Howells: Piano Concertos 1 & 2 / Penguinski

Herbert Howells (Composer), Richard Hickox (Conductor), BBC Symphony Orchestra (Orchestra), Howard Shelley (Performer) | Format: Audio CD

Product Details

• Performer: Howard Shelley
• Orchestra: BBC Symphony Orchestra
• Conductor: Richard Hickox
• Composer: Herbert Howells
• Audio CD (January 23, 2001)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Chandos
• ASIN: B000053HK2
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #275,669 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

15 of 16 people found the following review helpful:

5.0 out of 5 stars I love this CD, February 16, 2001

By 

K. Farrington (Missegre, France) - See all my reviews
(REAL NAME)   

This review is from: Howells: Piano Concertos 1 & 2 / Penguinski (Audio CD)

This wonderful CD is the product of the Chandos phenomenon; they find a neglected masterpiece that is unplayed and unknown, they record it brilliantly with a top class orchestra and conductor with soloists if appropriate and sell it to people like me, lovers of the English Musical Renaissance of the early part of the twentieth century. This CD contains well over an hour of the most tuneful and innovative music you can buy. The First Piano Concerto is a child of the end of worlds, 1914 and although an early product of the 22 year old composer, it is most mature and restrained in its handling of the romantic material. The dew of the spring morning in the English Countryside, the evening gloaming as quiet comes across the fields, it is all there...that Lost World of the English scene before cynicism and self-negation set in as a reaction to the Victorian Empire with all its contradictions and its destructive blowback. Nevertheless, as a rare unicultural being in this country, I appreciate the music of this time when people like Vaughan Williams, Howells, Cecil Sharp, Percy Grainger et al believed in the cultural richness of the English Folk idiom as a source for artistic expression. This contradicts our current masters who are attempting to sell us the myth that the English have no indigenous culture. This CD should answer their propagandising! If you like the VW of Fantasia on a Theme by Thomas Tallis and the Pastoral Symphony you will love this work. It is also a manifestation of the English love affair with the Piano Concerto. This is a longstanding thing that goes back to Howells and his contemporary Cyril Scott whose magnificent 1915 offering is still missing in the CD recordings we have available. John Ireland, Arnold Bax and Vaughan Williams continued this trend and during the 1940's people like Hubert Bath and John Addinsell put forward popular piano concerti that rescued the second rate films to which they were the soundtracks. The Second Howells Piano Concerto is more technically assured than the first, to be sure, it is less rambling in its developmental material but still contains those wonderful breathing folkish melodies against sad sinking harmonies that incorporate modal flavours that make the whole thing so, so...ENGLISH! If you like English Music or just the genre of the Piano Concerto, give these a try. I guarantee you will love them!

4 of 6 people found the following review helpful:

5.0 out of 5 stars 5 stars, at least, October 24, 2003

By A Customer

This review is from: Howells: Piano Concertos 1 & 2 / Penguinski (Audio CD)

Anyone with a liking for the great piano concertos of the 19th and early 20th century really can't go wrong with Howell's first concerto. I find its neglect inexplicable as the work is without a doubt one of the greatest piano concertos written, and I personally find it much more rewarding and enjoyable than those by Rachmaninov. It is quite simply stunning; a huge Goliath of a work, full of poetry, vigour, excitement and beauty without ever sounding run-of-the-mill, tedious or obvious. I can't give this work too much praise, and along with Brahms's D minor concerto, it remains my favourite for this combination of instruments. The slow movement is beautiful and soulful without sounding corny and over-wrought and the finale is a huge piece that dances in the most spontaneous, often thrilling way, sometimes soft and gentle then rushing forward with stormy impetuosity. The interplay between the piano part and the orchestra is absolutely superb, as it is throughout the concerto. Surely this piece should make regular appearances in concert halls throughout the world? It is extraordinarily accomplished. The entire work is embued with such confidence and maturity without ever lapsing into vulgarity or conventionality. Every note is made to count. There is no mere note-spinning or wrist exercises.
Howard Shelley gives a suitably assured performance, communicating all the many facets of this colossal work. A late-Romantic concerto in a recognisably English idiom. Why hesitate?