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Talking gargoyles aside, the film really does not do enough to accommodate young viewers (and perhaps it was a mistake to market this as a kid's movie, but you got to sell those Burger King toys somehow!). The villain (Frollo) is among the most sinister characters ever portrayed in a Disney movie, and unlike Jafar ("Alladin") or Hades ("Hercules"), there is nothing humorous about him. On the other hand, the animators went a little overboard with Quasimodo, who kinda looks like a red-headed Chris Farley. And Phoebus has the personality of Al Gore...if he were any more wooden you'd have to check him for termites. Also, some very interesting characters from the book are regrettably absent. Where's Pierre Gringoire, Jehan Frollo, and Sister Gudule? Still, the animation is breathtaking, and the finale is nearly flawless...preferred to original version if you're a sentimental fan of happy endings.
The movie contains a few hilarious subliminal references, as when Quasimodo (Tom Hulce) is dressed up briefly as Amadeus. The music is incredible and supports the film's most compelling scenes: Esmerelda singing "God Help The Outcasts" while taking sanctuary in the cathedral, the counterpoint of Quasimodo's "Heaven's Light" to Frollo's "Hell Fire," and the heart-pumping score behind the finale. Probably would have been given a PG rating if not for Eisner's influence over MPAA.
Just the movie's animation is enough of a reason to give it five stars. Almost everything, from the statues around the cathedral, to the city errupting in flames, to a sunset seen from Notre Dame's roof, to the church's interior, is absolutly astonishing. It invites you to just jump into the screen and visit 15th century Paris, and the trip is a stunning feast for the eyes. I can't believe it's all on paper and/or computer screen.
Living in this world are some of Disney's strongest characters (did I mention that already?). The audience can truly root for the three heros. Quasimodo is Disney's best guy, plain and simple. His goal starts out simple enough: he wants a day of freedom. However, it becomes far more complex after he has fallen in love. It is then when he shows the courage to give his all for another, and the strengh to sacrifice his happiness for hers. Oh gosh, when he sings the heartbreaking "Heaven's Light" about his love for Esmeralda, and the possobility that she might love him back, you will be absolutly moved. Then when the song is repeated as he watches Esmeralda and Phoebus share a passionate kiss, you may very well cry. As for Esmeralda, she is one of Disney's most intruiging heroines. She never hesitates to stand up for what's right, and never hesitates to help someone in need (to say nothing that she never hestitates to kick soldiers.)However, her true personality is revealed in an absolutely beautiful scene where she sings "God Help The Outcasts," a wonderful prayer of hope and selflessness. I still get choked up whenever I hear that song. The only thing about Esmeralda that I really don't understand is why she prefers Phoebus to Quasimodo (I don't think anyone really wants to say "Well he's got a straight back! So of course she prefers him!") As for Phoebus, he (thankfully) got the expected Disney makeover from the wicked guy in the book to a likable soldier with a heart and a conscience. I give the guy thumbs up just for that, but there's more. He refuses an order to kill innocent people, almost getting his head cut off in the process, but setting a positive example for today's boys who might become tomorrow's soldiers (and I desperatly hope tomorrow's soldiers will have better consciences than today's.)
I won't repeat what other reviewers said about Frollo, but I will say that he is Disney's most intruiging villian. Deep down, he knows what he's doing is wrong, but he can't face it, so he struggles to convince himself that what he's doing is right. Isn't that how most people will carry out wicked deeds? Oh, and when Frollo sings "Hellfire," about his burning desire for Esmeralda, shivers go down your spine. No, really.
Alan Menken outdid himself with the music for this film. From the spellbinding opening song "Bells of Notre Dame" to the closing credits ballad "Someday," the songs are top-notch, and the score adds a layer of depth to the movie (you'll see what I mean if you read what the Latin lyrics mean in the booklet that comes with the soundtrack.) I still can't believe the Oscar people picked "That Thing You Do" over "Someday" for a Best Song nomination. For that matter, I can't believe HUNCHBACK failed to get a Best Picture slot. "Beauty and the Beast" was nominated, but not this! Sometimes I don't know what those guys are thinking.
I'd like to go on like this, but I'm running out of space. Trust me, this movie is wonderful. By the time it reaches it's uplifting ending, you'll have witnessed a glorious landmark in Disney history, and for that matter, movie history.