The humanophone is a musical instrument made up of singers, each of whom sings only one pitch, so that each change of pitch in a musical line brings a change of timbre. It was invented by New England bandmaster George Ives (father of Charles), one of three American musical avant-gardists whom Holmes limns in the longest poems in this collection, which, after a half century in which poetry seemed joined at the hip to painting, reaffirms the affinity of music and poetry. Holmes' other heroes are Raymond Scott, composer for Warner Brothers' original Loony Toons, and Harry Partch, who descried 43, not just 12, discrete tones in the musical scale. Out of their words and deeds Holmes makes moving and amusing poems. She opens the book with the musicological "Whistle"; discusses music, musicians, and the musicality of everyday life in several poems; gives others specifically musical titles, such as "Cold Song"; and seems to accompany the few that subtly disclose a disintegrated love affair with a sad pedal point. Altogether, a most memorable concert.
Ray OlsonCopyright © American Library Association. All rights reserved
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Review
"...true originality of conception, inventive audacity... The delicacy and subtlety of [Holmes'] work have grown with each reading." --
W.S. Merwin, conferring the Pablo Neruda Award"Witty, learned, bedazzling, bold... beautifully unpredictable... the variety of her purposes winningly enliven the forms they invent." --
James Applewhite, author of Daytime and Starlight