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12 of 12 people found the following review helpful:
4.0 out of 5 stars
If there were means to require reading for American adults, March 6, 2002
Hannibal, MO was a good place - a place Mark Twain would still want to write about and still call home. And Hannibal's crusade to retain its association with one of America's greatest authors continued even as its population pushed out and away from its 1926 civic monument to Huck Finn and Tom Sawyer, and it changed. The gewgaw attractions, souvenir shops and then Wal-Marts and Super Centers took their place as the source of the pulse of Hannibal's community. Another Hannibal writer and native, Ron Powers watched from his adopted state of Vermont. It was puzzling to Powers, but he watched from a distance. Then one evening in November 1997 two teenagers cruised the Hannibal streets looking for something to do, not far from Powers own childhood home. Robie Wilson and William Hill drove up to a 61-year old jogger and "doored" him - pushed open the car's passing door into the jogger's face at 50 mph. Six weeks later, another shock hit small town Hannibal when two more teenagers, Zach Wilson and Diane Myers, were arrested for the shotgun murder of Diane's sleeping grandfather, J.D. Poage. Two crimes, two murders shattered the semblance of calm in Hannibal and sounded an alarm as far away as the mind of Pulitzer-winner Powers who feared he was seeing the collapse of something bigger, something far beyond the place they called "America's Home Town" in Missouri. Powers left Vermont for Hannibal and undertook some frightening analysis of the forces that led to its violence and wrote Tom and Huck Don't Live Here Anymore: Childhood and Murder in the Heart of America. "With the supplanting of local merchants by corporate retail colonies at century's end, place had lost most of its morally regenerative force in heartland American life. The distinctive textures and the nuances of country and town life had stopped growing more separate. They had largely reconverged: subsumed into a larger, encroaching culture dedicated to the leveling of distinctions, and the allegiances and exaltations that such distinctions fed. `Place'," Powers says, "had been supplanted by `venue.'" Powers describes the accused murderers and their culture, their families, their friends and their disconnect from moral mooring. As he does so he writes his own biography and weaves in references to life on the banks of the mighty Mississippi and the shore of a society eroding from a vision we often pretend to be true.
Powers' imagery is unnerving, at times described in stunningly fluid style, at others burdened by the author's attempt to find absolution for his own relationship with his late brother, Jim.
Powers writes an indictment of an America that has broken faith with its children. Not surprisingly there are questions unanswered, but this account blends a tail of two killings (and subsequent trials of the lost boys who committed them) with Powers' memoir of growing up.
There are no answers to why children kill. Yet, symptoms of community disintegration and the loss of social connection plague the country (latchkey children with over-scheduled parents, members of families distancing themselves from one another, families distancing themselves from their community, commercial sprawl next to neglected neighborhoods and a withering civic consciousness seem to be everywhere), and the cost is clear.
Powers writes with a mastery of language that sends readers back again and again to the top of his paragraphs. Tom and Huck is a dark and sobering book, but Powers' love for his hometown is enviable. This book is about social change that comes faster than anyone would like and the resulting struggle we all undertake to protect ourselves and those around us from that change.
Tom and Huck will help you understand your past and your present. You will better understand what young members of our culture see while we are not looking. There are shadows, but there is light. If there were means to require reading for American adults, this book would be on the list.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
AUTHOR DELIVERS A COMPELLING READING, June 4, 2002
Ofttimes, an author brings a greater depth of understanding to a reading of his work than does a professional actor. Such is the case with Powers' reading of his latest offering, a sad but necessary visit to Hannibal, Missouri, the hometown he shares with Mark Twain. The focus of this story is not a carefree, innocent childhood largely spent on the banks of the Mississippi, but rather heinous crimes committed by teenagers. Powers interweaves his personal odyssey, Twain's story, and the contemporary tragedies to form a compelling true tale which asks what has happened to our children? The author, a Pulitzer Prize-winner and co-author of "Flags Of Our Fathers," interviewed the victim's relatives, neighbors, family members, and the teenagers themselves. Ace reporter that he is, Powers has delivered an accurate and astounding story. The current events are compounded by the author's own experiences at the hands of an abusive father, a Fuller Brushman. This is not a pleasant tale, but it is one that needs to be heard. Few who hear it will remain unchanged. - Gail Cooke
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
"Home Town" horrors, December 23, 2005
This review is from: Tom and Huck Don't Live Here Anymore: Childhood and Murder in the Heart of America (Paperback)
Ron Powers is concerned about the young people of the United States. He's not alone in that. His interest is immediate and rather local. He worries about the events in his home town of Hannibal, Missouri. Sorry, i should have typed "Home Town", since Powers accepts the assertion that his native city is the model for others in his country. "America's Home Town" implies a small municipality dominated by a white, middle-class, "God"-fearing, clean-living population. The images of such places dominated the media for generations. That image has been tarnished - in this case by the killings of two elderly men in Powers' birthplace. He went there to investigate what had happened. This book is the result of his journey.
With an expressive journalist's style, Powers depicts the demise of James Walker and J.D. Poage. The weapon that took the life of the latter was a shotgun. The first man was killed by - a car door. Both were "intentional" killings, although "premeditated" doesn't seem to apply. The distinction is important because Powers, in trying to delve into minds of the children who took those lives, understands the killings were nearly "mindless". They were events "of the moment" and Powers tries to explain the foundation of those moments. He is certain they could have been avoided. In order to learn whether there were any "decisive steps" in the lives of the four teen-agers who perpetrated the killings, Powers spends much time in Hannibal and the surrounding communities, interviewing victims' relations, the killers' parents and friends and attending the subsequent trials. What he learns is revealing - in many ways.
The growth of the US economy has resulted in severe dislocations in those traditional "values" associated with the "Home Town". Powers cites statistics of single-parent families or homes where both parents work. Sometimes the job is far from the outlying home, resulting in day-care centres running twelve to sixteen hours each day from six in the morning. These day-care centres are dismally underfunded and little considered even by parents. City governments are averse to providing resources to avoid the stigma of high taxes. Older children, past the traditional day-care age are at loose ends. Those unable to afford computers or video games lack even that electronic "baby-sitting" service. They are deserted to find their own way in uncaring communities. Without parenting, these children are left to their own devices for long periods. Drugs and sex are common escapes, as the children in this account demonstrate. Murder or mayhem become easily attempted ventures, as the story of these children illustrates vividly.
In following these children, interviewing their parents and the townsfolk, Powers has given us a stirring account of what the US has become. The murder of two men almost pales by comparison with the sequence of school shootings and other violent rampages that occurred in the same period. This being Hannibal, Powers can't avoid parallels with those two literary idols of small-town USA, Huck Finn and Tom Sawyer. Both were young rebels in their own way, but even Huck chafed under the constraints of a society he claimed to reject. The children of today's Hannibal not only have fewer restraints, but the society around them provides an environment in which life has little value or meaning. The author hasn't any panacea for curing this situation. The book's chief worth resides in its being read by every parent in the country. It's advisable you read it, whether you have children or not. [stephen a. haines - Ottawa, Canada]
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