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49 of 54 people found the following review helpful:
5.0 out of 5 stars
So I have a new favorite book..., July 29, 2007
Doug Parker is a widower. A beautiful, slim, sad man who is obsessed with mourning his wife and being consumed with grief. A year after his wife's death in a plane crash, Doug finds himself unwilling to move on. His job as a magazine writer affords him the sort of solitary lifestyle wherein he doesn't need to even leave his house to go to work. He can sit at home, drown his sorrows in Jack Daniels, avoid phone calls from his friends and family, and mourn. Because what else is a 29-year-old widower supposed to do? Enter Doug's twin sister, Claire. Claire, notorious for her potty mouth and unwillingness to take no for an answer, is determined that Doug get himself back on the market, the first step of which is to get him laid. Temporarily moving in with him, Claire sets out to find Doug a companion among the rich, suburban divorcees in his neighborhood. Along with Claire comes Doug's stepson, Russ. Since his mother's death, Russ has been getting into more and more trouble at school, smoking pot, and getting tattoos. Though Doug has semi-washed his hands of the situation (he isn't really Russ's stepfather anymore, is he?), he can't help but feel partially responsible as he watches the boy falling apart. Together, these three learn to navigate the twists and turns of grief, familial obligation, and moving on. When the book starts out Doug is one of the saddest, most broken characters I've ever read, but his wit, self-deprecating charm, and fierce love for his wife make him the sort of man who you just want to put back together again. My heart broke for the shattered remnants of his happiness and, over the course of the novel as I watched him slowly rebuild what he'd lost, I only became more emotionally involved with the story. The supporting characters, most notably Russ and Claire, are also richly drawn and entertaining in a way that makes me appreciate my own dysfunctional family. Jonathan Tropper's newest novel isn't just a story about grief, though the undertone is there. It's not simply a story about loss, though to discredit its place in the story would be a lie. It's, in the truest sense of the term, a love story. One that broke my heart and threatens to do so again and again because, though I am not a person who rereads books, I already can't wait until enough time has passed that I can read this story again and get lost in the characters, the emotions, and the sense of utter fulfillment I felt when I finished it. This book isn't just good, it's spectacular. It's of a caliber that I would, and will, hand it out as gifts for birthdays and Christmas because it's the type of thing that you just have to pay forward. I don't give out five-star reviews like candy at Halloween, and I don't gush about books just for the sake of doing it, hopefully after reading this review you'll understand what an exceptional book this was and be tempted to try it for yourself.
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9 of 9 people found the following review helpful:
2.0 out of 5 stars
ROUGH DRAFT, July 10, 2011
Having read and enjoyed this author's latest book, This Is Where I Leave You, I picked up this earlier Tropper novel. The protagonist - our widower - is 29 year old Doug Parker, a somewhat likeable ne'er do well, who is a year into grieving the tragic death of his wife. Doug is not handling his loss well, wallowing in self-pity, (and booze), and barely paying attention. The reader spends a lot of time inside Doug's head - actually too much - co-basting in his grief, privy to his happy memories and given a front row seat to his sexual fantasies. In the real world, Doug has a teenage stepson - the dearly departed Mrs. Parker was 11 years older than her hubby - who shares both Doug's loss and his emotional maturity level. Doug's comedic dysfunctional family is very concerned about him and in their own special way decides to help him out of his funk. This is all very reminiscent of This Is Where I Leave You. In fact this novel reads like an unpolished earlier version of that book and unfortunately, is nowhere near as entertaining. The specific differences between the two stories are superficial, otherwise the books' plots, characters, family dynamics and even the dialog are very, very much the same. Both read like screenplays - again for the same movie - but with the Widower's protagonist less likeable; the "flow" less even and the "jokes" less funny. (The silly fairy tale ending to Widower doesn't help either.) So my suggestion - skip this book and read the finished product, This Is Where I Leave You.
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9 of 10 people found the following review helpful:
4.0 out of 5 stars
Totally readable!, March 18, 2008
"I had a wife. Her name was Hailey. Now she's gone. And so am I." Doug Parker is a twenty-nine-year-old widower facing the most painful thing a person could go through: he has lost significant other to a plane crash. His grief runs deep, and he misses his wife more than anything. He is angry with the world, and he believes in no one or in anything. As if his own problems weren't bad enough, he has a stepson going through his own grieving issues. His family is beyond dysfunctional. His twin sister is pregnant and has left her husband; his younger sister is marrying to a man she met when Doug's wife died; his father has a bad case of Dementia and his mother, a former actress, deals with everything by popping tranquilizers like they were candy. Life seems pointless for Doug, but not for the people around him. In his upper-class Connecticut neighborhood, he has become something of a celebrity and a babe magnet. Single women seek him out, desperate housewives seduce him. A struggling writer, he once wrote a magazine column called "How to Talk to a Movie Star." In his grief, his column became "How to Talk to a Widower." And his career seems promising all of a sudden. His columns have become so popular that publishers are offering him gigantic book deals. But none of that matters to Doug. In his mind, he's a screw-up. Always has been, always will be. The one good thing in his life -- his beautiful older wife Hailey -- is gone forever. What is the point of everything else? Jonathan Tropper is a great writer. His novels are edgy and cutting edge -- his language dark, frank and at times brutal. He is often compared to Nick Hornby, but he's got a great style of his own that makes him stand out among other "lad lit" writers. What I like about How to Talk to a Widower is that Doug is truly sympathetic in spite of his somewhat anti-heroish attitude. He has depth, lots of it, and you feel his pain. His grieving process is very believable. Doug is, in all purposes, a very sensitive man, especially now that he grieves for his beloved wife, and that makes him very appealing to the opposite sex. Tropper has finally created a character whose "I'm a loser" attitude actually works in the storyline, for the heroes in his previous novels come across as whiny and petty for no good reason in comparison. The novel loses momentum in the last several chapters -- the scenes become too melodramatic and Hollywood film-like for my taste -- but the story itself is compelling and addictive and I cannot recommend it enough.
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