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15 of 18 people found the following review helpful:
4.0 out of 5 stars
An eerie, original novel, May 10, 2000
This review is from: How It Is (Paperback)
Once again, that poet of despair Samuel Beckett puts the reader through purgatory--or, in this case, an endless tract of mud, which our narrator muddles through for about 150 pages. Written entirely without punctuation, and sometimes a little obscure as to exactly what is going on, this book does not make for easy reading. It's worth the effort, though. I almost didn't get through it myself. "Post-modern hocus-pocus," I thought sourly, as I read the first third. But it becomes oddly compelling, even poetic. Beckett's severely minimalistic style is fascinating; there's nothing in this book except the eerily dehumanized voice of its narrator, a lonely monologue that generates real poignancy. The effect is like hearing a voice from beyond the grave, and it haunts the mind like few conventionally written novels do.
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9 of 12 people found the following review helpful:
5.0 out of 5 stars
Whither the well-wrought novel?, March 12, 2001
This review is from: How It Is (Paperback)
Beckett mastered standing on both sides of the borderline between convention and experiment. How It Is, both immediate in poignancy and resistant to a straight-forward reading, is wonderful testimony to this incredible ability. What is most wonderful about How It Is, and Beckett's late prose works in general, is how the form of the works speak just as loudly as the meanings of the words, if not louder. If anyone is heralding the death of the well-wrought novel, Beckett has demonstrated a controversal but brilliant way forward. We might baulk at its strangeness, but Beckett's is a very generous strangeness, one that requires work on the reader's part but will give the reader a unique experience of what a literary work can do.
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1 of 2 people found the following review helpful:
4.0 out of 5 stars
what it is(n't), December 23, 2009
This review is from: How It Is (Paperback)
I've always thought Beckett's prose has been the treasure of his oeuvre. Beyond his meticulously structured plays or his mysterious narratives, his prose work stands out as solitary entities. Perhaps that's the best way to put it in describing a "novel" like this. He has created a new being, divested of character and author. At most, it's a meditation on all things known and unknown, directly looking inward, reflecting whatever gloss there is on the mirror of what we are (or think ourselves to be), and then seeing beyond that. And yet, one can barely decipher a line of thought, a passage through which all mortals go, a journey. In our days, it's rare for a simple book to do that. Beckett gives himself the liberty of living in the land of illusion, constructed only by language. In doing so, unveiling the fabric of consciousness to its- i'd hate to say it again- primordial essence (if there is one). For all those who love to ask questions, the stream of questioning is multiplied in this perilous work. Hardly will you reconsider ever having been in a state of internal crisis.
Thank you, Samuel Beckett
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