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How to Write a Poem (How to Study Literature)
 
 
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How to Write a Poem (How to Study Literature) [Hardcover]

John Redmond (Author)

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Book Description

1405124792 978-1405124799 September 12, 2005 1
An innovative introduction to writing poetry designed for students of creative writing and budding poets alike.
  • Challenges the reader’s sense of what is possible in a poem.
  • Traces the history and highlights the potential of poetry.
  • Focuses on the fundamental principles of poetic construction, such as: Who is speaking? Who are they speaking to? Why does their speaking take this form?
  • Considers both experimental and mainstream approaches to contemporary poetry.
  • Consists of fourteen chapters, making it suitable for use over one semester.
  • Encourages readers to experiment with their poetry.

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    Editorial Reviews

    Review

    "John Redmond's "How to Write a Poem" contains no false notes. He does not patronise his reader with easy examples or workshop games, but lights on his subject with elegant pragmatism and humility. His overall argument arises from a very personal yet wholly professional sense of poetry as an art form in practice, and his examples are informed by deep reading and writerly intuition. I consider the book a small masterpiece of clarity, economy and experience. It brings light to poetry as something made: something real and realised." David Morley, Warwick University

    "The examples throughout the book are contemporary and provocative in the most helpful sense. ... [Redmond] clearly loves poems, enough to show you in detail how they work." Poetry News

    Book Description

    In How to Write a Poem, poet John Redmond challenges our sense of what is possible within a poem. Setting aside the vexed question of what poetry is, he replaces it with the more helpful and exciting question: what might poetry be? By focusing on the future of poetry in this way, he affirms that a poem may take a new shape or behave differently to previous poems. The book acknowledges that to have a sense of what a poem might do, we must first see what other poems have already done. Redmond pays attention to traditional forms, such as the ode and the epistle and and to issues like syntax and diction, but focuses on the fundamental principles of poetic construction: who is speaking and to whom? Where is the speaker located? And why does their speaking take this form? Such questions encourage readers to experiment with poetry, and to create something fresh.

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    Inside This Book (learn more)
    First Sentence:
    In this opening chapter, I want to consider one of the most prominent features of what I call the 'default poem', first-person narration, and to suggest some provocative ways to avoid it. Read the first page
    Key Phrases - Capitalized Phrases (CAPs): (learn more)
    New York, Selected Poems, Robert Frost, Jorie Graham, Thomas Hardy, Day Lewis, Elizabeth Bishop, Grain of Sand, Michael Longley, Miroslav Holub, Wislawa Szymborska, William James
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