Product Details

• Actors: Joseph Ialacci, Richard Feigen, Frances Beatty, Mort Janklow, Janet Giffra
• Directors: John W. Walter
• Producers: Frances Beatty, Andrew L. Moore, John Malkovich, Kevin J. Foxe, Lianne Halfon
• Format: Black & White, Closed-captioned, Color, DVD, NTSC
• Language: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rated: Unrated
• Studio: Live / Artisan
• DVD Release Date: September 21, 2004
• Run Time: 90 minutes
• Average Customer Review: 3.9 out of 5 stars  See all reviews (16 customer reviews)
• ASIN: B0002J58FQ
• Amazon Best Sellers Rank: #112,975 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "How to Draw a Bunny" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

How to Draw a Bunny attempts to both unravel the enigma of artist Ray Johnson's elusive personality and restore him to his rightful place in the pantheon of 20th century American art. An artist whose collages bridged dada and pop art, Johnson occupied a respected if obscure corner of the visual art world. Upon his suicide off Long Island in 1995, he left his friends and associates with a bounty of work and more questions than answers about the man behind such works as "Untitled (Joseph Cornell Just a Face)." Through interviews with subjects from Christo to the sheriff who investigated his suicide, this documentary serves its subject best when it allows the camera to linger on Johnson's work. Those unfamiliar with Johnson's sometimes cartoonish reappropriations of advertising iconography may marvel in much the same way viewers of Basquiat did a decade ago. Here was an artist who transformed every act of his life—even his highly orchestrated death—into a work of art. From letters to canvases to a pair of shoes, Ray Johnson used the world as his medium to create objects of wonder.

How to Draw a Bunny grates on occasion, especially with so many shots of brushes tapping a snare drum and swirling shots of artworks when a static image would have sufficed. Cinematic tics notwithstanding, the film is a loving introduction to a contemporary of Lichtenstein and Warhol who arguably achieved the sublimity—but not the notoriety—of his peers. --Ryan Boudinot

Customer Reviews

Most Helpful Customer Reviews

14 of 16 people found the following review helpful:

5.0 out of 5 stars Ray Johnson's Last Big Riddle, November 11, 2004

By 

Ken Miller (Newtown, PA USA) - See all my reviews

This review is from: How to Draw a Bunny (DVD)

On Friday, January 13th, 1995, Ray Johnson checked into a Sag Harbor hotel, drove to the 7-11, then walked to the Sag Harbor Bridge, where he jumped to his death. This action, like most of his life, was foreshadowed by a number of clues, numerical coincidences and puns. When police entered his house, they found, among his belongings, a complex suicide note presented as a box full of small, beautiful collages. When they started investigating, the stories told by people who knew him each seemed to describe a different individual. This film is a quest to discover more about the mystery that was Ray.

I saw this film at Film Forum in NYC and it's criminal that it didn't receive wider distribution. Ray Johnson lived his life as a performance piece, improvising puns and jokes into everything he did. His artworks are complex zen riddles with punchlines, with collaged paper sanded like round rocks, all put together with elmer's glue. He was the eternal prankster, and the wonderful interviews relate many "Ray stories" from the likes of his art dealer, patrons and fellow artists (including Roy Lichtenstein, James Rosenquist, Chuck Close, and Christo). Far from being someone who tried to become famous, he worked to avoid it, shunning publicity and pranking the art world, and mailing his work out for free to people around the world. I was one of those people.

The film is brilliantly assembled, hilarious at times, and absorbing... and the Max Roach score is a great bonus (complete with some footage of Max playing the drums). If you are interested in art and love a good story, this film is for you.

7 of 7 people found the following review helpful:

4.0 out of 5 stars Life (and Death?) As Art, December 23, 2005

By 

J. Merritt - See all my reviews

This review is from: How to Draw a Bunny (DVD)

A fascinating look inside the New York art scene and the predecessor class to Warhol. I confess that I knew absolutely nothing about this artist before watching this documentary, and yet I couldn't get enough of it. Truly a man who lived his life as art. And his death? That's the central guessing game of this film, and it makes for a captivating and vaguely haunting biopic.

9 of 12 people found the following review helpful:

4.0 out of 5 stars Documentary about an Underappreciated Artist, November 7, 2005

By 

2many2read (United States) - See all my reviews

This review is from: How to Draw a Bunny (DVD)

The subject of this film is a lesser-known artist Ray Johnson, who was an extremely private person. While he knew everyone in the New York pop art scene, no one knew him very well at all.

Moreover, in the documentary, at least, he seldom seems to sell a work of art, yet all he does is create art. He became a constant presence in the New York art scene from the early 1950's till his suicide in 1995. He is credited with creating the first happenings when he displayed his collages on a city street. He began to concentrate on creating elaborate collages.

He is so shy about his art that even as his friends, maybe all his friends, get shows at well-known galleries and even at the Museum of Modern Art, he never allows MOMA's curators to judge whether to admit his works to the museum's collection. Instead, he mails his art to many friends, collectors and MOMA's library. The library, as is its custom, duly catalogs and keeps the mailed art. In that way, he gets in the back door of the museum.

So when his friend Chuck Close wants a piece by Ray exhibited in Close's own exhibit at the museum, the MOMA library shows the "mail art" that Ray sent.

His address book is a Who's Who of modern art: Chuck Close, Roy Lichtenstein, Christo, Robert Rauschenberg, Willem de Kooning, Jasper Johns, Andy Warhol. All these artists knew and respected Ray Johnson and his work.

His house was a living space unfurnished except for shelves and shelves of his art works: small collages which he called moticos, drawings and paintings.

The film does not solve the puzzle of Ray Johnson, but it certainly presents what anyone knows of this oddly private artist. In fact, he was known as "the most famous unknown artist in the world."