From Publishers Weekly
Like a chameleon, Prose seems able to switch subjects and styles with amazing versatility. Her past works include the tale of an actress possessed by a dybbuk (Hungry Hearts) and that of a journalist for a sleazy tabloid whose fabricated stories come true (Bigfoot Dreams). This collection of 12 short stories is surely grounded in the everyday and the familiar, yet there is an element of surprise in all of them. Anita, the protagonist of "Electricity" has a new baby, a departed husband and a father who has suddenly espoused orthodox Judaism. Suddenly realizing "the unpredictability of life, the sense that everyone is finally unreliable," she wants "everything to be the way it was before everything changed." Yet, she experiences an epiphany that helps her to go on. Most of Prose's characters are ordinary people who suddenly turn a corner into an unusual situation or a crisis that gives them a flashing insight about the unrealized essence of their lives. The protagonist of "Everyone Had a Lobster" discovers that "the worst moments of waiting for life to begin are better . . . than knowing it already has." A painter attempting to pass off a counterfeit work, a "downwardly mobile" divorcee whose ESP did not warn her about her husband's intention to leave, an Arizona housewife whose smugness is irrevocably pierced by her brother-in-law's behaviorall typify characters who realize "whatever happens after this, nothing will be the same." While these narratives suffer somewhat from a predetermined point of view, they are distinguished by Prose's teasing imagination.
Copyright 1988 Reed Business Information, Inc.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
Prose stands out among other writers on the contemporary fiction scene. Though her collection offers no formal surprises to readers familiar with the body of new work that attempts to chronicle the affluent postmodern generation, Prose manages to escape the disheartening conventions of this work by offering us characters and situations that implicitly contest our weary acceptance of a genre usually recognized by its lack of emotional engagement. The women and children (and men) that populate these stories manifest a humanity that, given the shallow terrain they inhabit, is all the more compellng. Paradoxically hopeful and optimistic, this is often a moving book. Mollie Brodsky, Rutgers Univ., New Brunswick, N.J.
Copyright 1988 Reed Business Information, Inc.
Copyright 1988 Reed Business Information, Inc.
