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How to Leave a Country [Paperback]

Cris Mazza (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

091827396X 978-0918273963 January 1, 1992 Copyright 1992
Winner of the Nelson Algren Award for Fiction, this first novel closely examines the relationship between a sculptor and a painter, and poses questions about the nature of love, reality, and the power of the imagination. A paperback original.

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Editorial Reviews

From Publishers Weekly

Mazza's ( Animal Acts ) engaging and innovative novel won the PEN/as with PEN/Faulkner?/slash seems fine to me/pk Nelson Algren Award for Fiction. The story centers on Tara, an artist who has none of her own memories--only those of Phelan, the man with whom she lives. as is, seems to say that all she remembers is Phelan, not that she has Phelan's memories She does not remember her childhood or her career as a painter. When she writes her biography for a magazine, it begins, "Being both born and raised, Ms. Katz now resides." The amnesia device becomes a means of exploring themes of love, memory and healing. Alternating between Tara's frustrations at knowing nothing of her own life and her extended forays into Phelan's memories, the novel offers rich and haunting passages of prose. Chapters devoted to Phelan's stint as an orderly in a nursing home and the friendship he develops with a patient slipping into lonely senility and death are especially strong. In another section Mazza highlights an incident of Phelan's sexual curiosity, mixing confusion and revulsion with a deft eye for psychological detail. The book ends on its most hilarious note with Tara recalling Phelan's coming to grips with his adult identity while living in an apartment full of bed-hopping expatriate bohemians in Brazil.
Copyright 1992 Reed Business Information, Inc.

From Library Journal

Mazza, author of two collections of short stories, Animal Acts and Is It Sexual Harrassment Yet? , defies easy summary or facile classification. This first novel, which won the 1984 PEN Nelson Algren Award while still in manuscript, is a darkly fascinating story about the strange relationship between sculptor Phelan and painter Tara. Tara can recall Phelan's past but not her own. She doesn't even recognize her own paintings, which were apparently inspired by Phelan. As the novel unfolds in Tara's recollection of Phelan's past--his life in an adopted family, his obsession with chess games, his work for a nursing home, and his shattering experience as an artist-in-exile in Brazil--the reader is presented with a life full of failed aspirations, sexual disappointments, and interpersonal collapses. A portrait of the artist as a young man in our times. Highly recommended.
- Cherry W. Li, Dickinson Coll. Lib., Carlisle, Pa.
Copyright 1992 Reed Business Information, Inc.

Product Details

  • Paperback: 180 pages
  • Publisher: Coffee House Press; Copyright 1992 edition (January 1, 1992)
  • Language: English
  • ISBN-10: 091827396X
  • ISBN-13: 978-0918273963
  • Product Dimensions: 8.5 x 5.5 x 0.6 inches
  • Shipping Weight: 9.9 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,828,616 in Books (See Top 100 in Books)

More About the Author

In the first decade of the 21st century, Cris Mazza's work as a novelist expanded as she has continued to consider psychological and emotional complexities of contemporary life, but began to do so with the contributing complication of place: How regions or localities that still have their own unique characteristics of landscape, society, and culture impact the human experiences (sexuality, family, authority, gender) that Mazza explores in fiction. Her 9th book in 2001, Girl Beside Him, inhabits rural Wyoming. Homeland, (2004) involves a woman and her elderly father grappling with a 30-year-old family tragedy while they also find themselves homeless, living in the canyons of suburban Southern California alongside migrant agricultural workers. Indigenous / Growing Up Californian (2003), Mazza's collection of personal essays, deals with place as it anchors memory and the reconstruction of experience. Waterbaby (2007) looks at how local 19th century legends still live and grow in a seacoast town in Maine. 2009's Trickle-Down Timeline married time and place, returning to Southern California in the Reagan era 80s. Mazza's forthcoming novel, Various Men Who Knew Us as Girls continues her unrelenting look at sexual anxiety, now expanding into the nearly unmapped world of outdoor sex slaves in Southern California, as a troubled woman trying to rescue one of them admits her horror has blended with envy.

In 1984 Cris Mazza's first novel (and 3rd book), How to Leave a Country, while still in manuscript won the PEN / Nelson Algren Award for book-length fiction. The judges included Studs Terkel and Grace Paley. Some of her other notable earlier titles include Disability and Is It Sexual Harassment Yet? which was reviewed in the Wall Street Journal.

A native of Southern California, Cris Mazza grew up in San Diego County. Her BA and MA were completed at San Diego State University, then she crossed the country to finish an MFA in writing at Brooklyn College before returning to San Diego where she lived several years training and showing her dogs, completing her first 4 books, and teaching at various local colleges and universities, including UC San Diego, and was Writer in Residence at Austin Peay State University in Clarksville, TN, then at Allegheny College in Meadville, PA. Currently she is professor and director of the Program for Writers at the University of Illinois at Chicago.

 

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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
5.0 out of 5 stars captivating; my fave of her works so far; terrific structure, September 15, 1999
By A Customer
This review is from: How to Leave a Country (Paperback)
This is the third Cris Mazze book I've read, and it just may be my favorite. Her ability to create real and interesting characters woven into a plot smudged around the edge like charcoal was evident in the novel, and made it fascinating. I found the story romantic, and intriguing in it's plot structure of short-vingettes almost, all connecting to reveal her characters.
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5.0 out of 5 stars How do you really leave a country?, August 12, 2001
By 
This review is from: How to Leave a Country (Paperback)
This book was highly enjoyable. The short, episodic and almost pulsating chapters were memorable. I had a hard time putting the book down and was almost disappointed once I had finished it. Phelan's sexual encounters may possibly mirror anyone's awkward first times or getting caught in the act. However, the title of the book is a bit perplexing. How does one leave a country anyway?
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Inside This Book (learn more)
First Sentence:
Sometimes it can be fun living with Phelan. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lion hunting, rec room
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Jan Marsh, Weird Bob, Rocky Flats
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