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How to Write Killer Fiction: The Funhouse of Mystery & the Roller Coaster of Suspense
 
 
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How to Write Killer Fiction: The Funhouse of Mystery & the Roller Coaster of Suspense [Paperback]

Carolyn Wheat (Author)
4.5 out of 5 stars  See all reviews (26 customer reviews)

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Book Description

1880284626 978-1880284629 May 2003
Writing is all about creating an experience for the reader. Whether you're giving them a brain-teasing puzzle or an adrenaline-soaked emotional roller coaster-ride, this book helps you shape your fiction to create maximum enjoyment for your readers.Now you can learn the craft directly from one of the most respected contemporary writers in the field, Carolyn What, winner of multitudinous awards and nominations. What knows what editors want, and shows you how to achieve your writing an publishing goals. How To Write Killer Fiction is a handbook that no writer of mystery or suspense can afford to be without.
--This text refers to the Kindle Edition edition.

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Editorial Reviews

From Booklist

*Starred Review* Here, for writers itching to get started (but not quite sure how), is one of the most useful recent guides to crafting words into stories. The author, whose mystery fiction has won a handful of awards, customizes her guide for writers of detective fiction and suspense (although her discussions of plotting and character creation will be valuable to all would-be scribblers, regardless of their chosen genre). Wheat begins with an insightful discussion of the distinction between mystery and suspense--each plays to a different part of the reader's imagination and expectations--and then devotes a section to each genre. She offers up plenty of useful tips, such as how to dispense vital information in subtle ways and how to plant clues without being too obvious about it. Where the book really scores, however, is in Wheat's demonstration of how to construct a novel as a series of arcs, each designed to take the reader gracefully to a certain point in the story. While covering similar territory, the sections on mystery and suspense approach the material from slightly different angles. The final section, on the writing process, provides a nuts-and-bolts discussion of such fundamentals as outlining, revising, and finding the right voice for your story. There are almost as many writer's guides on the market as there are struggling writers, but this one is indispensable. David Pitt
Copyright © American Library Association. All rights reserved

Product Details

  • Paperback: 192 pages
  • Publisher: Perseverance Press (May 2003)
  • Language: English
  • ISBN-10: 1880284626
  • ISBN-13: 978-1880284629
  • Product Dimensions: 9.1 x 6.1 x 0.5 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (26 customer reviews)
  • Amazon Best Sellers Rank: #165,815 in Books (See Top 100 in Books)

 

Customer Reviews

26 Reviews
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 (16)
4 star:
 (8)
3 star:
 (1)
2 star:
 (1)
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Average Customer Review
4.5 out of 5 stars (26 customer reviews)
 
 
 
 
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79 of 82 people found the following review helpful:
4.0 out of 5 stars A killer writing resource!, August 27, 2003
This review is from: How to Write Killer Fiction: The Funhouse of Mystery & the Roller Coaster of Suspense (Paperback)
Sporting perhaps the worst cover foisted off on a name author, "How to Write Killer Fiction" has a lot more going for it on the inside than the outside. Writing about a topic she knows well, Carolyn Wheat gives readers the wealth of her experience in writing mystery and suspense novels.

Broken up into three sections, Wheat examines the differences between mystery (puzzles, myth, clues, intellectual satisfaction) and suspense (nightmare, fairy tale, surprises, emotional satisfaction) in the first two and the correct way to approach penning both. She delves into the writing details of subgenres of mysteries that feature the police procedural, hardboiled detectives, and amateur sleuths, while flipping the coin to highlight the ordinariness of the heroes in suspense fiction.

Highly helpful in these two parts are the in-depth analysis of the nature of story arcs and how they should best be played out in the two genres. Wheat provides insider tips on how to establish a flow that will not jar avid fans of each genre. Also stellar is the idea that at their core these two genres mirror the heroic epics of long ago, myth and fairy tale being the basis for all writing that ultimately resonates with the reader. And fortunately for us, the essence of myth and fairy tale are condensed here for those hoping to make their own works more lasting.

Part three focuses on general writing tips and looks at the styles of the "Blank Pager" and the "Outliner" - respectively those who write not having a complete plan and those who are meticulous in their conceptions - pointing out the strengths and weakness inherent in each approach and how best to learn from the counterpart style. Editing the novel is afforded quite a bit of coverage at the end and much of the advice here runs to the spare style favored by both today's readers and their audience.

To this end, the author has written a "How To" that doesn't mince words and goes straight to the heart of how to write great mystery and suspense novels. The book moves along at a clip and is brimming with helpful advice. I don't even write in those two genres and I found myself getting quite a bit from the book.

Very good and well recommended.

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43 of 46 people found the following review helpful:
5.0 out of 5 stars Brilliant Book, esp. for Suspense/Mystery/Thriller Writers, August 29, 2003
This review is from: How to Write Killer Fiction: The Funhouse of Mystery & the Roller Coaster of Suspense (Paperback)
Carolyn Wheat, an accomplished mystery author, has written one of the best books about genre writing that I have ever read. Using compelling examples, she provides a clear and concise overview of the elements of effective mystery and suspense. After giving valuable information about the history of the two related genres, she devotes special attention to each and shows where and how they overlap. In addition to a strong focus upon the structure of the work, she addresses beginnings and middles, the arc of the story, genre formats, and scene and style. She gives special emphasis to effective endings for both suspense novels and mysteries. Wheat covers all the bases and takes it one step further by discussing writing process, the difference between "Outliners" and "Blank Pagers," and what to do when the piece is finished. Her three page summary of "The Writing Process: Tools to Help You Finish" is worth the price of the book. Also provided is a bibliography of useful books to learn theory, for research, or to find good examples to emulate. HOW TO WRITE KILLER FICTION is an excellent reference and how-to book. All writers who wish to infuse mystery, suspense, or simply a tighter, punchier style to their writing should get this book. ~Lori L. Lake, Midwest Book Review
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14 of 14 people found the following review helpful:
5.0 out of 5 stars Read this in one night, before you start, October 26, 2004
By 
Susan C. Hagius "greenmtncabin" (Garden Valley, CA United States) - See all my reviews
(REAL NAME)   
This review is from: How to Write Killer Fiction: The Funhouse of Mystery & the Roller Coaster of Suspense (Paperback)
I read this the first night I got it. It answered my number one question -- howcum the mystery I wrote doesn't work? Could you ask more of a book? Well, you could for this one. It is well written, easy to understand, practical in its advice, and best of all, fairly profound on the philosophy behind the mystery writer's (or thriller writer's) craft. The only thing I would do differently, if I had the chance, is to read this BEFORE I wrote a whole book without knowing whether it was a mystery or a thriller.
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Inside This Book (learn more)
First Sentence:
WE ENTER the funhouse of mystery, and the first question many ask themselves is: What the heck is a funhouse? Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
suspense hero, actual prose, suspense writing, scene goal, private eye novel, suspense novel, traditional mystery
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Arc Two, Arc One, Arc Three, Snow White, Big Bad Guy, Uncle Sebastian, Fat Man, Golden Age, Lord Bright, Rift Within the Team, Arc Four, Plot Point One, Sherlock Holmes, Red Sub, The Firm, Wicked Queen, Dick Francis, Hosmer Angel, Rue Morgue, Victim Two, Clarice Starling, Edgar Allan Poe, Jane Austen, Minette Walters, Wall Street
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