79 of 82 people found the following review helpful:
4.0 out of 5 stars
A killer writing resource!, August 27, 2003
Sporting perhaps the worst cover foisted off on a name author, "How to Write Killer Fiction" has a lot more going for it on the inside than the outside. Writing about a topic she knows well, Carolyn Wheat gives readers the wealth of her experience in writing mystery and suspense novels.
Broken up into three sections, Wheat examines the differences between mystery (puzzles, myth, clues, intellectual satisfaction) and suspense (nightmare, fairy tale, surprises, emotional satisfaction) in the first two and the correct way to approach penning both. She delves into the writing details of subgenres of mysteries that feature the police procedural, hardboiled detectives, and amateur sleuths, while flipping the coin to highlight the ordinariness of the heroes in suspense fiction.
Highly helpful in these two parts are the in-depth analysis of the nature of story arcs and how they should best be played out in the two genres. Wheat provides insider tips on how to establish a flow that will not jar avid fans of each genre. Also stellar is the idea that at their core these two genres mirror the heroic epics of long ago, myth and fairy tale being the basis for all writing that ultimately resonates with the reader. And fortunately for us, the essence of myth and fairy tale are condensed here for those hoping to make their own works more lasting.
Part three focuses on general writing tips and looks at the styles of the "Blank Pager" and the "Outliner" - respectively those who write not having a complete plan and those who are meticulous in their conceptions - pointing out the strengths and weakness inherent in each approach and how best to learn from the counterpart style. Editing the novel is afforded quite a bit of coverage at the end and much of the advice here runs to the spare style favored by both today's readers and their audience.
To this end, the author has written a "How To" that doesn't mince words and goes straight to the heart of how to write great mystery and suspense novels. The book moves along at a clip and is brimming with helpful advice. I don't even write in those two genres and I found myself getting quite a bit from the book.
Very good and well recommended.
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43 of 46 people found the following review helpful:
5.0 out of 5 stars
Brilliant Book, esp. for Suspense/Mystery/Thriller Writers, August 29, 2003
Carolyn Wheat, an accomplished mystery author, has written one of the best books about genre writing that I have ever read. Using compelling examples, she provides a clear and concise overview of the elements of effective mystery and suspense. After giving valuable information about the history of the two related genres, she devotes special attention to each and shows where and how they overlap. In addition to a strong focus upon the structure of the work, she addresses beginnings and middles, the arc of the story, genre formats, and scene and style. She gives special emphasis to effective endings for both suspense novels and mysteries. Wheat covers all the bases and takes it one step further by discussing writing process, the difference between "Outliners" and "Blank Pagers," and what to do when the piece is finished. Her three page summary of "The Writing Process: Tools to Help You Finish" is worth the price of the book. Also provided is a bibliography of useful books to learn theory, for research, or to find good examples to emulate. HOW TO WRITE KILLER FICTION is an excellent reference and how-to book. All writers who wish to infuse mystery, suspense, or simply a tighter, punchier style to their writing should get this book. ~Lori L. Lake, Midwest Book Review
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Read this in one night, before you start, October 26, 2004
I read this the first night I got it. It answered my number one question -- howcum the mystery I wrote doesn't work? Could you ask more of a book? Well, you could for this one. It is well written, easy to understand, practical in its advice, and best of all, fairly profound on the philosophy behind the mystery writer's (or thriller writer's) craft. The only thing I would do differently, if I had the chance, is to read this BEFORE I wrote a whole book without knowing whether it was a mystery or a thriller.
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