Amazon.com Review
What do most of us know of the Hundred Years War? The famous victories at Agincourt, Crecy, and Poitiers, and that it actually went on--intermittently--for a great deal longer than a hundred years. Fortunately,
Jonathan Sumption is on hand to remind us that there was a great deal more to this period of medieval history that was instrumental in establishing the national consciousness of both England and France.
Trial by Battle is not for the faint-hearted. Its 650 pages cover only the period from the death of Charles IV, the last Capetian King of France, to the surrender of Calais to the English in 1347. At this rate, it will take at least another six volumes to get to the end. But for those who take a deep breath and decide to go for it, Sumption more than repays the effort. He takes a decidedly old-fashioned approach to history, being short on analysis and long on narrative, but there is nothing old-fashioned about his style. He has avoided the academic pitfalls of turgid prose and inaccessibility to produce a work of great readability that challenges many traditional assumptions.
To read many historians, the Hundred Years War was a glorious period of nobility and chivalry. Sumption gives the lie to this. He shows the war to be venal, savage, and mercenary. Soldiers often gave more thought to their captives than they did for their cause, as huge ransoms could be extracted for their release. We're only talking noble hostages, mind. The ordinary foot soldier had no monetary value and was usually butchered on the spot. The same applied to civilians. This wasn't a war where human life was sanctified and the fighting was restricted to the battlefield. It had all the subtlety of the bombing of Dresden, but as the fighting was almost entirely restricted to mainland France, England created a wave of terror to force the locals into submission. "Not a man or woman of substance dared to wait in the towns and castles or in the country around; wherever our army appeared, they fled away," wrote one English observer. Sumption's readers are likely to have precisely the opposite reaction. --John Crace, Amazon.co.uk
--This text refers to an out of print or unavailable edition of this title.
Review
"Like the great fourteenth-century chronicler Jean Froissart, to whom [Sumtion] is a worthy successor, the value of his work lies at least in part in the fact that he includes so much that others leave out. There is no other book which tells the story of this phase of the war so graphically, "the savagery, the utter savagery," to say nothing of the sheer pointlessness, of it all. Divided Houses is a compelling, sustained exercise in original research: all in all, a remarkable achievement."—Times Literary Supplement
"This will become the standard account of the War."—Choice
"A classic of sharp scholarship and dust-dispelling energy. . . . Throughout his vigorous narrative, Sumption displays an effortless command of sources."—Times Literary Supplement
"Sumption is bringing together so many different stories from so many countries and telling them with such close attention to detail that the chronicles of confusion become a trustworthy record of the time."—New York Review of Books
"A superb narrative history."—Military History
Praise for The Hundred Years War, Volume I: Trial by Battle—
"A rich book, filled with detail and incident, yet never losing a sense of the overall sweep of events."—Times Literary Supplement
"In a balanced and seamless presentation, the origins and first decade of the Hundred Years' War unfold before the reader."—American Historical Review
"Without any doubt, this book immediately takes its place as the best available account of this phase of the war. . . . It is compulsively readable, in part the consequence of a lucid style and apt choice of detail, but mainly the result of a masterly overall grasp, acute judgement, fresh insight, and a compelling sense of immediacy that fully justifies the author's preference for a predominantly narrative approach. Throughout, there is a sense of a luminous intelligence working on the material."—History