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How Literature Works: 50 Key Concepts Paperback – April 7, 2011


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Product Details

  • Paperback: 224 pages
  • Publisher: Oxford University Press (April 7, 2011)
  • Language: English
  • ISBN-10: 0199794200
  • ISBN-13: 978-0199794201
  • Product Dimensions: 9.1 x 6.1 x 0.7 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #50,771 in Books (See Top 100 in Books)

Editorial Reviews

Review


"I consider John Sutherland one of the finest English-speaking critics at work today. His truly encyclopedic knowledge of literature over the centuries is evident throughout this valuable new book, yet he exhibits his learning without pretension; that is, he really uses what he knows deftly. He opens up the world of literary thinking to the uninitiated in a refreshing way that is thoroughly sound without being intimidating. He's also a terrific writer--witty, succinct, and clear. In short, this is a brilliant book." --Jay Parini, author of Promised Land: Thirteen Books That Changed America


"How Literature Works is reader-friendly--the writing is personable, intelligent, and informed without being pedantic--and helpful. John Sutherland clearly has vast learning, but he wears it lightly. Both the large concept and the selection of individual ideas that he covers are quite appealing. The book passes what Seamus Heaney calls the 'jealousy test.' Again and again, I found myself thinking, now why didn't I think of this?" --Thomas C. Foster, author of How to Read Novels Like a Professor


"Superb! You'll never again feel paralyzed over paradigm shifts--in fact, you'll read everything with new enlightenment. Who knew that your beach novel was metafiction!" --Library Journal (Starred Review)


About the Author


John Sutherland, who has been a book columnist for the Guardian and a chair of judges for the Man-Booker prize, is Emeritus Lord Northcliffe Professor of Modern English Literature at University College London.

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Most Helpful Customer Reviews

16 of 16 people found the following review helpful By Sam Sattler on April 27, 2011
Format: Paperback
John Sutherland's "How Literature Works: 50 Key Concepts" is a reader-friendly summation of literary theory that few avid readers will be able to resist. Each of Sutherland's concepts is presented in a concise, four-page essay formatted to highlight its main points for the quick reference of readers wanting to review or reinforce their understanding of specific points. Each essay, for instance, opens with a summary/introductory paragraph in bold print and includes a timeline of key dates pertaining to the concept being discussed. Each piece also includes a "boxed" story about, or example of, its subject concept and ends with a clever "condensed idea" summation of its four-pages. As I grew more and more intrigued by Sutherland's ability to summarize four pages of complex thought into just a handful of words, the "condensed ideas" soon became my favorite part of the essays.

The "condensed ideas" are particularly helpful when trying to recall the meaning of some of the book's vaguer literary terminology, but even the explanations for more commonly understood terms can be fun. Examples include:

Hermeneutics - "Reading literature and understanding literature are two different things."
Intentionalism - "What a work of literature means is not always what the author means it to mean."
Translation - "It's impossible - but what option do we have?"
Irony - "The camera may never lie. Literature does. And cleverly."

As the book moves from literature's origins toward its future, the essays are presented in six distinct sections: "Some Basics;" "Machinery: How It Works;" "Literature's Devices;" "New Ideas;" "Word Crimes;" and "Literary Futures.
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Format: Paperback Verified Purchase
I borrowed this book from the library but find it so interesting I decided I wanted to own it. I read a chapter a day (4 pages) or part of a chapter. This is not a book I would sit down and read for any extended length of time.

John Sutherland explains the literary concepts in layman's language and with many examples. I am enjoying learning a lot about the aspects of literary criticism.
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By Susan F. Ehrlich on January 20, 2014
Format: Paperback Verified Purchase
This book gives simple definitions of literary terms with excellent examples included. Worth the money for students and others. to buy.
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1 of 3 people found the following review helpful By William H. DuBay on December 6, 2012
Format: Paperback
This work may be better called, "How Fiction Works: 50 Key Concepts of Literary Criticism."

Like most other literary critics, Sutherland only considers fiction (and maybe some biography) as "literature." Well, what about the Bible, Darwin, and Marx, whom he cites as "our biggest stories?" Aren't they literature? What about his own writings?

Dismissing the genres of non-fiction, Sutherland misses the basic elements of fiction. He barely mentions metaphor, a foundational element of all language. Where are purpose, audience, character, dialog, plot, action, setting, and mood? What about readability, one of the most distinguishing features of fiction? Our most popular novels--including most blockbusters--are written at the 7th-grade level. The reason novels fill so many shelves in the library is that they are not only entertaining, they are the easiest books to read.

Sutherland jokes about the badly-translated directions for assembling IKEA furniture. Like other literary critics, he dismisses or ignores the rich veins of discovery and ingenuity in technical materials, history, comics, cook books, journalism, textbooks, medical, legal, and scientific writing, and the myriad other forms of literature. They are all equally embedded in our culture and all tell us much about it.

When was the last time you saw a review of a really good technical manual? Workaday texts operate on the level of literature as well as instruction, often providing lasting satisfaction and usefulness. Millions benefit from them and millions more would if they were written better.

Aristotle's rhetorical principles of ethos (credibility), logos (knowledge), and pathos (empathy) are manifest in all writing. The same can be said for Cicero's character of the Speaker.
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