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The House on Durrow Street [Paperback]

Galen Beckett (Author)
3.6 out of 5 stars  See all reviews (20 customer reviews)

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Book Description

September 28, 2010
“A charming and mannered fantasy confection with a darker core of gothic romance” is how New York Times bestselling author Robin Hobb described Galen Beckett’s marvelous series opener, The Magicians and Mrs. Quent. Now Beckett returns to this world of dazzling magick and refined manners, where one extraordinary woman’s choice will put the fate of a nation—and all she cherishes—into precarious balance.
 
Her courage saved the country of Altania and earned the love of a hero of the realm. Now sensible Ivy Quent wants only to turn her father’s sprawling, mysterious house into a proper home. But soon she is swept into fashionable society’s highest circles of power—a world that is vital to her family’s future but replete with perilous temptations.

Yet far greater danger lies beyond the city’s glittering ballrooms—and Ivy must race to unlock the secrets that lie within the old house on Durrow Street before outlaw magicians and an ancient ravening force plunge Altania into darkness forever.

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About the Author

What if there was a fantastical cause underlying the social constraints and limited choices that confront a heroine in a novel by Jane Austen or Charlotte Brontë? Galen Beckett began writing the stories of the Lockwell sisters to answer that question.

Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER ONE



IVY WOKE TO the sound of voices.

She sat up and reached for Mr. Quent beside her, wondering if he had murmured something in his sleep as he often did. Her hand found only a cold tangle of bedclothes. He was gone--a fact her dull mind recalled after a moment--off to the north of Altania on business for the lord inquirer. He had left nearly a quarter month ago and would not return before Darkeve at the end of the month.

Besides, it was not from inside the bedchamber that the murmuring had come.

Ivy rose, gathering a nightgown around her, for it was late in a long umbral and the coals in the fireplace had burned to cinders. She stood in a beam of moonlight that had slipped through a gap in the curtains, listening. Was Rose wandering the house in the night as was her habit, singing softly to herself? Or perhaps it was Lily, making exclamations as she read by candlelight in her room, turning the final pages of one of her romances.

Ivy heard nothing save the beating of her own heart. The high hedges outside guarded against the noises of the city, and the old house on Durrow Street was silent. She turned to go back to bed.

This time the voices were louder: a chorus of whispers that seemed to come from outside her bedchamber door. By the deep tones, it was neither Lily nor Rose. Nor could it be any of the servants; their quarters were still under renovation, and they were not yet in residence. Which meant the moonbeam was not the only interloper in the house.

A dread descended over Ivy. Not three months ago, upon his return to the city from Torland, a band of revolutionaries had set upon Mr. Quent as he met with the lord inquirer. Their intent had been nothing less than murder. However, Mr. Quent had been warned of the attack beforehand, and the rebels were apprehended before they could act. Yet if they had desired to do violence to agents of the Crown, it was not difficult to believe there were others who might wish the same.

Her heart quickened as she went to the door. She pressed a hand to it, as if she might sense through its panels what lay beyond. If only the door was fashioned of timbers from the Wyrdwood! She would call to the wood, wake it from its slumber, and shape it with her thoughts. What did a witch have to fear from a robber when there was Wyrdwood nearby?

But the material beneath her hands was inert, hewn from a tree of New Oak; it could be of no help to her. Despite this fact, Ivy summoned her courage. After all, she told herself, this house belonged to her father; it was a magician's dwelling, and so had its own powers and protections. She opened the door and stepped into the corridor beyond.

It was empty except for the moonlight that spilled through a window at the end. All was quiet; the voices had ceased.

Ivy moved down the corridor, pausing to crack the door to Lily's room, then Rose's, peering inside. Both of her sisters were asleep. She wondered if it was the sound of wind she had heard. Sometimes, in the months she had dwelled at Heathcrest Hall, the wind over the eaves had sounded like whispering voices. Only, when she reached the window, she saw that the straggled hawthorn and chestnut trees below stood motionless.

So much for that hypothesis. Her gaze roved across the garden, but she perceived only shadows. Beyond the hedges, a scattering of gold lights shone here and there in the Old City. Another spark, brighter and more reddish than the streetlamps, hung low in the southern sky. Otherwise, the night was void.

Ivy shivered in her nightgown. According to the almanac, it was to be an umbral of over twenty-two hours. Frost would tinge the windowpanes by the time dawn came. Despite the cold, she did not return to her room. Instead, she went to the stairs to begin a survey of the house.

It took half of an hour, for the house was much larger than their previous dwelling on Whitward Street. She moved up and down staircases, through narrow passages and across vaulted halls. Many of the chambers were in various states of refurbishment, and others were all but impassable, crowded with furniture moved out of those rooms under repair.

The task of opening the house on Durrow Street was proving to be a greater labor than she had guessed. How unwise she had been, to think she could have accomplished the task on the wages of a governess! Much had become dilapidated in the years the house had stood empty. And she suspected that even when her father had dwelled here, all had not been cared for as properly as it might have been.

Mr. Quent had quickly educated her as to the enormity of the work on the day they made their first inspection of the house. The roof sagged over the north wing, and in the south the floors were rotten. The cellar showed signs that water seeped in when it rained; there were myriad broken windows, cracked walls, and faulty beams. Such was the length of the report that Ivy feared to be told that the only solution was to raze the house to rubble.

Instead, Mr. Quent had sat in the dusty light of the downstairs parlor and, in his cramped yet meticulous hand, had written out a list of repairs to be undertaken. It was a document that required several pages.

"I cannot possibly imagine the cost of this," she had said in astonishment when he gave it to her to review.

"As there is no need for you to imagine it, I suggest you do not attempt such a futile and obviously distressing feat."

"But the repairs are so great. It will be an exorbitant sum--over five thousand regals, I am sure!"

"And now it appears you can envision it quite well, Mrs. Quent. How curious for a thing you could not possibly imagine a moment ago."

"I mean only, is it worth the expense for a house that is so very old?"

His brown eyes had been solemn as he regarded her. "It is worth it because it is so very old."

With that, all other arguments were superseded. The letter was delivered to a builder, and work commenced at once.

Now, as she walked through its moonlit chambers, Ivy wondered just how old her father's house was. Many of the buildings in the Old City had been in existence for centuries, and were built on the foundations of structures more ancient yet. However, while the other dwellings and shops and churches in this part of Invarel all crowded together, her father's house stood apart in its garden, a thing unto itself. Nor was it constructed of the same gray stone as the other buildings, but rather hewn of a reddish porphyry, speckled with interesting inclusions and darker crystals. Ivy wished she could ask her father about the age of the house. But that was not possible.

True, her father's state was better than it had been several months ago. Now, when Ivy went to Madstone's to visit him each quarter month, she was able to sit with him in his private chamber. The room was in the dormitory where the wardens dwelled, far removed from the awful clamor of the rest of the hostel, and Ivy had been allowed to make it familiar and comfortable with furnishings brought from his attic at Whitward Street.

The only thing the wardens had not permitted her to bring was any of Mr. Lockwell's books, for these were deemed too likely to agitate him. Her father had been a doctor and a man of learning, and Ivy did not like to deprive him of at least a small library. Yet while she did not think kindly of the wardens at Madstone's, she had to wonder if perhaps they were right. Her father had seemed exceedingly placid on her recent visits. He had even smiled at her from time to time.

Yet he never spoke her name, or any other intelligible thing. Lord Rafferdy's influence had been enough to improve her father's treatment at the hostel. But the royal charter under which Madstone's operated granted it considerable autonomy, and no patient would be released unless the wardens deemed him cured or the king ordered it.

While her father was improved, even Ivy could not pretend he was cured of his malady. As for gaining a writ with the king's seal, Lord Rafferdy had submitted the petition. However, King Rothard was infirm himself these days. A recent edition of The Comet reported that while the Citadel had tried to keep the news from public knowledge, the king had been confined to his bed for nearly a half month of late.

This was ill news, but Ivy would not stop hoping for the king's health--and her father's--to improve. In the meantime, whatever the age of the house on Durrow Street might be, she was beginning to think that it would increase by at least another year before the work on it was completed. The repairs were going more slowly than she had anticipated. Materials had grown dearer and scarcer of late. And, according to the builder, he had lost several skilled craftsmen.

"How have they been lost?" she had heard Mr. Quent ask Mr. Barbridge one day as she descended the stairs to the front hall.

The builder had shifted from foot to foot, turning his hat in his hands. "They say it watches them while they work. The house, they mean. I beg your pardon, Mr. Quent, for it's a foolish bit of fancy, I know. Yet they're simple men, and all those eyes--well, they do give one a feeling."

His gaze had gone toward the knob atop the newel post, which was carved in the shape of an eye. It blinked a wooden lid and turned in its socket, gazing about in a quizzical fashion. There were others in the house--set into moldings and doors--which often did the same as one passed by.

Open or shut, the eyes never troubled Ivy. If her father had not created them himself, then at least he had been aware of their enchantment. And if he had tolerated them, then why shouldn't she? Besides, she was glad for their presence in those times when Mr. Quent was away. Most of the magicians of the Vigilant Order of the Silver Eye were gone--perished, or locked away in Madstone's. But there was at least one who remained. Even if it was the case that Mr. Bennick was no longer a magician himself, that did not mean he was no longer perilous. She and Mr. Rafferdy had wit...

Product Details

  • Paperback: 704 pages
  • Publisher: Spectra (September 28, 2010)
  • Language: English
  • ISBN-10: 0553807595
  • ISBN-13: 978-0553807592
  • Product Dimensions: 5.5 x 1.5 x 8.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #411,025 in Books (See Top 100 in Books)

 

Customer Reviews

20 Reviews
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3.6 out of 5 stars (20 customer reviews)
 
 
 
 
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27 of 28 people found the following review helpful:
3.0 out of 5 stars disappointing follow-up, October 3, 2010
By 
Tina Wang (New Haven, CT) - See all my reviews
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This review is from: The House on Durrow Street (Paperback)
The House on Durrow Street is the second installation of a series that is best described as Regency fantasy written by Galen Beckett. I loved the first book, The Magicians and Mrs Quent, but unfortunately I was quite disappointed by the second. (Note that spoilers for the first book follow.)

The Magicians and Mrs Quent left off with Ivy triumphant over the order of magicians that had tried to abuse some artifact her locked away by her father in his old house on Durrow St. Now, in the second installment, she is happily married to Mr Quent, and they are in the midst of renovating the same house, which boasts a number of eccentricities and a strange history of its own. Meanwhile, Cerephus, the red planet first mentioned at the end of The Magicians and Mrs Quent, looms ever closer in the sky (a portent of doom -- I am reminded a bit of the moon from Majora's Mask), and with it comes all kinds of disruptions to the peace of Altania. There is a vague feeling of conspiracy and evildoers lurking in the wings, but their existence is never really made explicit until about the last third of the book.

I should say there were things I enjoyed about this book, and about the universe that Beckett has created as a whole. Both novels are set in what might be described as a parallel Great Britain. The setting is well-imagined, and even though for the most part it feels like Jane Austen's England, you never forget that it is a completely different world, one that contains witches and magicians and is ominously shadowed by a strange, almost Lovecraftian mythos. There were portions of The House on Durrow Street that gave me chills.

Unfortunately, what Beckett has written is not a dark fantasy with Austenian elements, but rather the reverse. Every time Ivy, the protagonist, makes a discovery that might help to unravel the strange (and rather vague) mystery concerning the incoming planet and the strange red world she glimpses through the Eye, she ends up setting it aside for later, usually because someone requires her attention or company in some trivial activity. I understand that this is a consequence of the Regency elements of the story that I found so charming in The Magicians and Mrs Quent, but this time I found it really frustrating to have such a fragmented overall plot. I suppose this is because I didn't really care for the interactions between Ivy and the rest of Society this time around; I found those scenes to be rather dull, and punctuated by badly-written dialogue. A lot of people criticized the first book for its reliance on elements from Pride and Prejudice, Jane Eyre, and Wuthering Heights, but I think that Beckett lost a lot of direction when he moved away from them.

Furthermore, I stopped caring about the majority of the characters. Between the transition of book one to two, they somehow lost their sparkle. My biggest complaint is with Ivy herself; it seems that she has become the paragon of sensibility and can do no wrong, likening her to Fanny Price, another character I just can't stand. I do appreciate that Mr Rafferdy has seemed to grow as a character by the book's end. Eldyn, on the other hand, had very few interactions with either of the other lead characters, making his scenes seemed out of place and almost irrelevant.

Finally, there is the infuriating problem of nothing actually getting resolved in the end. All I can say is, I don't think I can take another 700 pages to find out what eventually happens to these characters and their world. I will try to read the next book, if there is one; only, I hope that Beckett starts to move things along, because I felt as though I were trapped in the doldrums for the entirety of this latest installment.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars a novel of great charcters that stay with you for a long time, October 12, 2010
By 
Liviu C. Suciu (Ann Arbor, MI, USA) - See all my reviews
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This review is from: The House on Durrow Street (Paperback)
My favorite thread of the novel and I would say the most important thematically is the one that follows Ivy. She is now restoring the *House on Durrow Street* of the title, so she can live there with her husband and sisters and eventually her father. But as befits the former abode of a powerful magician and as we slowly find out, a line of magicians too, the house itself is a powerful magical locus with lots of "stuff" inside.

Ivy is now accepted at the highest levels of society - though few know her powers and even fewer her mysterious background of which one issue is still a mystery with possibly large implications - but she discovers that life at that level can be both interesting and frustrating, while friends and foes are not so easy to discern.

I also liked Mr. Rafferdy's thread since despite his "gentleman wastrel" appearance, Rafferdy is as likable a character as Ivy. He is now in a funk for obvious reasons, though he manages to keep himself busy attending the Assembly in the place of his ailing father. Despite trying to avoid both things, he gets himself sucked back into magic and he returns to Ivy's orbit however emotionally painful that is for him - after all the pair of them: magician and witch is almost unstoppable as we clearly saw in The Magicians and Mrs Quent.

The third thread follows Eldyn and Dercy and it took lots of pages, being developed to a surprising end. This storyline is quite important for "depth reasons" since through the eyes of the two, we see the world of Altania from the viewpoint of the less privileged. Here The House on Durrow Street goes way beyond the classics that inspired it (Pride and Prejudice, Jane Eyre...) into social commentary. Class, "official morality", official belief system are all challenged and dissected. The conflicted Eldyn who must choose between his "beliefs" and his love for Dercy becomes one of the strongest characters of the series.

The House on Durrow Street is a novel of manners, wit, great characters and immersion in a world that is lovingly described. The intrigue and suspense build slowly, but when it is time for action, Ivy and Mr. Rafferdy do not hesitate and they turn their wits and powers once more to protect Altania from occult dangers, while Mr. Quent and the king's secret police led by Lady Shayde protect it from more mundane ones.

Dark times are announced for Altania and the world and while Ivy and Rafferdy may save the day one more time here, the next time the enemy may be just too powerful. Well, we will see that of course. Despite being a middle book in a trilogy, the novel provides a very satisfactory reading experience on its own and ends at a natural stopping point.

The House on Durrow Street (A++) is one of those novels that stay with you for a long time and I plan to reread the whole series across the years. Despite its almost 700 pages bulk, I just hated that it ended and there are few books I feel that strongly about.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars A likeable world, October 26, 2010
By 
This review is from: The House on Durrow Street (Paperback)
Perhaps it's not a very good reason, but I like both this and the preceding "Galen Beckett" novel because Altania is a place I am fond of. I'd like to go live there (after the Lovecraftian soul-suckers and their human henchpersons have been defeated, of course). In particular, I LIKE the weird day/night scheme ("umbrals" and "lumenals"), and I don't mind that this phenomenon is never explained. Maybe that's because I'm seriously dyschronic; I can't seem to get up and go to sleep at regular hours, and showing up on time for appointments and meetings is a rarity for me...but hey, in Altania, I'd at least have an excuse! I like the notion that an umbral can last long enough to create a "winter", or a lumenal can make the world tropical. To me, it's a bit of atmospheric whimsy (so to speak), and shouldn't be examined too closely.

A lot of people have complained that Beckett's emulation of Brontë, Austen, Dickens, et. al. marks his work as unoriginal. I might perhaps have had the same reaction, could I recall anything I have read by those authors. Regrettably, I was forced to read them in high school, so I put them through the brain eraser after the end of the semester, along with everything else I was made to "learn". Perhaps if you are a literatus who greatly admires these authors, you will react against this pastiche. For myself, I can't tell whether the author has hewn too close to the source material as to cross into outright plagiarism--or at least unoriginality. I can only say I found all the first book (The Magicians and Mrs. Quent) and most of this one highly entertaining.

There were two things I didn't like about The House on Durrow Street. One was the entire "Illusionist" thread. For some reason, only homosexual men can be "Siltheri" and create illusions (did I just miss that in the first book?). It's not clear whether the Siltheri are frowned upon by polite society because they create illusions, or because they have sex with each other. The whole persecution sub-plot concerning the Evil Cleric, the Siltheri, and the Soul Suckers From The Red Planet is extraneous to the book, heavy-handed and saccharine.

Oh, and the second thing I didn't like was that no one throttled Sashie between the first novel and the second. Inexplicably, dearest Sashie has turned to religion, and spends all her time dusting plaster saints and crawling under pews to sweep out cobwebs for the Verger of Graychurch. There is hope, though, that she will not make the third book--at the end of Durrow Street, she gets herself to a nunnery, so to speak. But might it not be even better if a specially odious and grotesque death at the hands of the Soul Suckers awaits her in the next installment? Yes!

I think that's pretty much it. Oh, did I mention I don't like Sashie?
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