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How to Look At Modern Art [Paperback]

Philip Yenawine (Author)
4.5 out of 5 stars  See all reviews (2 customer reviews)


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Editorial Reviews

From Publishers Weekly

This introductory volume supplies a clear, informative overview of the major developments in art from the late 19th century to the present. In the process, Yenawine provides accessible guidelines for deriving meaning from an artwork without knowing any biographical or philosophical data about its creator. Focusing primarily "on paintings and other two-dimensional art," the author breaks the act of observation down into five categories: "physical properties, subject, illusionary and formal properties, and viewer perspectives," giving examples relevant to each category. About the physical properties of Robert Rauschenberg's First Landing Jump, for instance, we learn that the work's tire, plank, tarpaulin and license plate point toward an "on the road" theme. Generously illustrated with works by such artists as Giorgio De Chirico, Salvador Dali, Georgia O'Keeffe, Piet Mondrian, Jasper Johns, Cindy Sherman and Eric Fischl, this volume offers art neophytes an engaging entry to the fundamental methods of perceiving. Yenawine is director of education at the Museum of Modern Art in New York. QPB alternate.
Copyright 1991 Reed Business Information, Inc.

From Library Journal

This upbeat text ("I Know You Can Do It" urges the first subheading) assumes considerable knowledge about major artists and styles. Yenawine promotes "directed looking"--seeing what can be learned from direct observation rather than from acquiring background information. The usual platitudes are well articulated: modern art challenges accepted conventions and expectations; the primacy of personal vision; the centrality of ideas over objects; the emphasis on geometry and dynamism; and the interplay between art and popular culture. The methodology is equally familiar, from analyzing formal elements to examining technique and motivations to sorting the vast diversity and dealing with multiple and contradictory meanings. Heavily illustrated (137, 62 in color), interpretive paragraph-length captions and a "Useful Vocabulary" are helpful. However, a more satisfying work for novice viewers is Susan Woodford's Looking at Pictures (Cambridge, 1983).
- Russell T. Clement, Brigham Young Univ. Lib., Provo, Ut.
Copyright 1991 Reed Business Information, Inc.

Product Details

  • Paperback: 160 pages
  • Publisher: Harry N. Abrams (September 10, 1991)
  • Language: English
  • ISBN-10: 0810924854
  • ISBN-13: 978-0810924857
  • Product Dimensions: 8.8 x 6.8 x 0.5 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #458,889 in Books (See Top 100 in Books)

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4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
4.0 out of 5 stars Interesting and great pictures, April 2, 2000
By A Customer
This review is from: How to Look At Modern Art (Paperback)
The book contains page after page of wonderful color photographs of various works of art. The descriptions and analysis are very interesting. The only problem is that the book is small (142 pgs) and can't cover that many pieces. The book also contains a useful vocabulary section in the back that describes some of the art terms in the book.
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1 of 3 people found the following review helpful:
5.0 out of 5 stars most excellent seller., September 27, 2010
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This review is from: How to Look At Modern Art (Paperback)
Along with book I received a ten dollar check from the seller because he felt the quality was not as good as advertised...Why can't we find men like this to run our government?
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