or
Sign in to turn on 1-Click ordering.
or
Amazon Prime Free Trial required. Sign up when you check out. Learn More
Sell Back Your Copy
For a $0.53 Gift Card
Trade in
More Buying Choices
Have one to sell? Sell yours here
How Sondheim Found His Sound
 
 
Tell the Publisher!
I'd like to read this book on Kindle

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

How Sondheim Found His Sound [Paperback]

Prof. Steve Swayne (Author)
4.0 out of 5 stars  See all reviews (5 customer reviews)

List Price: $22.95
Price: $17.90 & eligible for FREE Super Saver Shipping on orders over $25. Details
You Save: $5.05 (22%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
In Stock.
Ships from and sold by Amazon.com. Gift-wrap available.
Only 4 left in stock--order soon (more on the way).
Want it delivered Thursday, February 2? Choose One-Day Shipping at checkout. Details

Formats

Amazon Price New from Used from
Hardcover $35.00  
Paperback $17.90  

Book Description

May 8, 2007

“Steve Swayne’s How Sondheim Found His Sound is a fascinating treatment and remarkable analysis of America’s greatest playwright in song. His marvelous text goes a long way toward placing Stephen Sondheim among the towering artists of the late twentieth century!”

—Cornel West, Princeton University

 

“Sondheim’s career and music have never been so skillfully dissected, examined, and put in context. With its focus on his work as composer, this book is surprising and welcome.”

—Theodore S. Chapin, President and Executive Director, The Rodgers and Hammerstein Organization

 

“. . . an intriguing ‘biography’ of the songwriter’s style. . . . Swayne is to be congratulated for taking the study of this unique composer/lyricist into hitherto unnavigated waters.”

Stage Directions

 

“The research is voluminous, as are the artistry and perceptiveness. Swayne has lived richly within the world of Sondheim’s music.”

—Richard Crawford, author of America’s Musical Life: A History

 

“Amid the ever-more-crowded bookshelf of writings on Sondheim, Swayne’s analysis of Sondheim’s development as a composer stands up as a unique and worthy study. . . . For the Sondheim aficionados, there are new ideas and new information, and for others, Swayne’s How Sondheim Found His Sound will provide an intriguing introduction into the mind of arguably the greatest and most influential living Broadway composer.”

talkinbroadway.com

 

“What a fascinating book, full of insights large and small. An impressive analysis and summary of Sondheim’s many sources of inspiration. All fans of the composer and lovers of Broadway in general will treasure and frequently refer to Swayne’s work.”

—Tom Riis, Joseph Negler Professor of Musicology and Director of the American Music Research Center, University of Colorado

 

Stephen Sondheim has made it clear that he considers himself a “playwright in song.” How he arrived at this unique appellation is the subject of How Sondheim Found His Sound—an absorbing study of the multitudinous influences on Sondheim’s work.

 

Taking Sondheim’s own comments and music as a starting point, author Steve Swayne offers a biography of the artist’s style, pulling aside the curtain on Sondheim’s creative universe to reveal the many influences—from classical music to theater to film—that have established Sondheim as one of the greatest dramatic composers of the twentieth century.


Frequently Bought Together

How Sondheim Found His Sound + Sondheim on Music: Minor Details and Major Decisions + Finishing the Hat: Collected Lyrics (1954-1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes
Price For All Three: $89.81

Show availability and shipping details

Buy the selected items together


Editorial Reviews

From Publishers Weekly

There have been so many books written about Stephen Sondheim and his revolutionary scores that it's hard to believe anything's left to analyze. But Swayne has found a new angle, and in this scholarly tome, he examines the impact other artists and mediums have had on Sondheim's work. The Dartmouth music professor offers some fascinating and fresh insights into possible inspirations behind characters and musical moments in shows including Follies, A Little Night Music, Sunday in the Park with George and Passion, citing classical and Broadway composers Ravel, Rachmaninoff, Gershwin and Arlen, as well as dramatists like Sondheim mentor Oscar Hammerstein and, most intriguingly, French new wave filmmaker Alain Resnais. The author probes Sondheim's past and excavates his classical record collection, student papers and musical compositions, early musicals written at Williams College and even all the college plays he took part in. Amid the trove of details, Swayne doesn't always successfully connect the presumed influence to something in Sondheim's oeuvre. That he owned a lot of records by certain classical composers, for example, doesn't necessarily mean that every composer greatly shaped his work. Additionally, the author offers lengthy dissections of the songs "What Can You Lose?" from the movie Dick Tracy and "Putting It Together" from Sunday that will best be appreciated by music scholars. Sondheim enthusiasts who are not musically inclined will most enjoy the chapters on his film and theater influences.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 336 pages
  • Publisher: University of Michigan Press; New edition edition (May 8, 2007)
  • Language: English
  • ISBN-10: 0472032291
  • ISBN-13: 978-0472032297
  • Product Dimensions: 9.1 x 6.2 x 0.8 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,177,225 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

 

Customer Reviews

5 Reviews
5 star:
 (2)
4 star:
 (1)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (5 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most Helpful Customer Reviews

11 of 11 people found the following review helpful:
5.0 out of 5 stars Fascinating Look at the Creative Process, August 21, 2005
Sir Isaac Newton once said: 'If I have accomplished anything, it is because I stood on the shoulders of giants.' Stephen Sondheim would probably say something similar.

He has acknowledged being influenced by classical music, Broadway, Tin Pan Alley, Hollywood and many more. In the end though, Sondheim's work has taken these together and produced something uniquely his own. The results speak for themselves: West Side Story, Gypsy, Sunday in the Park with George, Sweeney Todd, Into the Woods, Do I Hear a Waltz and the list goes on and on. In 2004 alone there was the first Broadway production of Assassins, A Funny Thing Happened on the Way to the Forum (London), The Frogs (Lincoln Center), Passion, Pacific Overtures.

This book though, is not a description of what he has done, it's an in depth analysis of the way his music came about. The author teaches music at Dartmouth. His analysis, aided by Sondheim himself talks not only about the origins of music, but the way Sondheim goes about developing a song. It's a fascinating look at the creative process.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


8 of 10 people found the following review helpful:
3.0 out of 5 stars Good but not Great, January 16, 2007
By 
This book got off to a good start, analyzing Sondheim's favorite classical composers and how they show up in his own musical language. The next chapter is devoted to Sondheim's broadway influences, and gives a good examination of these as well.

The second half of the book is devoted to Sondheim's theatrical and cinematic influences. It is here that Swayne goes off track. Though he makes some interesting connections between film technique and musical composition, it seems to me that this is where his thesis falls short, and could have been developed much more cogently. Also, one would think that Swayne would devote more attention to actual film scores.

My main complaint is that in a book called "How Sondheim Found His Sound", one would expect to find at least a mention of the orchestration in Sondheim's shows. Perhaps this is just my own personal bent, as I have always wondered just how Sondheim works with his orchestrators and to what extent he thinks in orchestral terms.

In terms of the writing, this book (especially in the later chapters) all too often reads like an undergraduate music paper. All this being said, there's enough in here to warrant purchase by real Sondheim junkies.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


4 of 6 people found the following review helpful:
5.0 out of 5 stars Great primer on Sondheim, October 8, 2005
By 
Erica Ford (Seattle, WA USA) - See all my reviews
This is a great book on how Sondheim "found his sound." I thoroughly enjoyed reading about Sondheim's card system and it gave me greater insight into a person who knew Leonard Bernstein.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
 
 
 
Most Recent Customer Reviews



Only search this product's reviews



Inside This Book (learn more)
Browse and search another edition of this book.
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
apprentice musicals, standard song form, personal communication with the author, thirteenth chords, cocktail music, mature musicals, concept musical, brochure notes, television musical, audio commentary, accompaniment figure, major concerto, other songwriters, contrapuntal lines, motivic development, cast recording, harmonic language, desert island discs, nouvelle vague, musical theater
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sweeney Todd, Night Music, Pacific Overtures, Climb High, Big Six, All That Glitters, New York, Saturday Night, West Side Story, The Day Off, Sondheim the Tunesmith, Anyone Can Whistle, High Tor, Show Boat, Dick Tracy, Gossip Sequence, Harold Arlen, Party Sequence, South Pacific, French New Wave, Sondheim the Dramaphile, Kurt Weill, Stephen Sondheim, Losing My Mind, Louis Woman
New!
Books on Related Topics | Concordance | Text Stats
Browse Sample Pages:
Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
Search Inside This Book:

Citations (learn more)
This book cites 100 books:
See all 100 books this book cites
 
1 book cites this book:




Tags Customers Associate with This Product

 (What's this?)
Click on a tag to find related items, discussions, and people.
 

Your tags: Add your first tag
 

Sell a Digital Version of This Book in the Kindle Store

If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store. Learn more

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 


Active discussions in related forums
Search Customer Discussions
Search all Amazon discussions
   
Related forums





Look for Similar Items by Category


Look for Similar Items by Subject