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How To Do Biography: A Primer
 
 
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How To Do Biography: A Primer [Hardcover]

Nigel Hamilton (Author)
4.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

0674027965 978-0674027961 April 30, 2008

It is not surprising that biography is one of the most popular literary genres of our day. What is remarkable is that there is no accessible guide for how to write one. Now, following his recent Biography: A Brief History (from Harvard), award-winning biographer and teacher Nigel Hamilton tackles the practicalities of doing biography in this first succinct primer to elucidate the tools of the biographer’s craft.

Hamilton invites the reader to join him on a fascinating journey through the art of biographical composition. Starting with personal motivation, he charts the making of a modern biography from the inside: from conception to fulfillment. He emphasizes the need to know one’s audience, rehearses the excitement and perils of modern research, delves into the secrets of good and great biography, and guides the reader through the essential components of life narrative.

With examples taken from the finest modern biographies, Hamilton shows how to portray the ages of man—birth, childhood, love, life’s work, the evening of life, and death. In addition, he suggests effective ways to start and close a life story. He clarifies the difference between autobiography and memoir—and addresses the sometimes awkward ethical, legal, and personal consequences of truth-telling in modern life writing. He concludes with the publication and reception of biography—its afterlife, so to speak.

Written with humor, insight, and compassion, How To Do Biography is the manual that would-be biographers have long been awaiting.

(20080415)

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Editorial Reviews

Review

This marvelous work--basically, a how-to book--is comprehensive in its treatment of everything necessary to creating a published biography. Hamilton, who has authored biographies of Field Marshall Montgomery, John F. Kennedy, and Bill Clinton, here leaves nothing unsaid on the subject. He thoroughly details biography's agenda and motivation and describes its target audience, who will expect something of a revelation concerning the human condition...He additionally scrutinizes autobiography and memoir writing, the consequence of telling the truth, and biography's afterlife. The exceptional excerpts Hamilton selects from published biographies to illustrate his points are both edifying and entertaining.
--Robert Kelly (Library Journal 20080501)

Drawing instruction from his own lifetime of biographic work and others'--including Samuel Johnson, Robert Caro, David McCullough, Hermione Lee, Edmund Morris, and others whom Hamilton has admired, known and worked with--the author takes readers on an intellectual journey through the creative process, from conception to publishing...Hamilton's passion, lyricism and collection of telling anecdotes make this "short book of advice" an unexpected page-turner; it's hard not to get caught up in the author's romantic vision of biography, a form he believes has nearly as many permutations as music. Elucidating not just the dos and don'ts of biography, but also the whys and hows, Hamilton has created a motivating, empowering guide for writers (and fans) of the genre. (Publishers Weekly (starred review) 20080706)

No one writing biography can afford to ignore this edifying book. Nigel Hamilton has the depth and breadth of experience to write about a genre that he champions...While this is a “how-to” book, even the most seasoned biographer will find much of value about choosing a subject; doing proposals for biographies; handling interviewing; negotiating the perils of publishing unauthorized biographies; managing biographical narratives; writing with an audience in mind; and the nexus between memoir, autobiography, and biography.
--Carl Rollyson (thebiographerscraft.com 20080726)

[How To Do Biography] offers a well-written, sensible, and, given its brevity, fairly encompassing assessment of what it is that a biographer does and how he goes about doing it...Hamilton is quite eloquent and persuasive in discussing how things come around at the end, not only at death, but after, when the life meets posterity.
--Sven Birkerts (Boston Globe )

The book is full of good advice and interesting stories.
--Owen Richardson (The Age )

About the Author

Nigel Hamilton is the author of prize-winning biographies of Field Marshal Bernard Montgomery and of John F. Kennedy. He is currently a Fellow of the McCormack Graduate School of Policy Studies, University of Massachusetts Boston, where he is writing a three-volume biography of President Clinton.

Product Details

  • Hardcover: 379 pages
  • Publisher: Harvard University Press (April 30, 2008)
  • Language: English
  • ISBN-10: 0674027965
  • ISBN-13: 978-0674027961
  • Product Dimensions: 7.1 x 5.5 x 1.3 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #225,708 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
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22 of 22 people found the following review helpful:
4.0 out of 5 stars A valuable primer, May 30, 2008
This review is from: How To Do Biography: A Primer (Hardcover)
It's true that there's no other book devoted specifically to the "how to" of biography. And this is indeed a "primer" to the subject. The first section, "Getting Started" (116 pages, about a third of the text), is excellent. It is well written, reliable, and concise, and I'd recommend it to anyone who studies or writes biography. The chapter on audience is especially good. Perhaps the greatest strength of the book is Hamilton's wide command of the field. He draws on examples of many recent biographies and assesses them astutely in relationship to one another. His remarks on Edmund Morris's Reagan biography are especially helpful.

I'd give this book 5 stars easily if it were all as good as the first section. Unfortunately, the last 2 sections are mostly collections of quotations; they lack the imagination and insight of the first section. In the middle section, called "Composing a Life-Story," Hamilton takes us through the "seven stages of man." He gives lots of examples but not much more than that. In the chapter on "Love," he lapses into personal defensiveness against his own critics. In the final section, "Variations on a Theme," he mostly talks about autobiography and memoir. Since there are so many books about writing those, one wonders why they deserve a place in a primer on biography. Perhaps it was the publisher's decision.

Though neither is devoted to the subject of biography per se, I'd recommend two other "how to" books for aspiring biographers: Telling True Stories: A Nonfiction Writers' Guide from the Nieman Foundation at Harvard University and Thinking Like Your Editor: How to Write Great Serious Nonfiction--and Get It Published. Both provide approaches that are quite different from Hamilton's and are thus worthy of consideration alongside his.
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13 of 15 people found the following review helpful:
3.0 out of 5 stars Less gossip, please, January 3, 2009
By 
Anson Cassel Mills (Lake Santeetlah, NC) - See all my reviews
This review is from: How To Do Biography: A Primer (Hardcover)
First, let me make it clear that I have no personal grudge against Nigel Hamilton. He writes well, and I believe prospective biographers would do well to read his book.

My quarrel is with Hamilton's indifference to the importance of truth, which unconcern he flaunts in his opening chapter by declaring that the biographical "shots heard round the world" were Edmund Gosse's Father and Son (1907) and Freud's Leonardo da Vinci (1910). Likewise, in a later chapter, while defending the salaciousness with which he approached the life of Bill Clinton--a "sleazy new low" repeating "the most scurrilous and unsubstantiated rumors," wrote one critic--Hamilton defends his prurience by citing the comments of Suetonius on the sexual perversion of the Roman emperor Tiberius.

The problem with all three of these examples is that they are at worst, false and at best, not susceptible to proof. Freud's "outing" of Leonardo as a homosexual is based on a phantasmagoria. Even Charles Nicholl, a Leonardo biographer (2004) who believes Freud's speculations are "worth listening to," notes that critics have denounced Freud's work as "highly speculative psychology on top of highly speculative history, and they are right." (33-34) Peter Gay's careful biography of Freud, which Hamilton himself quotes at some length, reveals that Freud himself called his long paper on Leonardo a "halbe Romandichtung," a half-fictional production.

Suetonius's eyebrow-lifting stories of Tiberius molestation of slave boys may well be true; but they are again just as likely false. Suetonius had an ax to grind with Tiberius and perhaps with all emperors. At least the Oxford History of the Classical World (1986) declares that Suetonius's "scandalous descriptions" of the emperor's intimate life make for "an effective, though not necessarily accurate, character portrait." The Oxford Classical Dictionary (1996), even less enamored, says that the "stories of vice...may be discounted." (1523-24)

As for Gosse's beautifully written Father and Son (1907), its portrayal of Philip Henry Gosse as a tyrannical, joyless, religiously maniacal father is literarily and psychologically true but factually bogus, as Ann Thwaite--the biographer of both Gosses--has adequately demonstrated in her fine (and unfortunately almost unknown) Glimpses of the Wonderful: The Life of Philip Henry Gosse (2002). Gosse pere, though deeply religious, turns out to have been a warm and generous person, deeply in love with life and his family, a man who was slugged into opprobrium by his son's memoir.

Hamilton argues that the biographer should "follow, document, and verify the results of genuine, open-minded curiosity." (91-92) But often missing from his examples is his own skeptical questioning. Hamilton draws appropriate negative lessons from the Reagan "biography" of Edmund Morris and the "memoir" of James Frey, but he is loathe to give up the gossip that gives "color to people's lives." (193) I leave him to it, to his conscience and to his prospective royalties.

Although Hamilton claims to know of "no book or primer to guide the would-be biographer," (1) there have been others, the names of some of which are given in his bibliography. (A true "primer," Milton Lomask, The Biographer's Craft [1986] is an obvious omission, but a work mediocre enough that its absence is certainly pardonable.) My own favorite book about biography (also missing from Hamilton's bibliography) is William Zinsser, ed., Extraordinary Lives: The Art and Craft of American Biography (1986), a series of six lectures given at the New York Public Library and tidied up for publication. Read both Hamilton and Zinsser, and see if you don't find the latter both more fun to read and more practical in its direction.
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7 of 10 people found the following review helpful:
5.0 out of 5 stars At last the book we needed, May 2, 2008
This review is from: How To Do Biography: A Primer (Hardcover)
Nigel Hamilton, a gifted biographer, has created the kind of book biographers and lovers of biography have long sought. Intelligent, gracefully written, it will serve as both a guide and a companion to those who care about this craft for years to come.
--James McGrath Morris, editor of the monthly "Biographer's Craft"
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