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How Not to Make a Short Film: Secrets from a Sundance Programmer Paperback – January 20, 2009


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How Not to Make a Short Film: Secrets from a Sundance Programmer + The Short Screenplay: Your Short Film from Concept to Production (Aspiring Filmmaker's Library) + Writing Short Films: Structure and Content for Screenwriters
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Product Details

  • Paperback: 288 pages
  • Publisher: Hachette Books; First Edition edition (January 20, 2009)
  • Language: English
  • ISBN-10: 1401309542
  • ISBN-13: 978-1401309541
  • Product Dimensions: 5.2 x 0.8 x 8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (26 customer reviews)
  • Amazon Best Sellers Rank: #63,758 in Books (See Top 100 in Books)

Editorial Reviews

Review

"Roberta Munroe is that rare person in the film world who can not only recognize an inspired, great film, but she can actually help you make one."—Mark Duplass, Sundance and SXSW award-winning filmmaker

"Roberta Munroe is brilliant. Her advice and insights on our project, The Tribe, from rough cut to completed film were instrumental and invaluable to its success. It is exciting to think that all filmmakers will have access to her incredible mind and experience through this book."—Tiffany Shlain, award-winning filmmaker

About the Author

Roberta Munroe was born and raised in Toronto. She was the Short Film Programmer at the Sundance Film Festival for 5 years. A filmmaker herself, Roberta's directorial debut, Dani and Alice, has played at over 120 festivals globally and received the PlanetOut Best Drama Award 2006. She is in production on a slate of 4 short films.

More About the Author

Roberta Munroe is an author, writer/director, producer and head of her Los Angeles based film consulting company at www.robertamunroe.com. A former Sundance short film programmer (2002-2006), Roberta's book How Not To Make A Short Film: Secrets From A Sundance Programmer (Hyperion 2009) is available on Amazon.com.

As a writer/director, Roberta was invited into the Fox Searchlight Directors Program (foxsearchlab) and made 2 award winning short films Dani and Alice and Happy Birthday that have played at over 150 film festivals worldwide and gained distribution deals on iTunes, Logo and Wolfe Video. Roberta was commissioned to write, direct & produce two short films for the United Nations (UNFPA) highlighting their youth focused sexual rights initiatives.

She has worked on over 25 short films as the producer, story consultant or consulting producer. Some titles include: Suicide Canaries (SXSW 2010), The Procession (Starring Lily Tomlin & Jesse Tyler Ferguson - Tribeca 2012), The High Level Bridge (Sundance 2011) Debutante Hunters (Audience Award Winner Sundance 2012, Palm Springs 2011) The Thing (Sundance 2012) and My Night With Andrew Cunanan (Melbourne LGBT Film Festival 2012). And she has partnered with the South Carolina Film Commission, producing 6 short films a year.

Speaking engagements and Master Classes have included: Columbia University, Trident Technical College, NYC School of Visual Arts, Tokyo Short Film Festival, Palm Springs ShortFest, Atlantic Film Festival, St. John's Women's Film Festival, SXSW and several others.

You can find Roberta at www.robertamunroe.com or at a local old school bar sipping single malt scotch.

Customer Reviews

I also liked the shout-outs to people who have helped Roberta Munroe with writing her book.
James Park
Reading this book feels like your listening to an insider tell you every little thing you need to know so that you don't ruin your first step into the world of cinema.
Rocko
There's some good information spliced into sections on directing, producing, budgeting and marketing.
Rusty Nails

Most Helpful Customer Reviews

31 of 33 people found the following review helpful By Rusty Nails on March 22, 2009
Format: Paperback
This title is at its best when it lives up to its name and talks about how NOT to make a short film. I especially liked the chapters on short film plots we've seen a million times and the list of 50 short film cliches (who knew that opening with a Japanese tea ceremony was a cliche?). The material on what festival programmers are looking for (and not looking for) is also valuable as is the list of festivals at the end.

However, most of the book is actually devoted to "how TO" make a short film citing the author's experience making two short films. Don't expect anything out of the ordinary here. There's some good information spliced into sections on directing, producing, budgeting and marketing. But Munroe's approach to filmmaking is strictly top-down, old-school, hire the best crew you can stuff with an emphasis on production value. The theme here is professionalism, not innovation. This book is a worthwhile read if you can accept it for what it is--a couple of great chapters and a catchy title padded with vanilla material on how to follow the traditional filmmaking process.
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12 of 15 people found the following review helpful By gme111 on February 26, 2012
Format: Paperback
This book provides some valuable insight on how to make a short film for the film festival circuit (not the latest multi-media outlets or television) if you have access to a plentiful budget (rare). It is based on the author's experience as a programmer for Sundance and the few mediocre (at best) films that she has made on her own. Proceed with caution with the author's "consulting services" that she markets with the book.
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8 of 11 people found the following review helpful By FreeRange on July 18, 2010
Format: Paperback Verified Purchase
I was going to rate this book lower but decided I should read the other reviews first for a refresher and what might have been good. I've been reading a lot of books about filmmaking recently and thought I may be acting unfairly towards Munroe. Turns out, I was. I read this book shortly after finishing 'Shooting to Kill' by Christine Vachon. Compared to that book (which could use an updating, a point Munroe wins on), HNTMASF feels very "outsider looking in." That's my real complaint about this book. It feels mostly an appeal to authority to her friends rather than a first person, "This is how we did it" like Vachon's book. I couldn't tell you how many times her friend Steak House is quoted or how many times her website is listed ([...]) but, after a point, you might just wish you were reading their book and getting insight into their professional, first-person experiences.

As a standalone book, this isn't that bad. It only feels less significant when compared to another book but that's entirely unfair to do. Would I still sooner recommend 'Shooting to Kill'? Yes. Would I discourage someone from reading 'HNTMASF'? Not at all! This is like a lighter version from the perspective of someone who fully acknowledges that your best course of action is to surround yourself with people that know the details better. That's her advice for your crew and it's what she puts into practice for the book!

The book covers a ton of subjects and aspects about filmmaking and Munroe uses the people she knows that know that stuff better than she does to explain it all. I hope that made sense.
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1 of 1 people found the following review helpful By MR MATTHEW K WEEKES on April 9, 2013
Format: Kindle Edition Verified Purchase
This book starts well (the sample is the best part). It is initially informative but soon descends into advice that lacks any great insight.
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6 of 9 people found the following review helpful By Film Student on October 23, 2009
Format: Paperback Verified Purchase
Before I shot my final project for school, I made sure to read the entire book and it was very helpful and easy to get through. Because of HOW NOT TO MAKE A SHORT FILM, I brought on board an experienced AD, hired a casting director, among other things, which made the shoot much more efficient and smooth. I highly recommend that film students check out this book before they start making films!
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2 of 3 people found the following review helpful By Russ Adams on February 5, 2009
Format: Paperback
Its a very rare thing for a book to hold my interest from cover to cover. The information in this book was amazingly helpful to the release of my first short film into the festival circuit. After reading this book, my editing team quickly made applicable--unintrusive changes suggested by the author. Great source for first time filmmakers. I've already recommended it to several colleagues.
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2 of 3 people found the following review helpful By ailin98 on November 27, 2011
Format: Paperback Verified Purchase
One word to describe this book is: hilarious, in the best possible way. The author brings advise from the real world on a language that you totally get. Is like reading a sitcom about your craft. I think is a must for student filmmakers since it gives you insight from a filmmaker and festival programmer on how to make short films, and the most important part: how to distribute them. However don't expect to read this book and be the next Oscar Nominated Short Film or at least earn money with your short-film. This book is just the beginning, but it gives you really cool ideas from where to start.
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Format: Kindle Edition Verified Purchase
The first approximately half of this book is very insightful and helpful.
Then it becomes redundant and void of content. I would recommend it
though, since the first half does have good feedback from an actual
film festival insider.

Note. There were some areas where I would like to personally disagree with
her on how to get into Sundance? :)
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