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How to Grow a Novel: The Most Common Mistakes Writers Make and How to Overcome Them
 
 
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How to Grow a Novel: The Most Common Mistakes Writers Make and How to Overcome Them [Hardcover]

Sol Stein (Author)
4.3 out of 5 stars  See all reviews (33 customer reviews)


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Book Description

December 23, 1999
Each year thousands of fiction writers, from beginners to bestselling author, benefit from Sol Stein's sold-out workshops, featured appearances at writers' conferences, software for writers, on-line columns, and his popular first book for writers, Stein on Writing. Stein practices what he teaches: He is the author of nine novels, including the million-copy bestseller The Magician, as well as editor of such major writers as James Baldwin, Jack Higgins, Elia Kazan, Budd Schulberg, W. H. Auden, and Jacques Barzun, and the teacher and editor of several current bestselling authors. What sets Stein apart is his practical approach. He provides specific techniques that speed writers to successful publication.

How to Grow a Novel is not just a book, but an invaluable workshop in print. It includes details and examples from Stein's editorial work with a #1 bestselling novelist as well as talented newcomers. Stein takes the reader backstage in the development of memorable characters and fascinating plots. The chapter on dialogue overflows with solutions for short-story writers, novelists, screenwriters, and playwrights. Stein shows what readers are looking for-- and what they avoid-- in the experience of reading fiction. The book offers guidelines-- and warnings-- of special value for nonfiction writers who want to move into fiction. Stein points to the little, often overlooked things that damage the writer's authority without the writer knowing it. And this book, like no other writing book, takes the reader behind the scenes of the publishing business as it affects writers of every level of experience, revealing the hard truths that are kept behind shut doors.


Editorial Reviews

Amazon.com Review

Sol Stein likens the reader of fiction to a baseball fan. The "tension, suspense, anxiety, and pleasure" a spectator experiences are "all the things readers hope for when they turn to a novel." In How to Grow a Novel, Stein coaches fiction writers in providing exactly those things for readers. First off, says Stein, you must write what you read; don't try to pull off a romance novel if you are a student of serious literature, or a literary masterpiece if you thrive on thrillers. With that in mind, Stein gears his book toward both "those who are trying to write a good book and those who are trying to write a good read." Most of How to Grow a Novel delineates what Stein considers to be a writer's obligations to his readers. A writer, he says, should be "amusing, entertaining, interesting," should create characters with character, and should maintain interest primarily by "never tak[ing] the reader where the reader wants to go." Stein illustrates his points with examples from his own experiences as a novelist and as a fiction editor.

The final section of the book is devoted to the responsibilities of the publisher. Any but the most stalwart writer can't help but be disheartened by the book business. It has often been said that a publisher determines a book's fate--barring a miracle--long before it is even released, by the funds allocated to publicize it. Stein takes this one step further, positing that a book's positioning is determined "when the agent submits it for consideration.... There are reportedly nearly a thousand literary agents in North American alone, but fewer than a dozen have clout."

Still, take heart, and try to enjoy the process. "Writing is the second most exciting activity a higher power invented for human beings," says Stein. "And when you get to your eighties, it's the first most exciting activity." --Jane Steinberg

From Library Journal

"Come sit. We need to talk." With this simple invitation, novelist, editor, and writing instructor Stein invites the reader to listen as he shares what he has learned from his extensive experience in the fields of writing and publishing. This book, his second (following Stein on Writing), stands apart from the wide field of instructional writing books by putting the writer's focus on the reader. Stein states bluntly right from the beginning that "liars say they write only for themselves" and that a "lack of courtesy" toward the reader is one of the chief faults of unsuccessful writing. While this is perhaps a controversial notion, prospective writers will nonetheless be well rewarded by reading this collection of tips, methods, and numerous anecdotes. In this delightful instruction session, Stein proves once again that he is still a vibrant and talented force in the writing and publishing professions. Highly recommended for libraries supporting fiction writers or fiction writing instruction.
-Angela M. Weiler, SUNY Libs., Morrisville
Copyright 1999 Reed Business Information, Inc.

Product Details

  • Hardcover: 288 pages
  • Publisher: St. Martin's Press; 1st edition (December 23, 1999)
  • Language: English
  • ISBN-10: 0312209495
  • ISBN-13: 978-0312209490
  • Product Dimensions: 9.6 x 6.4 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #686,870 in Books (See Top 100 in Books)

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Customer Reviews

33 Reviews
5 star:
 (23)
4 star:
 (4)
3 star:
 (1)
2 star:
 (3)
1 star:
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Average Customer Review
4.3 out of 5 stars (33 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

25 of 27 people found the following review helpful:
5.0 out of 5 stars A must for writers, January 12, 2000
This review is from: How to Grow a Novel: The Most Common Mistakes Writers Make and How to Overcome Them (Hardcover)
After reading Stein's invaluable STEIN ON WRITING, I thought I'd never need another book on writing. But HOW TO GROW A NOVEL is an outstanding companion volume for fiction writers of any level. He doesn't just inspire but offers practical guidelines, craft points, and solutions. And the chapters on what really goes on in publishing are refreshing in their candor.
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26 of 30 people found the following review helpful:
2.0 out of 5 stars a mixed bag, August 30, 2004
By 
Bottom line: better get Stein's other book.
This one is long on personal stories and short on advice. Do we really need to hear all about Stein's experience with Jimmy Hoffa just to learn that a book written in voice is more lively than one written in impersonal prose? Anyone who has reached the level that they are considering reading this book probably knows that already. In any case, what is needed is HOW to write in a voice, not the vanilla advice to do so.
Of course, if you have plenty of money and plenty of time, there are probably a few tidbits in this book that may be new to you. And if you are a beginner, you'll of course benefit from hearing the ABCs expounded by this confident pro.
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18 of 20 people found the following review helpful:
5.0 out of 5 stars Showing not telling, January 30, 2000
By 
Michael Shapiro (Chappaqua, New York) - See all my reviews
This review is from: How to Grow a Novel: The Most Common Mistakes Writers Make and How to Overcome Them (Hardcover)
I am a composer and published author. What Rimsky-Korsakov did for Orchestration, Sol Stein has done for writing, first in Stein on Writing and now with How to Grow a Novel. Stein practices what he teaches: his book shows writers how to structure their fiction and orchestrate every expressive element. A worthy sequel to his classic text and a must read practical guide to the perplexed novice or the experienced pro.
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Inside This Book (learn more)
First Sentence:
What in the world does writing fiction have to do with courtesy? Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
transient fiction, scene outline, independent editors, narrative summary, immediate scene
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Elia Kazan, Detective Laren, George Thomassy, Sing Sing, America America, United States, Elmore Leonard, Mark Twain, Archibald Widmer, Barnaby Conrad, The Assassins, The Trial, Tom Wolfe, Where Writers Get Help, Final Draft, Miss Ketchum, Times Roman, Melvin Arnold
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