than just a horror story,
By R.P. SIMMS (ORLANDO, FLORIDA United States) - See all my reviews
This review is from: The House of Caine (Paperback)
This book is about more than just vampires. It's about a time and a place; the confused, lost society of the 80's. The House of Caine is about people searching for meaning, order and identity in that era. What makes this book interesting is reading between the lines, looking for the metaphors planted there by the author. Ken Eulo is known for giving his tales multiple meanings, and this book does not disappoint.
4.0 out of 5 stars
entertaining metaphoric vampire thriller,
Amazon Verified Purchase(What's this?)
This review is from: The House of Caine (Paperback)
In 1966 after a decade away, thirtyish Miami herald reporter Rob Martin, accompanied by his friend Larry Campbell, returns to his hometown Millhouse, Connecticut on a short visit while on the way to interview Robert Kennedy. However, he finds his hometown affirms Thomas Wolfe's belief You Can't Go Home as Millhouse seems different, edgier and more dangerous.
When Larry vanishes, Rob searches for him unaware of what is going on. The town's first family Norris and Julia Caine ruled Millhouse like benevolent despots when they were breathers; now vampires they rule the town like it is a large blood bank though they and their loyal human servants selected loser loners. However, some of their bites have turned into undead with no thought of stealth dining as people who will be missed are assaulted. Rob, trying to save his high school sweetheart Elizabeth Arbor, and his best childhood friend Tony Rizzo abetted by a few other humans begin a counterinsurgency. The House of Caine is an entertaining metaphoric historical vampire thriller that will remind readers of Stephen King's Salem's Lot; whereas Ken Eulo's tale comes across as a historical while Mr. King's classic is a 1975 contemporary. The story line is filled with action, but at times bogs down with references to the chaotic times especially Vietnam though in fairness the chaos of social reform is the underlying message. While Rob seems inept as a journalist unable to grasp what is going on amidst the corpses, readers will enjoy visiting The House of Caine in Connecticut as Ken Eulo takes his audience on a tour biting tour of a schizoid year. Harriet Klausner
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