The Hunchback of Notre-Dame (Signet Classics) [Paperback]

Victor Hugo (Author), Walter J. Cobb (Translator)

Book Description

Publication Date: April 10, 2001

This extraordinary historical novel, set in Medieval Paris under the twin towers of its greatest structure and supreme symbol, the cathedral of Notre-Dame, is the haunting drama of Quasimodo, the hunchback; Esmeralda, the gypsy dancer; and Claude Frollo, the priest tortured by the specter of his own damnation. Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.

Editorial Reviews

Language Notes

Text: English (translation)
Original Language: French

Product Details

• Paperback: 512 pages
• Publisher: Signet Classics (April 10, 2001)
• Language: English
• ISBN-10: 0451527887
• ISBN-13: 978-0451527882
• Product Dimensions: 7.5 x 5 x 0.5 inches
• Shipping Weight: 3.2 ounces
• Average Customer Review: 4.0 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #169,977 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars Romaticism at its best!, March 25, 2007

By 

Vivek Sharma "Kavi" (Cambridge / Boston, MA, USA) - See all my reviews
(VINE VOICE)   

This review is from: The Hunchback of Notre-Dame (Signet Classics) (Paperback)

Victor Hugo, the French poet and writer, who wished to change how novels were written and read, wrote The Hunchback of Notra-Dame in the beginning of his career. In contrast to Les Miserables, which is his more celebrated work, and was written several decades after the Notra-dame novel, the present piece is not only laced with more humor and romance but also stands out as a piece where the young poet in Hugo pours out a ravishing range of similes. Just for the pure magic of his metaphors and similes that make all his descriptions so poetic, so powerful Notra-Dame is worth reading.

The story itself reads like a fanciful movie, an ugly hunchback, Quasimodo is brought up by a Priest Frollo, the archdeacon of Notradame. The hunchback is hence attached like a dog to his master to him. The English title of Hunchback of Notra-dame is a misnomer, for the original is called Notra-dame de Paris, and English title lets us assume that it is the story of Hunchback as hero, while the original title asserts it is story set in Notradame and has charaters who reside in it, or live in its shadows. The Priest Calude Frollo, leaving his pursuit of science and philosophy meanders to a path of unrelenting lust for the gypsy dancer, Esmeralda. A writer, Pierre Grigorne, gets into a set of bizarre circumstances, where a token marriage attaches him to the gypsy. Phoebus, captain of King's Archers is the object of the affection of Esmeralda herself.

Besides these characters, there is a madwoman who lives in confinement, pining for her lost child, who was carried off by gypsies, and hates Esmeralda. There is the goat Djali, who performs tricks with Esmeralda, Jehan who is Claude Frollo's irreligious brother, King Louis IV - who interacts with Claude on issues of science, and the most important character, who lurks like an existence all though, is the Notra-Dame itself. The romances criss cross through a series of interesting episodes and drama, and that forms the crux of the story that I won't divulge here. Readers will benefit by discovering surprises and mystery for themselves, in process getting enchanted by a story that has been a popular read for centuries now.

What makes this novel a masterpiece, besides the poetic descriptions, is
Hugo's description of the cathedral of Notra-dame and the city of Paris, and his discussion of how the arrival of printing press signaled an end to the importance as architecture as the expressive art of intellectuals. The views of the author expressed in these pages and pages of delightful reading provide the reader not only with historical and architectural prespective on the buildings in Paris, but also gives us a word image of buildings, roofs, rooms, carvings, modernism, and more. In his commentaries and comparisons between writing and printing as form of expression in contrast to architecture, Hugo unmasks a wide array of issues that arrival of every new media (TV, Cinema, Internet, Digital Photography) bring. How existing precepts and concepts are revised, how adaptations occur, how each age has its own expression through any of these means- and all Hugo says so passionately about architecture or literature allows us to feel the essence of why we make monuments of stones or words in the first place.

Victor Hugo had great skill in developing characters, and describing their lives over an extended period of time, capturing how situations and people led to certain choices, behavioral changes and thought process of each. His ability of doing this, in a very detached manner, where narrative is like a camera floating into a room, and staying long enough for a distant observer to watch and identify traits of every person present there, makes him a great novelist. The novel, like all classic reads, looks formidable in size, but can be read at a formidable pace, especially after the first half of the novel is over.

Besides the merits of the novelist, and the beauty of his wordplay, the story itself is a charming one, and has been brought to screen versions many times. Reading Hugo's two major works allows one to get the same keen insight into French society of the respective times, as does Thackeray and Dickens novels for England and Tolstoy in Russia. Reading any of these masters takes time, but trust me, it is worth the patience and the effort. Recommended highly.

3 of 3 people found the following review helpful:

5.0 out of 5 stars A Delightful Read, June 7, 2008

By 

zorba (Bala Cynwyd, Pa USA) - See all my reviews

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This review is from: The Hunchback of Notre-Dame (Signet Classics) (Paperback)

This delightful novel has rekindled my desire to read or re-read the classics. I picked it up for no particular reason other than I had never read Hugo. I didn't expect much: My experience with the classics in high school and college was that they are dull and not worthy of modern reading. But, to my pleasant surprise, I discovered a fascinating book that is rich in wonderful characters and vivid descriptions of 13th century Paris. This is a very good book and it's easy to see why it has stood the test of time.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Notre Dame de Paris -- C'est perfect!, April 29, 2008

By 

William Capodanno (Bellevue, WA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

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This review is from: The Hunchback of Notre-Dame (Signet Classics) (Paperback)

After a recent trip to Paris with my son on a business trip, I decided it was crazy that I had been to Paris and inside Notre Dame so often yet had not read this classic novel. As someone who loves modern Paris, this book captivated me with its vivid portrayal of life in medieval Paris. What a far cry from Baron Hausman's modern Paris -- a Paris with teeming with squalor, poverty, vagabonds -- and the King's Court. Hugo paints wonderful portraits of the main characters -- the hunchback bellringer of Notre Dame, Quasimodo; the tormented archdeacon, Claude Frollo; the exotically beautiful gypsy, Esmeralda.

All of these characters and the city of Paris come to life in a way that transports one back 650 years. My only criticisms of the book are the couple of chapters that painstakingly outline the street detail of Paris and the layout of Notre Dame. For me, these interrupted the flow of the story, the development of the characters and left me quite bored. As soon as Hugo got back into the core story and plot, I was re-captivated.

I do wish that the original French title was preserved -- Notre Dame de Paris -- rather than the English "Hunchback of Notre Dame". While Quasimodo is certainly a core character, the book is a story about medieval Paris, the daily life of the city, the ordinary citizens of the growing city,the privileged class and themes of love, passion, death and honor. For someone misled by the title, this book is far richer, deeper and more complex than just the story of a deformed bell-ringer of Notre Dame in spite of the images that are etched in most people's minds, a great many who haven't read the book.

This is truly one of those novels that deserves its rightful place in the pantheon of literature classics.