This book is aimed at professional photographers seeking assignment work from photo buyers, art directors and the like. It will be of less use to the professional shooting fine art or stock, although someone in one of the latter categories might pick up a few tips. It's also of more value to someone who's already working in the business rather then just starting out.
Maitreya, who is a marketing consultant to assignment photographers, provides a series of essays that are more inspirational then instructive. For example, she tells the assignment photographer that in today's marketplace he or she must provide the client with value and attempts to explain what value is. Perhaps it's my business background, but I always thought that assignment photographers had to provide value if they wanted business, but maybe most don't realize that, or at the very least had never considered that deeply.
The author seems to move from the practical side to the spiritual side. For example, early in the book she tells the photographer that he must have a book (the phrase photographers use to describe the portfolio submitted to customers as part of the effort to influence the client to hire them) that will show the client how hiring the photographer will yield images that enhance the client's campaign. That means showing the client work that is the essence of the photographer, even at the risk of it not being consistent with the client's vision. The author believes that, if the portfolio is essential (my words, not hers) and the photographer keeps marketing, eventually he or she will be successful. She doesn't give many specifics about preparing such a book, perhaps because she has already covered that ground in an earlier book, "
Portfolios That Sell: Professional Techniques for Presenting and Marketing Your Photographs".
At the spiritual end she talks of developing faith in oneself, and using affirmations that will reinforce one's faith. Even though it sounds a bit mystical, I think that psychologists agree on the importance and usefulness of such things in marketing.
Whether the author's approach will help the assignment photographer is not clear to me. I'm not an assignment photographer, but I think some of her points make sense even in fine arts photography. Whether the author's message will make sense to the particular assignment photographer, and whether she will convince him or her to try the suggestions, will ultimately depend on the personality of the photographer. On the other hand, for the assignment photographer who is interested in improving his business, this book might provide the necessary inspiration and, even if it does not, there is little to be lost in time or money in considering the author's approach.