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Safe House offers up Vachss's repertoire of repeat characters. The most fascinating are Burke's prison "family," the Prof, Max the silent, the Mole, Michelle, Clarence, Mama, and, of course, Burke himself, who is as hard-edged as ever. The family's willingness to help one another, even die for one another, is the emotional string that ties the books together. There are also two new female characters, Vyra, the affluent Jewish housewife and Crystal Beth, half Inuit, half Irish safe house madam. Though not as believable as their male counterparts, Vyra and Crystal Beth have powerful secrets of their own and add a soft, human element to the story.
Like other Vachss novels, Safe House embraces the dirty, grim life of the ex-con for hire. The most compelling aspect of Safe House is Vachss's no-holds-barred writing style. He spares nobody's feeling and minces no words in this rough, gritty and often painfully raw crime story. --Mara Friedman --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
3.0 out of 5 stars
Dysfunctional Doc Savage has gotten old.,
By
This review is from: Safe House: A Burke Novel (Paperback)
There's something mildly comforting about a newBurke novel, because you should know what you're buying by now. A twist on the hardboiled detective, an antihero with a heart of pyrite, a hard exterior protecting a tough interior protecting a broken inner child. I've been in on the Burke novels since the first one, Flood, It's just short of becoming a parody of itself, and I don't Perhaps I'm simply tired of Burke's world. The Prof's rhyming <sigh> I know this is not good news for loyal readers. However,
6 of 7 people found the following review helpful:
5.0 out of 5 stars
Vachss again presents astonishing depth of observation,
By A Customer
This review is from: Safe House: A Burke Novel (Hardcover)
In Safe House, Andrew Vachss again offers the reader the benefit of his astounding observational powers. This novel is a thrilling and suspenseful detective story that pits Vachss' ferocious and loyal Burke against white-supremacist gangsters who seek to bomb targets enough to start world war three. But the fierce plot is only the frosting on the cake. The true heart of this book is its unflinching report on the wrenching reality of domestic violence in America. And if you think those two themes have nothing to do with each other, buy this book right away. Once you have finished reading what Vachss has to tell, you will understand domestic violence for the form of terrorism it truly is. I read many new books this year, but this was the one I know will stay with me.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Vachss' urban paladin Burke confronts a crazed stalker.,
By
This review is from: Safe House: A Burke Novel (Hardcover)
If you take Andrew Vachss at his word, and I know no reason not to, he is an accidental author, a man whose passionate hatred of child abuse and the various adult pathologies by which it is perpetuated has led him (driven him?) to the serendipitous creation of art. Safe House, the eleventh Burke novel, continues Vachss' relentless exploration and exposure of the cyclical yet preventable evil of molestation. Each of the previous Burke novels has focused thematically on one or another manifestation of how, for lack of a better phrase, monsters are made. In Safe House, Vachss turns his attention to the stalker. Burke and his extended family-of-choice are called to help an old prison friend framed for the death of one such stalker. As a result, they are drawn into a web of extortion and mayhem surrounding a safe house for battered women run by Crystal Beth, a woman whose own will to survive in turn threatens Burke and those he loves. It is probably impossible to review a Burke novel without using the phrase "hard boiled," for Vachss without question writes the darkest, hardest suspense fiction of this generation. The staccato prose style, abrupt violence and (from a safe and comfortable middle class perspective) amoral attitude of Burke and his cohort create a palpable atmosphere of urban evil and human depravity. Yet Burke is a very moral man, at least within his own frame of reference, and there is a redemptive grace in his underground loyalties. If Vachss' agenda is ethically unambiguous (and it is), his characters are human beings, and that is the benchmark of art, whether intended or not. Safe House is perhaps not the strongest Burke novel, but it is well up to par. Of course, fans of Miss Marple and her ilk should probably give Vachss a pass altogether, while Burke's devotees could care less about reviewers' musings in any case. Anyone else seeking solid entertainment from an authentic voice in the noir tradition will be delighted, however, to discover Burke and his 'fami! ly' through Safe House. Andrew Vachss may be an attorney at law and a polemicist at heart; but whether he knows, or cares, he is also a writer of literature.
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