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Human Animal


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Audio CD, September 26, 2006
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$14.64
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$14.64 & FREE Shipping on orders over $35. Details Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item. Ships from and sold by Amazon.com. Gift-wrap available.

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. A Million Years 5:01$0.99  Buy MP3 
listen  2. Lake of Roaches 1:58$0.99  Buy MP3 
listen  3. Rationed Rot 8:09$0.99  Buy MP3 
listen  4. Human Animal 3:32$0.99  Buy MP3 
listen  5. Rusted Mange 2:12$0.99  Buy MP3 
listen  6. Leper War 6:03$0.99  Buy MP3 
listen  7. The Driller 3:58$0.99  Buy MP3 
listen  8. Noise Not Music 2:19$0.99  Buy MP3 

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Product Details

  • Audio CD (September 26, 2006)
  • Original Release Date: January 1, 2006
  • Number of Discs: 1
  • Label: Sub Pop
  • ASIN: B000GYHY68
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #342,669 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

These songs are rotten with metal, reeds, consciousness-erasing islands of black doom, bass-heavy rippers, late night free terror jams, and pure mayhem. The new double-bass attack is showcased on "Human Animal"/"Rusted Mange" with scraping strings and a full terror-shriek workout. New directions are countered by "Rationed Rot" which revisits the eerie Throbbing Gristle-esque vocal deployment that dates from Wolf Eyes' "Dread" LP. The album also features the band's first cover, the No Fucker's anthem, "Noise Not Music", which closed out a lot of shows on Wolf Eyes' recent European tour.

Review

(Wolf Eyes) make greater use of space and rely more on sparse yet unnerving atmos-fearics. - (Dave Segal) -- AP

.. a brutal dizzying, high-inducing haze. - (Ken Taylor) -- XLR8R

Customer Reviews

3.6 out of 5 stars

Most Helpful Customer Reviews

5 of 5 people found the following review helpful By Ian Smith on March 29, 2007
Format: Audio CD
Wolf Eyes are one of the most important bands around. They need to be noticed by more and more people, simply so that their re-imagining of noise and music can be heard. A magazine review claimed that WE were inventing a new musical language, and I really believe this to be the case.

Certainly it will not be to everyones tastes, but that isn't the point. Like Merzbow, Jazkamer and Kevin Drumm, this album shows the possibilities that exist outside a simply musical approach to sound, and shows that anything is possible.

This album is a huge quantum leap forward from Burned Mind, and I cannot wait to hear their next emission...
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3 of 3 people found the following review helpful By Michael Simmons on January 13, 2007
Format: Audio CD
This album is awesome. One of the best noise albums that I have listened to in a while. There is such a huge range of intensity and sound in this album the tracks use silence very well as well as really loud volumes. There are some heavy free form jazz and John Zorn influences on this album. The sounds created go from a wall of electronic noise to ear shattering single tones and very strong notes that drone on. This album has some really heavy arrhythmic bass with slight dub overtones, metal noise that slashes through everything, and dense atmospherics that take you on a dark and pulsating journey.
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2 of 2 people found the following review helpful By Al-Ghaieru on November 9, 2006
Format: Audio CD
I am of course presuming that Mordor had analog synths, liked to torture guitars, and used amplifier/mic tapping overload, but this seems like a safe guess. I don't usually go for "noise music" as such, but the fact that this is structured so well, doesn't go on forever thus overtaxing the listener's ear, and even seems to have riffs of a sort present in the chaos gives this appeal for me, while throwing the claim of the cover, "Noise Not Music" into doubt. Sorry guys, this is loud, painful and disconcerting while remaining music. Very MOVING music.

Track descriptions: The first track starts quietly enough, although there are some things clunking, popping and tapping around. An Albert Ayleresque sax enters the melee at some point, then there is this horrifying sound which defies description-this is the sound Hell makes. I think we are into the second track, "Lake Of Roaches." Other favorites include the title track, freakin' loud again, but again, there is the semblance of a riff going on here. Track five, "Rusted Mange." I think the singer is saying he "hates" something...Track six is another ambient soundscape of Hell, but this one is almost soothing, relaxing at some points. This is especially nice, showing this band's capacity for loud/soft dynamics, employing them with skill. Track seven, "The Driller," is another riff-rocker, with sampled dentistry. As a third-shifter, my best recommendation for listening is waking up in complete darkness, throw the disc on, crawl back into bed and listen as you slowly wake up.
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2 of 2 people found the following review helpful By jomojomo on April 15, 2009
Format: Audio CD Verified Purchase
I realize this is the noise/experimental genre, but geez do you have to absolutely destroy the dynamics in mastering? There is probably 4dB difference from the rms (average) volume to peak volume, which means virtually everything is at one volume. This robs the music of any power. Would Cobain's screams on In Utero have had any power if everything was one constant volume? No. On this cd, when some guy starts scream and the volume of the song changes not one iota. Yeah, real powerful. When a whisper is as loud as a shout, there are no powerful parts. It's pathetically hilarious.

For all the interesting and potentially potent sounds, nothing stands out. It just hammers at a single volume. Imagine actors yelling all of their lines at one volume for an entire play. Boring as all get out.

I won't mention the distortion introduced by the mastering, as maybe thats what the band wanted. It would be really interesting to hear what the master tapes sound like, assuming the compression didn't occur during recording/mixing.

For more info see "loudness war" at wikipedia.
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5 of 7 people found the following review helpful By Scott Bresinger on September 30, 2006
Format: Audio CD
Since their last album for Sub Pop, Wolf Eyes have released something like a dozen albums (!), and that's not counting their collaboration with avant-jazz pioneer Anthony Braxton. Of course, these things were released on either tiny micro-labels or plain old CD-Rs, and finding them might be difficult even on the web. Of course, many of us weren't really looking anyway. In any event, the Wolf-men are back (semi) overground with album number two for Sub Pop. Call it an "official" release if you must, but the main question casual fans might ask is how the band has progressed in the last two years and dozen obscure releases. The answer to that is "not much" or "are you kidding?" The new album basically treads the same stylistic ground, which is basically noise, and lots of it. Usually this involves synths and other digital equipment being abused so thoroughly it sounds more effed-up than the contents of Mel Gibson's skull after a weeklong booze binge. Of course, rather than ranting about Jews killing Jesus or Buddha or Elvis, Wolf Eyes are more interested in things like "Rationed Rot" or "Lake of Roaches" (actual song titles!). The few tracks that have any vocals at all are unintelligable, said vocalist sounding like Skinny Puppy's Ogre being given a tonsilectomy with a blowtorch. Actually, about half the album doesn't even bother with any type of rhythm, instead oozing and flowing like a river of New Jersey toxic sludge being funneled through your ear canals. Still, you want progression? Okay, a couple of tracks feature some wounded elephant saxophone. Think that'll win 'em a Grammy?
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