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38 of 39 people found the following review helpful:
5.0 out of 5 stars
A beautiful novel, September 29, 1999
By A Customer
Like most of the other reviewers, I was captivated by Naipaul's obvious mastery of the language. This book is worth reading for that alone. But it also worth reading for the beauty of the story. It is a simple story: a man is born into a world devoid of opportunity; he feels himself belittled by that world, trapped in a role that makes him merely an appendage in other people's lives; against the odds and all expectations, he carves out a place for himself, a home, where he can be his own man and the leading actor of his own life. While it is true that the character Mohun Biswas is not entirely sympathetic -- indeed he is often exasperating and occasionally contemptible -- I felt I understood why he acted as he did, and could empathize. This is a testimony to the power of Naipaul's artistry; he has, in tracing Biswas from birth to death, created a fully developed human being, as perfect a simulcram of a real person as exists in modern literature. Being able to understand, and share in, the life journey of such a character is a powerful experience.
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77 of 86 people found the following review helpful:
5.0 out of 5 stars
A Nobel Prize for Mr. V.S. ( Naipaul, that is)!!, September 2, 2001
This review is from: A House for Mr. Biswas (Paperback)
A House for Mr. Biswas is all of the following -- complex, psychologically perceptive, emotionally difficult, rewarding, moving, depressing, tragi-comic, deeply ironic, metaphoric, nightmarishly surreal, utterly believable, honest, exasperating, claustrophobic, prudish in some ways (no sex, for instance), deeply human, liberating, brilliant, frustrating, beautifully written and much more. It is a book which very well may tempt you, as it tempted me, to just say the hell with it about halfway through, as Mr. Biswas struggles, but never seems able to achieve, autonomy, self respect, happiness, freedom (especially from the suffocating, sprawling Tulsi family the ultimate in-laws from hell!!), let alone the house referred to in the title. But dont give in to temptation! A House for Mr. Biswas is a book that richly rewards those who stick with it, who persevere, just as Mr. Biswas does, although at times you may feel like you cant take it anymore (one step forwards, two steps back, argggghhh!). Perhaps a helpful attitude in reading this book, which I strongly recommend you consider, is to think of yourself as a reader and learner (to use V.S. Naipauls term for the Tulsi schoolchildren) at the feet of a superb writer with something to say and a great deal of wisdom to impart. In sum, A House for Mr. Biswas is a deeply satisfying (as opposed to entertaining or superficially enjoyable) book, NOT easy summer beach reading, but a book which confirms the psychological cliché that its the HARD STUFF which is potentially the most rewarding emotionally. So, dont let the fact A House for Mr. Biswas is not easy scare you off, because this is truly a brilliant book, and one which richly deserves its ranking as one of the best books of the century (#72 on the Modern Librarys best fiction list, for instance). Oh, and by the way, why hasnt V.S. Naipaul won the Nobel prize for literature yet? (Earth to Nobel Prize committee, come in please!) Anyway, for what its worth, I hereby nominate him, and hope that many of you will second my nomination!
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43 of 47 people found the following review helpful:
5.0 out of 5 stars
A struggle for independence, June 13, 2002
This review is from: A House for Mr. Biswas (Paperback)
As a British colony, Trinidad became the home of many Indian immigrants, and "A House for Mr. Biswas" tells the story of a man who is born into and grows up in this society searching for a place he can call his own. In this novel, V.S. Naipaul vividly and picturesquely describes Trinidad as a thriving but generally poor island populated by a strong Hindu community with a waning observance of the caste system and where, even well into the twentieth century, the most common mode of transportation is the bicycle. Naipaul's titular protagonist, Mohun Biswas, was born a bad omen, declared by a pundit (Hindu scholar) to be the eventual downfall of his parents; the prophecy is seemingly fulfilled when his father accidentally dies because of his mischief. After some brief schooling, Mr. Biswas (as he is called throughout the novel, even as a young boy) embarks on a series of odd jobs: After an unsuccessful apprenticeship to a pundit, he is sent to work in a relative's rumshop and later becomes a sign-painter. It is on this job that he meets a pretty girl named Shama, whose family, named Tulsi, owns many properties and businesses in Trinidad. A marriage is arranged between Biswas and Shama, and he soon finds himself a prisoner of the Tulsi family in a way, a situation which becomes the basis for his lifelong struggle for independence. The Tulsis' house, called the Hanuman House, is crowded with members of Shama's extended family, including her mother, her uncle Seth, who manages much of the family's businesses, brothers, sisters, and innumerable and indistinguishable nieces and nephews -- living conditions which lead to irritation and violent arguments with in-laws. The Tulsis give him a shop to run and a sugarcane field to oversee, but he lets deadbeats and workers take advantage of him. His attempt to build his own house and move away from the Tulsis for good, with the help of an incompetent carpenter, ends in disaster. On his own initiative, he becomes a reporter for a Trinidad newspaper, the Sentinel, writing sensational and often embellished stories, interviewing "Deserving Destitutes," and learning a new kind of creativity which grants him true vocational freedom from the Tulsis. Meanwhile, Shama bears him four children, among whom there is only one son, Anand, whose fragile relationship with his father instills the novel with touching moments of realism. It's easy to empathize with Mr. Biswas, for he is a character of the most universal sort -- everyone can relate to his desire for autonomy, freedom, and independence. He could be a symbol of the emancipation of a controlled people -- specifically, Indian independence from the British empire -- but the novel also succeeds on its surface level. We know from the prologue that Mr. Biswas eventually does escape the Tulsis and obtain a house, a decrepit, boxlike affair that hardly seems like a personal triumph. But it is *his* house, his declaration of independence, a final confirmation that he is indeed his own man.
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