Customer Reviews

How to Read a Church: A Guide to Symbols and Images in Churches and Cathedrals

5 star:		(3)
4 star:		(3)
3 star:		(3)
2 star:		(1)
1 star:		(0)

 

 

Taylor's book is a terrific resource explaining a much misunderstood subject. Churches are indeed designed to be 'read'; to be, in the words of another reviewer, "a feast for the senses." Taylor explains that classical church architecture reflects the understanding that a church is a ship (the word 'nave,' referring to the interior of a church, is from the Latin 'navis' for ship) sailing the faithful to a New Jerusalem, led by their 'captain' priest. Rich eucharistic symbols like the pelican, a bird which feeds its young with its blood, are explained in detail. Were more people to absorb the lessons of this book, we perhaps would see an end to the artless, crude church designs that have dominated over the past 40 years.

Ever wonder why some saints in paintings and sculpture have square haloes? Why columns have foliate capitals? And what are all those hand signals? Richard Taylor explains in How to Read a Church, written not as a scholastic thesis but as a general guide for lay persons. The basic layout of churches, the number and placement of stained glass windows, the grouping of figures and how to identify who's who - all of this can be helpful in figuring out what the builders and decorative artists were trying to convey to those viewing and appreciating the results of their labors. The book works as a resource, and does not have to be read from cover to cover. Individual chapters, such as that on styles of crosses, can be read separately and perused at leisure. Nice resource.

This is a well-written, religiously neutral excursion of the visual symbols and elements of the Christian church, more or less as it exists today and leaning somewhat to the Anglican church. It is not a history of Christian church architecture or symbols through the ages though the author seems to be fairly conversant with the relevant art history. It is no more or less than a brief description of what is behind what you'd see in an English church, with accounts of the lives of Jesus, Mary, Joseph, Peter and all the rest, in case you know absolutely nothing.

The charming churches the author is most familiar with are relics, and efforts like this one that may in some way preserve them are good. They, the churches of the past, are as much like America's mega-churches as flowers are like asphalt. I don't know if they have mega-churches in Europe. I don't think so. They, the mega-churches, help us envision the utter banality of the age to come. And what a long way we have traveled since Chartres.

The author is studiously non-evangelistic, which is good, but one feels the absence of faith in or hope for anything beyond the obvious. It is really a rather light-hearted anatomy of Christian churches, lacking soul. If there's no hope of meaningfulness, no hope that these places may convey the possibility of a real inner life, it all seems rather hollow.

While the contents of the book are most interesting the author does not deal at any length with the specifics outlined in the title. The bulk of the text deals with in-depth explanations of various bible characters and stories. The couple of line drawings towards the end of the book show captions to explain various parts of the garmets illustrated but NOT all of them are explained and then other descriptive words are introduced which are not shown on the illustrations. I did read the entire book and it was rather a disappointment.

This book would be a useful guide for the American churchgoer who is curious about the signs and symbols he sees around him. In an encyclopedia-like format, Taylor describes the chi-rho, the attributes of the more popular saints, and similar visual messages of Christianity.

It is not in-depth or particularly scholarly. For example, the entry for the columbine (flower, not high school) gives one meaning for that flower's symbolism, but does not go into older meanings that appear in medieval art. OK for most uses, but not as a reference for art history students.

There are also odd mistakes that an editor should have prevented. For example, throughout the book Taylor uses the word "unshaven" to mean "beardless". I don't know about him, but when I don't shave, I am bearded.

Well written and organized. I learned a lot. Potential buyers should know that the focus of this book is on Anglican and Catholic churches. I'd recommend it very highly.

It is a good book, interesting but not complete. I found it little insufficient. Need be enriched in many facts.

A very useful book for teaching purposes and giving an understanding of many church items

I've not yet finished the book, but early on Mr. Taylor mentions that the "Catholic Church 'banned' the Latin Mass in order to increase participation by the laity.

Whatever the high points of this book may be, the Church never "banned" the Latin Mass. In fact, the Second Vatican Council, which ALLOWED for some parts of the mass to be translated into the vernacular, also encouraged local parishes to catechize (educate) their members in the basic Latin prayers of the Mass so they could participate. It appears that it was easier to translate the mass into dozens of different languages than it was to get Catholics to learn a few phrases and prayers in Latin. At any rate, the Latin Mass is still celebrated with great enthusiasm and beauty in parishes all over the world (unfortunately some of them are schismatic, but many are in communion with Rome). As for the vernacular mass, "full and active participation" is a rarity in most parishes.

Pope Benedict has reiterated this call for Catholics to learn some of the basic prayers in Latin so that in this truly global society we may pray together with one voice.

Back to the book - Mr. Taylor's premise is dead on; Churches were meant to be read - to create a feast for the senses and create an atmosphere of awe and sanctity. i look forward to finishing the text, and perhaps using it as a textbook for a class.

Bought this to prepare for a trip to Italy, hoping to better understand what I was seeing in all those historic churches. This book, however, is centered on churches as places of Christian worship. To quote from the introduction: "Admiring a church for its beauty or history alone is like admiring a Monet for the frame". This is the author's principle theme. As an example, one chapter is devoted to the life of Jesus. In it, he elaborates on 29 different stages of Christ's life that you might see as an image in a church, from the Nativity to The Incredulity of Thomas. Other chapters include The Virgin Mary, Saints, and The Old Testament. The book does provide the needed visual clues to understand what one is seeing, e.g. pictures of St. Lawrence are of a young man with an iron grid and a money bag. However, the piety of the author is the both the book's strength and weakness. Those of the Christian faith may find this a wonderful read. Those of other faiths or none at all may be constantly irritated (as I was) by his writing technique, which treats the Bible as a source of eye-witness history. If you are looking for dispassionate discussion of church imagery, look elsewhere.