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How to Adapt Anything into a Screenplay
 
 
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How to Adapt Anything into a Screenplay [Paperback]

Richard Krevolin (Author)
2.9 out of 5 stars  See all reviews (10 customer reviews)

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Book Description

March 13, 2003
From concept to finished draft-a nuts-and-bolts approach to adaptations

Aspiring and established screenwriters everywhere, take note! This down-to-earth guide is the first to clearly articulate the craft of adaptation. Drawing on his own experience and on fourteen years of teaching, screenwriter Richard Krevolin presents his proven five-step process for adapting anything-from novels and short stories to newspaper articles and poems-into a screenplay. Used by thousands of novelists, playwrights, poets, and journalists around the country, this can't-miss process features practical advice on how to break down a story into its essential components, as well as utilizes case studies of successful adaptations. Krevolin also provides an insider's view of working and surviving within the Hollywood system-covering the legal issues, interviewing studio insiders on what they are looking for, and offering tips from established screenwriters who specialize in adaptations.
* Outlines a series of stages that help you structure your story to fit the needs of a 120-page screenplay
* Explains how to adapt anything for Hollywood, from a single sentence story idea all the way to a thousand-page novel
* Advises on the tricky subject of just how faithful your adaptation should be
* Features helpful hints from Hollywood bigwigs-award-winning television writer Larry Brody; screenwriter and script reader Henry Jones; screenwriter and author Robin Russin; screenwriter and author Simon Rose; and more

Frequently Bought Together

How to Adapt Anything into a Screenplay + The Art of Adaptation: Turning Fact And Fiction Into Film (Owl Books) + Adaptations: From Short Story to Big Screen: 35 Great Stories That Have Inspired Great Films
Price For All Three: $39.71

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Editorial Reviews

Review

?A well thought out and professional book on adaptation. Richard Krevolin has done the heavy lifting and put together an indispensable guide for any serious screenwriter. How to Adapt Anything Into A Screenplay has a permanent place beside my computer. . . The best book on adaptation, hands down.? ? Jack Epps, Jr., screenwriter for Top Gun, Dick Tracy, The Secret Of My Success

"Enlightens and clarifies the adaptation process...It's like a semester of film school only a lot cheaper and you can learn while lying on your couch in your underwear." ? Tom DeSanto, screenwriter for X-Men, Apt Pupil, X-Men II

?Richard Krevolin understands that writers of adaptations owe little to the original material. Instead, like all screenwriters, they owe audiences the best possible movie. He asserts quite rightly, in clear and engaging language, that adaptations are more like original screenplays than they are different from them. And in doing so, he has written the best book possible.? ? Prof. Richard Walter, UCLA School of Cinema Screenwriting Chairman

?Oh good, another book I don't have to write since Richard Krevolin's done such a bang-up job of it. He's distilled not only the essence of the art of adaptation but also reminded us of the essentials of drama and why we want to tell stories in the first place.? ? Chris Vogler, author of The Writer?s Journey

?I wish I had this book when I was adapting the life of Jake LaMotta into the screenplay for Raging Bull.? ? Mardik Martin, screenwriter for Raging Bull, Mean Streets, and New York, New York

From the Publisher

"A well thought out and professional book on adaptation. Richard Krevolin has done the heavy lifting and put together an indispensable guide for any serious screenwriter. How to Adapt Anything Into A Screenplay has a permanent place beside my computer. . . The best book on adaptation, hands down." - Jack Epps, Jr., screenwriter for Top Gun, Dick Tracy, The Secret Of My Success

"Enlightens and clarifies the adaptation process...It's like a semester of film school only a lot cheaper and you can learn while lying on your couch in your underwear." - Tom DeSanto, screenwriter for X-Men, Apt Pupil, X-Men II

"Richard Krevolin understands that writers of adaptations owe little to the original material. Instead, like all screenwriters, they owe audiences the best possible movie. He asserts quite rightly, in clear and engaging language, that adaptations are more like original screenplays than they are different from them. And in doing so, he has written the best book possible." - Prof. Richard Walter, UCLA School of Cinema Screenwriting Chairman

"Oh good, another book I don't have to write since Richard Krevolin's done such a bang-up job of it. He's distilled not only the essence of the art of adaptation but also reminded us of the essentials of drama and why we want to tell stories in the first place." - Chris Vogler, author of The Writer's Journey

"I wish I had this book when I was adapting the life of Jake LaMotta into the screenplay for Raging Bull." - Mardik Martin, screenwriter for Raging Bull, Mean Streets, and New York, New York


Product Details

  • Paperback: 218 pages
  • Publisher: Wiley; 1 edition (March 13, 2003)
  • Language: English
  • ISBN-10: 0471225452
  • ISBN-13: 978-0471225454
  • Product Dimensions: 9 x 6 x 0.6 inches
  • Shipping Weight: 10.6 ounces (View shipping rates and policies)
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #507,153 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
2.9 out of 5 stars (10 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

8 of 10 people found the following review helpful:
5.0 out of 5 stars A useful book for the subject!, August 26, 2003
By 
Robert A. Byrne (Columbus, OH United States) - See all my reviews
(REAL NAME)   
This review is from: How to Adapt Anything into a Screenplay (Paperback)
After writing one screenplay and one teleplay, I still didn't "get it." I'd read a half dozen books on scriptwriting but was still a bit muddled. The light bulb finally went off with this book. Krevolin starts with short but useful information on structure. This includes a nice breakout of 'where your script should be' by certain pages. He explains it so that you don't just get the formula: you understand the dramatic and narrative reasons for the page delineations.

And he includes the Scene-O-Gram (borrowed from fellow instructor Hal Ackerman). This is a marvelous visual tool. It shows your script from back story to climax as clearly as possible. Combined with his explanation of page 'marks', I finally realized how a script should truly flow together.

Then he takes several films, including The Patriot, X-Men and The Shawshank Redemption, and looks at key elements while placing them into the Scene-O-Gram format. This is not simply formulaic plug and place. It is a look at key components and structure for adapting an existing piece of writing.

Krevolin's book will help you select the most important elements to keep from the work you're adapting, and how to put them together. A must-have if you plan on adapting something into a screenplay.

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2 of 3 people found the following review helpful:
5.0 out of 5 stars Great book for anyone interested in screenwriting, May 9, 2009
This review is from: How to Adapt Anything into a Screenplay (Paperback)
I am an aspiring screenwriter just looking into the field. I have have not yet taken any courses but would love to learn about screenwriting. This book is the perfect for that. It is fascinating reading about the basic structure of a screenplay in terms that even I can understand. The analysis of Hollywood movie screenplays is a great way to teach the process through example. Reading a few of the negative reviews made me wonder if those people understood the purpose of this wonderful book. It was not written with the idea that is was to help Steven Speilberg with his work. It was written for you and me. Based on that it has to be a 5 star book. Simply fascinating.
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5.0 out of 5 stars Incredibly helpful book for any writer, May 1, 2009
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This review is from: How to Adapt Anything into a Screenplay (Paperback)
What I love about this book is that it gives a system to develop a story
that can be used for screenplays or even stageplays and books. It uses lots of great examples and is fun and easy to read. Enjoy it, I did.
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Inside This Book (learn more)
First Sentence:
Whether I am reading a script written by a USC School of Cinema and Television student or by an aspiring screenwriter from somewhere in the country who has hired me as a consultant, I find one predominant misconception occurring over and over again in all the work I read-people think that screenwriting is easy and that since adaptations are derived from preexisting material, they are even easier. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unifying filmic devices, supporting characters change, other characters change, primary antagonist, story this way
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Miss Madison, Harry Potter, Gold Cup, Big Seven, Joe Blow, The Patriot, The Odyssey, Richard Krevolin, The Life of General Francis Marion, Silver Surfer, Atlas Van Lines, Benjamin Martin, Captain Phenomenal, Miss Budweiser, Adapt Anything, Fred Farley, Where Art Thou, Andy Dufresne, Disney Channel, Glengarry Glen Ross, Scott Bindley, Towne Club, Revolutionary War, Terry Sterett, Warden Norton
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