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Comment: Factory Sealed, Long Out Of Print 180gm First Pressing From Classic (Not The Later And Inferior 200gm Pressing), Housed In A Deluxe Gatefold Cover With Obi Style Sash. Pristine Copy.
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Houses Of The Holy

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Product Details

  • Vinyl
  • Number of Discs: 1
  • Label: Classic Records
  • ASIN: B004H5HLYC
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (443 customer reviews)
  • Amazon Best Sellers Rank: #1,322,457 in Music (See Top 100 in Music)

Customer Reviews

Really great album, with very poetic lyrics at times.
For example, in just this one album they have very good hard rocking songs like the ocean and dancing days.
I love everything about this song, from the catchy guitar riff to the great synthesizer parts.

Most Helpful Customer Reviews

119 of 133 people found the following review helpful By Alan Pounds on February 17, 2005
Format: Audio CD
Imagine turning out four of the most successful and groundbreaking heavy metal/blues-rock albums of all time, only to go on turning out more outstanding material. Very few bands in history have consistently delivered mind-blowing albums one after the other for an extended period of time the way Zeppelin has. Zeppelin had invented the sound of the decade, and by 1973, they were really ready to spread their wings (as if they hadn't already).

"Houses Of The Holy" follows the same foot steps as "Led Zeppelin IV", but the approach is much more easy-going. Jimmy Page's riffs range from folk hooks as well as his classic blues-rock hooks, giving the album a lighter and looser feel. The album kicks off with epic "The Song Remains the Same". "The Rain Song" is a moody, meandering tune, sprawling progressive rock arrangements touching on classical music, jazz, blues, and folk, as well as hard rock. Robert Plant's vocals are soulful and heartfelt. "The Rain Song" also shows Jimmy Page's growth as a producer. "Over the Hills and Far Away" was a further progression away from the band's original heavy blues into more diverse arrangements. The acoustic introduction is a variation of Jimmy Page's own "White Summer," which was highly influenced by Davey Graham's "She Moved Thro' the Fair." The affectionate James Brown send-up "The Crunge," one of my favorites, really adds to the diversity of the album. "Dancing Days" gives you a solid taste of their classic hard rock strut. The reggae-influenced song "D'Yer Mak'er", featuring John Bonham's driving drums makes for an exceptional love song. The song was released as a single and reached the top 20, staying on the charts for total of eight weeks. Zeppelin's spooky "No Quarter" is a jazz, bluesy jam.
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20 of 20 people found the following review helpful By Matt Howat on August 20, 2000
Format: Audio CD
If you think of Led Zeppelin as heavy metal band, then you've only heard Whole Lotta Love and Black Dog. On this album, as with each of their albums, they went far, far outside the realm of whatever heavy metal encompasses.
From the majestic opening of The Song Remains The Same to the '50's doo-wop fade-out of The Ocean, this is possibly Led Zep's most consistent album. With one-man orchestra John Paul Jones prominent on The Rain Song and No Quarter, Jimmy Page in brillant acoustic form on Over The Hills And Far Away and pulling out a killer riff in Dancing Days, John Bonham dominating The Crunge and D'yer Mak'er (pronounced Jamaica, for those who don't know), and Robert Plant superb throughout, each member of the band is at their peak, at a time before the excesses of subsequent tours began to take their toll.
The perfect album to listen to pool-side on a sunny day. Just crank it up and enjoy the magic.
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26 of 28 people found the following review helpful By P Magnum HALL OF FAMEVINE VOICE on April 17, 2001
Format: Audio CD
Houses Of The Holy is probably the most melodic of all Led Zeppelin's albums. The album has full and layered sound that relies more on the band's powerhouse rhythm section of John Paul Jones and John Bonham than on Jimmy Page's guitars. Don't worry though, Mr. Page's powerhouse riffs abound throughout the album, but they are deftly mixed in to create a bigger sound. Mr. Jones' keyboards are found in heavy doses which is a welcomed thing. "The Crunge" is a James Brown tribute that has a loose, funky feel and "Over The Hills & Faraway" is a driving rocker. "Dancing Days" has a melodious beat with a stinging guitar and "D'yer Mak'er" is a reggae influenced song and is one of the few Zeppelin songs you can actually dance to. "No Quarter" is the most mystical and darkest of all of Zeppelin's songs. The music has strange keyboards and Robert Plant's voice is so distorted that is sounds like he's singing under water. The lyrics are Tokleinesque in nature and the song is a mini masterpiece. The album closes out with the thumping "The Ocean". Houses of The Holy has another infamous Zeppelin cover and brought them back to number one.
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66 of 77 people found the following review helpful By Sal Nudo VINE VOICE on April 19, 2000
Format: Audio CD
Ah, 1973: It was the year I was born, Pink Floyd put out the seminal Dark Side Of The Moon, and Led Zeppelin's arguably best release, "Houses of the Holy," also came out. The urgent opening riffs on "The Song Remains the Same" signal great things to come. Jimmy Page does some marvelous twin guitar work, Robert Plant has an almost Chimpmunkish yelp, and we're off and running. "The Rain Song" quickly tones things down, a soothing, dreamy tune sprung from the South Carribean, with strings in the background for further relaxing effect. "The Rain Song" might be Zeppelin's best acoustic song ever.

Like Pink Floyd, Zeppelin refused to releasing songs as singles. And yet, structured pop shines through on the folkishly delightful "Over the Hills and Far Away," the fun rock jingle of "Dancing Days," and the reggae- flavored "D'yer Maker." "No Quarter" contains a dimmer vibe, filled with buzzy guitars, a brooding piano, and Plant's isolated voice coming through in distorted tones, like a man coping with deep depression. Midway through, John Paul Jones plays a beautifully serene piano, only to give way to John Bonham's smooth rhythmic drum kick. The band's cohesiveness is at an all-time high here, as everyone involved gets to subtly show off. There's nothing coy about the next sublime rocker, "The Ocean," which anybody with half a heartbeat could stomp along to.

"Houses of the Holy" may have been Zeppelin at its height; the band could have called it quits after this record and still be assured easy classic-rock status. It's simply another great Zeppelin album that adds to a string of greats. The guys kept their style simple, yet branched out a bit and explored new avenues. Some would even say that all Zeppelin albums after this one were pleasant icing on the cake. Of course, the same thing has been said about Pink Floyd after 1973, as well.
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