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38 of 38 people found the following review helpful:
4.0 out of 5 stars
New Twist on Time Travel, December 5, 2004
I like time travel books and will go out of my way to seek out a good one. In this novel, the author uses an unusual device for moving the hero around in time -- a potion that he drinks takes him to a time where he seems to have emotional connections with the people he meets.
While he is walking about in the past, in this case the Middle Ages, he is unseen by the people of the time. And in another interesting twist, while his mind is firmly experiencing past events, his body remains in the present, walking around the same terrain that his mind is exploring in the past. This means that his body can encounter present physical barriers that did not exist in the past, and vice versa. That makes for some oddly humorous, as well as dangerous scrapes for the hero. He is routinely injured, and one of his friends actually dies during time travel when he walks into a moving freight train.
This time travel device used by Du Maurier reminded me of the technique empolyed by Carl Sagan in his novel, Contact. Bear with me here, because this similarity is not as far-fetched as it might seem at first. In Sagan's book, the heroine travels through space/time to meet aliens, even though it looks to observers on the ground as though she went nowhere. Her body remains in the spacecraft, but somehow her mind makes the journey solo. This is essentially the same device used in the House on the Strand, although the latter has additional nice touches, such as a bond between the characters of both centuries and the land on which they live.
Overall, this is a very good adventure with a moral undercurrent that is subtle and resists being too "in-your-face" preachy. For me, that underlying message has to do with being present for one's life and resisting the impulse to spend too much time living in your head, regardless of how compelling you might find your own thoughts.
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22 of 23 people found the following review helpful:
4.0 out of 5 stars
Compelling Tale of Addiction, May 16, 2003
Imagine that after ingesting a simple chemical liquid, your brain somehow connects the genetic memory it has inherited and suppressed with the actual reality experienced by your ancestors. The result, as Dick Young, narrator of "the House on the Strand" discovers, catapults Dick's mind back into the depths of his genetic memory where modern Cornwall transforms to a battleground where a bloodthirsty struggle between 14th century landowners rages at a slightly accelerated pace from that of the present. As intriguing as the reader may find this premise, Dick Young finds it all the more so. For with each dose of the drug, Dick's body and mind become addicted to this otherworld, so much so that he ignores the responsibilities of his present life and places his marriage, livelihood and life in jeopardy. As in other Du Maurier tales where she employs a male narrator, Dick falls prey to an older mentor, in this case biochemist researcher and designer of the genetic memory drug, Magnus Lane. (Oddly, although not biologically related, both Magnus and Dick conjur up the same historical characters as they 'journey' back to the Cornwall of the 14th century.) Interlaced within their perfect and insular relationship lies the same exclusionary sense experienced between Philip and Ambrose (My Cousin Rachel) and John and Jean (The Scapegoat)that no outsiders are welcome, particularly women---as in all these stories, the major woman character is either murdered or harmed in some dire way. If the reader is expecting a time travel tale where the voyager entangles himself in the past, find another book. Dick serves as a guinea pig in this plotline; he observes the past through the conduit of the drug. The main gist of the novel revolves around Dick's all-consuming addiction rather than his experiences in another time. Du Maurier uses real historical personnages in her depiction of Dick's "trips". The 'House on the Strand' was a house she actually lived in and whose past she researched. I recommend this to anyone who enjoys Du Maurier's knack of transporting the reader into the head of her narrator, eliciting both sympathy and emotional terror simultaneously.
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15 of 15 people found the following review helpful:
5.0 out of 5 stars
A beautiful piece of fiction, August 3, 2004
The House on the Strand is a less-known book by Daphne DuMaurier, the woman who gave us Rebecca and Jamaica Inn. Here she interweaves past and present together in a novel that is just as rich as anything she has ever written.
Magnus Lane is a professor at the University of London, who has created a potion that can send you back in time. He uses his friend Dick Young as a "human guinea pig" to test its effects. Dick finds himself thrust back into the days of the 14th century, in the days of Isolda Carminowe and Henry and Otto Bodrugan, who lived in the exact place in which Dick has decided to vacation. Dick follows the knight Roger Kylmerth, and finds himself becoming more and more involved with the manor lords of the 1320's- with an almost disastrous effect upon himself and his family in the present time.
It is a novel in which past and present run at parallels with one another, and even almost collide. Its a haunting book, sinister in fact, in which time matters a great deal; a book which points out the fact that sometimes the present time is indistinguishable from the present. Its power will haunt you long after you have closed its covers.
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